1,062
Views
0
CrossRef citations to date
0
Altmetric
Conversations

Layered wanderings: epistemic justice through the art of Wangechi Mutu and Njideka Akunyili Crosby

ORCID Icon

References

  • Ackerly, Brooke A., and Jacqui True. 2006. “Studying the Struggles and Wishes of the age: Feminist Theoretical Methodology and Feminist Theoretical Methods.” In Feminist Methodologies for International Relations, edited by Brooke A. Ackerly, Maria Stern, and Jacqui True, 241–260. Cambridge: Cambridge University Press.
  • Agathangelou, Anna M., and L.H.M. Ling. 2009. Transforming World Politics: From Empire to Multiple Worlds. London: Routledge.
  • Akunyili Crosby, Njideka. 2016a. Njideka Akunyili Crosby: I Refuse to Be Invisible. Norton Museum of Art.
  • Akunyili Crosby, Njideka. 2016b. Interview: “The Artist: Njideka Akunyili Crosby” in Luxury Defined. https://www.christiesrealestate.com/blog/the-artist-njideka-akunyili-crosby.
  • Akunyili Crosby, Njideka. 2018. Interview with Madeleine Brand: “Njideka Akunyili Crosby on Portraits of Domestic Life.” Press Play with Madeleine Brand, KCRW Radio. https://www.kcrw.com/news-culture/shows/press-play-with-madeleine-brand.
  • Brocklehurst, Helen. 1999. “Painting International Relations.” International Feminist Journal of Politics 1 (2): 314–323. doi: 10.1080/146167499359989
  • Brown, Jayna. 2008. Babylon Girls: Black Women Performers and the Modern Body. Durham, NC: Duke University Press.
  • Cervenak, Sarah Jane. 2014. Wandering: Philosophical Performances of Racial and Sexual Freedom. Durham, NC: Duke University Press.
  • Cervenak, Sarah Jane. 2016. “Like Blood or Blossom: Wangechi Mutu's Resistant Harvests.” Feminist Studies 42 (2): 392–425. doi: 10.15767/feministstudies.42.2.0392
  • da Silva, Denise Ferreira. 2014. “Toward a Black Feminist Poethics: The Quest(ion) of Blackness Toward the End of the World.” The Black Scholar 44 (2): 81–97. doi: 10.1080/00064246.2014.11413690
  • Danchev, Alex, and Debbie Lisle. 2009. “Introduction: Art, Politics, Purpose.” Review of International Studies 35 (4): 775–779. doi: 10.1017/S0260210509990179
  • Edkins, Jenny. 2003. “Security, Cosmology, Copenhagen.” Contemporary Politics 9 (4): 361–370. doi: 10.1080/1356977032000172863
  • Enloe, Cynthia. 1996. “Margins, Silences and Bottom Rungs: How to Overcome the Underestimation of Power in the Study of International Relations.” In International Theory: Positivism and Beyond, edited by Steve Smith, Ken Booth, and Marysia Zalewski, 186–202. Cambridge: Cambridge University Press.
  • Grosfoguel, Ramón. 2012. “Decolonizing Western Uni-Versalisms: Decolonial Pluri-Versalism from Aimé Césaire to the Zapatistas.” Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World 1 (3): 88–104. https://escholarship.org/uc/item/01w7163v.
  • Halberstam, Judith. 2011. The Queer Art of Failure. Durham, NC: Duke University Press.
  • Haraway, Donna J. 1997. Modest_Witness@Second_Millennium.FemaleMan_Meets OncoMouseTM. London: Routledge.
  • Haraway, Donna J. 2016. Staying with the Trouble: Making Kin in the Chthulucene. Durham, NC: Duke University Press.
  • Hernandez, Jillian. 2017. “The Ambivalent Grotesque: Reading Black Women’s Erotic Corporeality in Wangechi Mutu’s Work.” Signs: Journal of Women in Culture and Society 42 (2): 427–457. doi: 10.1086/688290
  • Kangas, Anni, Daria Krivonos, Inna Perheentupa, and Saara Särmä. 2018. “Smashing Containers, Queering the International Through Collaging.” International Feminist Journal of Politics, Online First, 1–28, https://www.tandfonline.com/doi/abs/10.1080/14616742.2018.1535249.
  • Law, John. 2003. “Making a Mess with Method.” Centre for Science Studies, Lancaster University, https://www.lancaster.ac.uk/fass/resources/sociology-online-papers/papers/law-making-a-mess-with-method.pdf.
  • Ling, L.H.M. 2019. “Three-ness: Healing World Politics with Epistemic Compassion.” Politics 39 (1): 35–49. doi:10.1177/0263395718783351.
  • Lisle, Debbie. 2018. “Failing Worse? Science, Security and the Birth of a Border Technology.” European Journal of International Relations 24 (4): 887–910. doi: 10.1177/1354066117738854
  • Lugones, María. 1987. “Playfulness, ‘World’-Travelling, and Loving Perception.” Hypatia 2 (2): 3–19. doi: 10.1111/j.1527-2001.1987.tb01062.x
  • Manchanda, Rita. 2001. “Redefining and Feminising Security.” Economic and Political Weekly 36 (22): 1956–1963.
  • Moore, Cerwyn, and Laura J. Shepherd. 2010. “Aesthetics and International Relations: Towards a Global Politics.” Global Society 24 (3): 299–309. doi: 10.1080/13600826.2010.485564
  • Mutu, Wangechi, and Lauri Firstenberg. 2003. “Perverse Anthropology: The Photomontage of Wangechi Mutu.” In Looking Both Ways: Art of the Contemporary African Diaspora, 137–144. New York: Museum of African Art.
  • Papenburg, Bettina. 2012. “Grotesque Sensations: Carnivalising the Sensorium in the Art of Wangechi Mutu.” In Carnal Aesthetics: Transgressive Imagery and Feminist Politics, edited by Bettina Papenburg and Marta Zarzycka, 158–172. London: IB Tauris.
  • Saatchi Gallery. no date. “Wangechi Mutu.” https://www.saatchigallery.com/artists/wangechi_mutu.htm.
  • Särmä, Saara. 2015. “Collage: An Art-Inspired Methodology for Studying Laughter in World Politics.” E-International Relations. https://www.e-ir.info/2015/06/06/collage-an-art-inspired-methodology-for-studying-laughter-in-world-politics/.
  • Schapiro, Miriam, and Melissa Meyer. 1977. “Waste Not Want Not: An Inquiry into What Women Saved and Assembled.” Heresies: Women’s Traditional Arts: The Politics of Aesthetics. https://users.wfu.edu/~laugh/painting2/femmage.pdf.
  • Sedgwick, Eve Kosofsky. 1990. Epistemology of the Closet. Berkeley, CA: University of California Press.
  • Selasi, Taiye. 2005. “Bye-Bye, Baby (Or: What is an Afropolitain?)” The LIP Magazine. http://thelip.robertsharp.co.uk/?p=76.
  • Singh, Juliette. 2018. Unthinking Mastery: Dehumanism and Decolonial Entanglements. Durham, NC: Duke University Press.
  • Sylvester, Christine. 2005. “The Art of War/the War Question in (Feminist) IR.” Millennium 33 (3): 855–878. doi: 10.1177/03058298050330030801
  • Sylvester, Christine. 2015. Art/Museums: International Relations Where We Least Expect It. London: Routledge.
  • Van Veeren, Elspeth. 2018. “Secrecy as Security Composition.” SPAIS Working Paper Series, Working Paper Number 2-2018. http://www.bristol.ac.uk/media-library/sites/spais/documents/Secrecy%20as%20security%20composition_Van%20Veeren.pdf.
  • Victoria Miro. no date. “Njideka Akunyili Crosby.” https://www.victoria-miro.com/artists/185-njideka-akunyili-crosby.
  • Waldman, Diane. 1992. Collage, Assemblage, and the Found Object. London: Phaidon.
  • White, Simone. 2018. “Skin, or Surface: Njideka Akunyili Crosby's Works Consider the History of Being Seen and Touched by Black Women.” Frieze: Contemporary Art and Culture 194: 96–101.
  • Zalewski, Marysia, Alex Bew, Marlyn Riggs, Claudia Clare, Charlie Hackett, and Helen M. Kinsella. 2009. “Celebrating Twenty Years of British Gender and IR: Crafting the Future-Present-Past.” International Feminist Journal of Politics 11 (3): 305–333. doi: 10.1080/14616740903017455
  • Zelt, Natalie. 2018. “Picturing an Impossible American: Njideka Akunyili Crosby and Photographic Transfers in Portals (2016).” Open Cultural Studies 2 (1): 212–224. doi: 10.1515/culture-2018-0020

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.