References
- Abra, J. 1987. “The Dancer as Masochist.” Dance Research Journal 19 (2): 33–39. doi:10.2307/1478169.
- Adair, C. 1992. Women and Dance: Sylphs and Sirens. New York: New York University Press.
- Banes, S. 1999. Dancing Women: Female Bodies on Stage. London and New York: Routledge.
- Broomfield, M A.. 2011 “policing Masculinity and Dance Reality Television: What Gender Nonconformity Can Teach Us in the Classroom”. Journal of Dance Education (11) 4: 124–128. doi:10.1080/15290824.2011.622710
- Bull, C. 1997. “Sense, Meaning, and Perception in Three Dance Cultures.” In Meaning in Motion: New Cultural Studies of Dance, edited by J. C. Desmond. Durham and London: Duke University Press. doi:10.1215/9780822397281-015.
- Cardinal, M K.. (2013) “Deciphering Dance in Reality Television: The Good, the Questionable, and the Unconscionable”. Journal of Physical Education, Recreation & Dance 84:1, pages 7-10. doi:10.1080/07303084.2013.744915
- Cartwright, M. M. 2012. “Princess by Proxy: What Child Beauty Pageants Teach Girls about Self-Worth and What We Can Do about It.” Journal of the American Academy of Child and Adolescent Psychiatry 51 (11): 1105–1107. doi:10.1016/j.jaac.2012.08.011.
- Copeland, R. 1993. “Dance Feminism, and the Critique of the Visual.” In Dance Gender and Culture, edited by H. Thomas, 139–150. Basingstoke/London: Macmillan Press.
- Daly, A. 2002. Critical Gestures: Writings on Dance and Culture. Middletown, CT: Wesleyan University Press.
- Dance Magazine. 2019. “NYCDA Is Redefining the Convention Scene through Life-Changing Opportunities.” October 23. https://www.dancemagazine.com/nycda-2640993711.html
- Dempster, E. 1988. “Women Writing the Body: Let’s Watch a Little How She Dances.” In Grafts: Feminist Cultural Criticism, edited by S. Sheridan. London: Verso. Reprinted (1995) in Bodies of the text: Dance as theory, literature as dance, ed. Ellen W. Goellner and Jacqueline Shea Murphy. New Brunswick, N.J.: Rutgers University Press.
- Dryburgh, A., Fortin, S. 2010. “Weighing in on surveillance: Perception of the impact of surveillance on female ballet dancers’ health..” Research in Dance Education, 11(2): 95–108
- Elswit, K. 2012. “So You Think You Can Dance Does Dance Studies.” The Drama Review 56 (1): 133–142. doi:10.1162/DRAM_a_00148.
- Energyndc. 2010–2018. https://energyndc.com/rules/
- Featherstone, M. 1991. “The Body in Consumer Culture.” In The Body: Social Process and Cultural Theory, edited by M. Hepworth and B. S. Turner, 170–196. London: SAGE Publications .
- Feidelson, L. 2017. “Inside the High-Drama World of Youth Competition Dance.” New York Times, December 21. https://www.nytimes.com/2017/12/21/magazine/inside-the-high-drama-world-of-youth-competition-dance.html
- Fisher, J. 2014. “When Good Adjectives Go Bad: The Case of So-called Lyrical Dance.” Dance Chronicle 37 (3): 312–334. doi:10.1080/01472526.2014.958650.
- Fitt, S. S. 1996. Dance Kinesiology. New York: Schirmer Books.
- O'Flynn, Gabrielle, Pryor, Zoe, and Gray, Tonia. 2013. “Embodied Subjectivities: Nine Young Women Talking Dance.”Journal of Dance Education 13(4): 130–138. doi:10.1080/15290824.2013.786832
- Foster, S. L. 1986. Reading Dancing: Bodies and Subjects in Contemporary American Dance. Berkeley, Los Angeles, London: University of California Press.
- Foster, S. L. 1997. “Dancing Bodies.” In Post-Contemporary Interventions, Meaning in Motion: New Cultural Studies of Dance, edited by J. C. Desmond. Duke University Press. doi:10.1215/9780822397281.
- Foster, S. L. 2013. “Performing Authenticity and the Gendered Labor of Dance.” In Choreographie, Medien, Gender, edited by Y. Hardt, M.-L. Angerer, and A.-C. Weber, 125–138. Zurich, Switzerland: Diaphanes.
- Foster, S. L. 2017. “Dance And/as Competition in the Privately Owned US Studio.” In The Oxford Handbook of Dance and Politics, edited by R. J. Kowal, G. Siegmund, and R. Martin, 53–76. New York, NY: Oxford University Press.
- Foster, S.L. 1997. “Dancing Bodies.” In Meaning in Motion, edited by Jane C. Desmond, 235–257. Duke University Press: Durham & London.
- Foucault, M. 1977. Discipline and Punish. New York: Random House.
- Friedman, Hilary Levey. 2013. Playing to Win: Raising Children in a Competitive Culture. Berkley: University of California Press.
- Goffman, E. 1969. Strategic Interaction. Philadelphia: University of Pennsylvania Press.
- Goffman, E. 1972. Relations in Public; Microstudies of the Public Order. New York: Harper Colophon Books.
- Goffman, E. 1973. The Presentation of Self in Everyday Life. Woodstock, N.Y.: Overlook.
- Gordon, Suzanne. 1983. Off Balance: The Real World of Ballet. New York: Pantheon Books.
- Gray, K. M., and M. A. Kunkel. 2001. “The Experience of Female Ballet Dancers: A Grounded Theory.” High Ability Studies 12 (1): 7–25. doi:10.1080/13598130120058662.
- Guarino, L. 2014. “Jazz Dance Training via Private Studios, Competitions, and Conventions.” In Jazz Dance: A History of the Roots and Branches, edited by L. Guarino and W. Oliver, 197–206. Gainesville: University Press of Florida.
- Harrington, H. 2019. “A Rite of Passage - Bringing Your Daughter to Dance Class.” Beauty Demands. University of Birmingham. https://beautydemands.blogspot.com/2019/08/a-rite-of-passage-bringing-your.html
- Harvey, David. 1990. The Condition of Postmodernity. Oxford: Blackwell.
- Heiland, T L., D S. Murray, and P P. Edley. 2008. “Body image of dancers in Los Angeles: the cult of slenderness and media influence among dance students.” Research in Dance Education 9 (3): 257–75. doi:10.1080/14647890802386932.
- Howard, T. R. 2018. “Is Instagram Changing the Dance World’s Value System?” Dance Magazine, July 16. https://www.dancemagazine.com/instagram-dance-2585216791.html
- Irigaray, L. 1985a. Speculum of the Other Woman. Translated by Gillian C. Gill. New York: Cornell.
- Irigaray, L. 1985b. This Sex Which Is Not One. New York: Cornell. Translated by Catherine Porter https://www-sciencedirect-com.kean.idm.oclc.org/science/article/pii/S1083318818303462
- Irigaray, L. 1993. “Divine Women.” In Sexes and Genealogies. Translated by Gillian C. Gill, 54–72. New York: Columbia University Press.
- Irigaray, L. 2011. “Perhaps Cultivating Touch Can Still Save Us.” Substance: A Review of Theory & Literary Criticism 40 (3): 130–140. doi:10.1353/sub.2011.0035.
- Kaczanowska, A. 2012. “Dance Competition Promoters in the US.” IBISWorld Industry Report OD4843. New York, NY: IBISWorld.
- Kennicott, P., and P. McGlone. 2017. “Trump Wants to Cut the NEA and NEH. This Is the Worst-Case Scenario for Arts Groups.” The Washington Post, March 16. https://www.washingtonpost.com/lifestyle/style/with-elimination-of-nea-and-neh-trumps-budget-is-worst-case-scenario-for-arts-groups/2017/0
- Kolb, A. 2009. Performing Femininity: Dance and Literature in German Modernism. Berlin: Peter Lang, Oxford.
- Lanteri, J. 2016. “Joe Lanteri - #nycdafamily.” YouTube, September 19. https://www.youtube.com/watch?v=PspQ75Wp9jw
- Laos, R. R. 2019. “Social Media and Its Effects in the Commercial Dance World.” Thesis, The University of California, Irvine. https://escholarship.org/uc/item/6dj8x3wp
- LaRocco, C. 2012. “Dance Competitions for Youngsters: Tap-Tap-Tapping into a National Obsession.” The New York Times, September 2. http://www.nytimes.com/2012/09/03/arts/dance/dance-competitions-for-youngsters.html
- Lasch, C. 1979. The Culture of Narcissism. New York: Norton.
- Levin, Jordan. 2016. “Today’s young dancers train hard to win trophies. But what are they losing?” Miami Herold. Nov. 4. https://www.miamiherald.com/entertainment/article112397897.html
- Lessinger, Carol. 1996. “The Nature of the Feldenkrais Method and It’s Value to Dancers.” In Dance Kinesiology by Sally Sevey Fitt, 325- 331. New York: Schirmer Books.
- Mulvey, L. 1975. “Visual Pleasure and Narrative Cinema.” Screen 16 3: 6–18. doi:10.1093/screen/16.3.6.
- New York Dance Alliance. Website. http://www.nycdance.com/
- Novack, C. J. 1990. Sharing the Dance: Contact Improvisation and American Culture. Madison, WI: University of Wisconsin Press.
- Owens, C. 1985. “Feminists and Postmodernism.” In Postmodern Culture, edited by H. Foster, 57–82. London: Pluto Press.
- Pace University Commercial Dance. “Facebook Page.” https://www.facebook.com/pacecommercialdance/https://www.facebook.com/watch/?v=846425028738191
- Phelan, P. 1993. Unmarked: The Politics of Performance. New York: Routledge.
- Pollatou, E., Bakali, N., Theodorakis, Y. and Goudas, M. 2010. “Body image in female professional and amateur dancers”. Research in Dance Education, 11(2): 131–37. doi:10.1080/14647893.2010.482980.
- Reiss, S., Wiltz, J. 2009. “Why people watch reality TV”. Media Psychology, 6(4): 363–78. doi:10.1207/s1532785xmep0604_3
- Revolutiontalent.com. 2020. https://www.revolutiontalent.com/
- Rideout, Victoria M.A., Robb, Michael B. 2019. “2019 Common Sense Census: Media Use by Tweens and Teens”. Common Sense. https://www.commonsensemedia.org/sites/default/files/uploads/research/2019-census-8-to-18-full-report-updated.pdf
- Rizzuto, R. 2019. “When Social Media Triggers Body Image Issues.” Dance Magazine, September. 23. https://www.dancemagazine.com/social-media-body-image-2640309596.html
- Roberts, Tomi-Ann. 2013. “’She’s So Pretty, She Looks Just Like a Bratz Doll!’ Theoretical Foundations for Understanding Girls’ and Women’s Self-Objectification.” In The Sexualization of Girls and Girlhood: Causes, Consequences, and Resistance, edited by Eileen L. Zurbriggen and Tomi-Ann Roberts, 22–35. Oxford: Oxford University Press.
- Roberts, Tomi-Ann. 2015. “Dr. Tomi-Ann Roberts, PhD talks with YPAD about the Sexualization of Youth in Dance [Full Interview].” YouTube.Youth Protection Advocates inDance, July 11th. https://www.youtube.com/watch?v=FwtMavXJv
- Ryan, Joan. 2000. Little Girls in Pretty Boxes: The Making and Breaking of Elite Gymnasts and Figure Skaters. New York, NY: Warner Books.
- Sales, N. J. 2016. Summary of American Girls by Nancy Jo Sales: Social Media and the Secret Lives of Teenagers. San Francisco: Instaread. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1450304
- Sartre, J.-P. 1984. Being and Nothingness. Translated by Hazel E. Barnes. New York: Washington Square Press.
- Schupp, K. 2017. “Sassy Girls and Hard-Hitting Boys: Dance Competitions and Gender.” In Dance and Gender: An Evidence-Based Approach, edited by W. Oliver and D. Risner, 76–96. Gainesville: University of Florida Press.
- Schupp, K. 2019b. “Dance Competition Culture and Commercial Dance.” Journal of Dance Education 19 (2): 58–67. doi:10.1080/15290824.2018.1437622.
- Smith, N. S. 1987. “Taking No for an Answer.” Contact Quarterly 12 (2): 3.
- Stahl, J. 2017. “The Most Influential People in Dance Today: Joe Lanteri.” Dance Magazine, June 19. https://www.dancemagazine.com/the-most-influential-people-in-dance-today-joe-lanteri-2442313263.html
- Summers-Bremner, E. 2000. “Reading Irigaray, Dancing.” Hypatia 15 (1): 90–124. doi:10.1111/j.1527-2001.2000.tb01081.x.
- Tomko, L. J. 1999. Dancing Class: Gender, Ethnicity, and Social Divides in American Dance, 1890–1920. Bloomington & Indianapolis: Indiana University Press.
- Turner, B. S. 1984. The Body and Society: Explorations in Social Theory. Oxford: Basil Blackwell Publisher.
- Weisbrod, A. A. 2010. “Competition Dance: Redefining Dance in the United States.” Doctoral diss., University of California, Riverside.
- Widdows, H. 2018. Perfect Me!: Beauty as an Ethical Ideal. Princeton: Princeton University Press.
- Wingenroth, Lauren. 2018. “What It Takes to Make It As A Commercial Dancer”. Dance Magazine. Feb. 28. https://www.dancemagazine.com/how-to-be-commercial-dancer-2540850058.html
- Wonderful World of Dance. Facebook. https://www.facebook.com/TheWonderfulWorldofDance/