References
- Berman , M. 1982 . All That is Solid Melts into Air — the Experience of Modernity. , New York : Simon & Schuster .
- Brockman , J. 1995 . The Third Culture — Beyondthe Scientific Revolution. , New York : Simon & Schuster .
- Coupland , D. 1995 . Microserfi. , New York : Regan Books .
- Droste , M. 1998 . Bauhaus 1919–1933. , Köln : Benedikt Taschen Verlag .
- Hitchcock , H. and Johnsson , P. 1932 . The International Style. , New York : Museum of Modern Art .
- Kapor , M. 1996 . “ A software design manifesto ” . In Bringing design to software , Edited by: Winograd , Terry . 3 – 4 . New York : ACM Press .
- Kelly, K. The Third Culture www.edge.org/3rd_culture/kelly/.
- Lave , J. and Wenger , E. 1991 . Situated learning—legitimate peripheral participation. , Cambridge : Cambridge University Press .
- Liedman , S‐E. 1998 . I skuggan av framtiden —modernitetens ide'historia (In the Shadow of the Future). , Falkenberg : Bonnier Alba .
- Marx , K. and Engels , F. 1848 . The Communist Manifesto. , New York : Pathfinder . 1987
- Naylor , G. 1985 . The Bauhaus Reassessed. , London : Herbert Press Ltd. .
- Purdy , J. S. 1998 . The god of the digirati. . The American Prospect , 37 March‐April : 12 – 14 . 1998)
- Schlemmer , O. 1978 . “ The Staatliche Bauhaus in Weimar — manifesto from the first Bauhaus exhibition in Weimar, 1923 ” . In The Bauhaus , Edited by: Wingler , H. M. 55 – 56 . Cambridge : MIT press .
- Schön , D. 1987 . Educating the Reflective Practitioner — Towards a New Design for Teaching and Learning in the Professions , San Francisco : Jossey‐Bass .
- Snow , C. P. 1959 . The Two Cultures and the Scientific Revolution. , Cambridge : Cambridge University Press .
- Sommerer , C. and Mignonneau , L. , eds. 1998 . Art@Science. , Wien : Springer‐Verlag .
- Wolfe , T. 1982 . From Bauhaus to our house. , Great Britain : Jonathan Cape .
- The original version of this manifesto was presented in Swedish as an inaugural address to the first students at the opening of the School of Art and Communication, Malmo University, Malmo, Sweden, August 30, 1998. I have made a few revisions in this English version and added footnotes. As the paper now stands it is intended both as a general manifesto for creative and socially useful digital design and an introduction to the practical implementation of this digital Bauhaus vision in our school in Malmo.