Constructures: supporting human ingenuity in software

References

• Beardon , C. 2006 . Programming and creativity . Digital Creativity , 17 ( 1 ) : 1 – 2 .
   Web of Science ®Google Scholar
• Boden , M. 1991 . The creative mind: myths and mechanisms , New York : Basic Books, Inc. .
   Google Scholar
• Campbell , D. T. 1960 . Blind variation and selective retention in creative thought as in other knowledge processes . Psychological Review , 67 ( 6 ) : 380 – 400 .
   PubMed Web of Science ®Google Scholar
• Cope , D. 1996 . Experiments in musical intelligence , Wisconsin : A-R Editions, Inc. Madison .
   Google Scholar
• Csikszentmihalyi , M. 1990 . Flow: the psychology of optimal experience , Harper Perennial .
   Google Scholar
• Csikszentmihalyi , M. 1996 . Creativity: flow and the psychology of discovery and invention , Harper Collins .
   Google Scholar
• Edmonds , E. 2000 . Art practice augmented by digital agents . Digital Creativity , 11 ( 4 ) : 193 – 204 .
   Google Scholar
• Finke , R. A. 1996 . Imagery, creativity and emergent structure . Consciousness and Cognitition , 5 ( 3 ) : 381 – 393 .
   PubMed Web of Science ®Google Scholar
• Fish , J. and Scrivener , S. 1990 . Amplifying the mind's eye: sketching and visual cognition . Leonardo , 23 ( 1 ) : 117 – 126 .
   Web of Science ®Google Scholar
• Fishwick , P. , Davis , T. and Douglas , J. 2005 . Model representation with aesthetic computing: method and empirical study . ACM Trans. Model. Comput. Simul. , 15 ( 3 ) : 254 – 279 .
   Google Scholar
• Fux , J. J. , Mann , A. and Edmunds , J. 1965 . The study of counterpoint from Johann Joseph Fux's gradus ad parnassum , New York : W.W. Norton & Co. .
   Google Scholar
• Gabora , M. A. 1990 . The creative mind: myths and mechanisms , 2 , New York : Routledge .
   Google Scholar
• Hausman , C. R. 1979 . Criteria of creativity . Philosophy and Phenomenological Research , 40 ( 2 ) : 237 – 249 .
   Web of Science ®Google Scholar
• Huron , D. 2006 . Sweet anticipation: music and the psychology of expectation , MIT Press .
   Google Scholar
• Landay , J. and Myers , B. Interactive sketching for the early stages of user interface design . CHI ‘95: Proceedings of the SIGCHI Conference on Human factors in Computing Systems , pp. 43 – 50 .
   Google Scholar
• Lerdahl , F. and Jackendoff , R. 1983 . A generative theory of tonal music , MIT Press .
   Google Scholar
• Mamykina , L. , Candy , L. and Edmonds , E. 2002 . Collaborative Creativity . Communications of the ACM , 45 ( 10 ) : 96 – 99 .
   Web of Science ®Google Scholar
• Massetti , B. 1996 . An empirical examination of the value of creativity support systems on idea generation . MIS Quarterly , 20 ( 1 ) : 83 – 97 .
   Web of Science ®Google Scholar
• Matson , J. V. 1991 . The art of innovation:using intelligent fast failure , Penn State Press .
   Google Scholar
• Meyers , M. A. 1995 . Science, creativity, and serendipity . American Journal of Roentgenology , 165 ( 4 ) : 755 – 764 .
   PubMedGoogle Scholar
• Mithen , S. 2005 . The singing Neanderthals: the origins of music, language, mind, and body , 374 Weidenfeld and Nicolson .
   Google Scholar
• Mozart , W. A. 1956 . Musikalisches Würfelspiel, K516f, K294d, K. Anhang C 30.01 , Mainz : Schott. Sohne .
   Google Scholar
• Scaletti , C. 2002 . Computer music languages, kyma, and the future . Computer Music Journal , 26 ( 4 ) : 69 – 82 .
   Google Scholar
• Schenker , H. and Oster , E. 2001 . Free composition: new musical theories and fantasies , Pendragon Press .
   Google Scholar
• Shneiderman , B. 1984 . Response time and display rate in human performance with computers . ACM Computing Surveys , 16 ( 3 ) : 265 – 285 .
   Google Scholar
• Shneiderman , B. 2000 . Creating creativity: user interfaces for supporting innovation . ACM Transactions in Computer-Human Interaction , 7 ( 1 ) : 114 – 138 .
   Google Scholar
• Shneiderman , B. 2002 . Creativity support tools . Communications of the ACM , 45 ( 10 ) : 116 – 120 .
   Web of Science ®Google Scholar
• Simonton , D. K. 1999 . Creativity as blind variation and selective retention: is the creative process darwinian? . Psychological Inquiry , 10 ( 4 ) : 309 – 328 .
   Web of Science ®Google Scholar
• Smith , J. , DeShaye , J. and Stoicheff , P. 2006 . Callimachus: avoiding the pitfalls of XML for collaborative text analysis . Literary and Linguistic Computing , 21 ( 2 ) : 199 – 218 .
   Google Scholar
• Smith , J and Liu , Y. A relational database model for exploratory text analysis . Proceedings of CaSTA 2007 ,
   Google Scholar
• Smith , J. Penelope: a practical creative tool for integrating authorship, annotation, analysis and the management of ideas . to appear in Proceedings of CaSTA 2008.
   Google Scholar
• Sorrel , N. 1990 . A guide to the gamelan , Faber and Faber
   Google Scholar
• Verstijnen , I. M. , van Leeuwen , C. , Goldschmidt , G. , Hamel , R. and Hennessey , J. M. 1998 . Sketching and creative discovery . Design Studies , 19 ( 4 ) : 519 – 546 .
   Google Scholar
• Wong , Y. Rough and ready prototypes: lessons from graphic design . CHI ‘92: Posters and Short Talks of the 1992 SIGCHI conference on Human Factors in Computing Systems , pp. 83 – 84 .
   Google Scholar
• Zicarelli, D. (2007) http://www.cycling74.com/story/2007/9/28/105551/882, accessed on July 7, 2008
   Google Scholar