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Research in Dance Education Volume 22, 2021 - Issue 1
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Articles

Afro-Latin dance as reconstructive gestural discourse: the figuration philosophy of dance on salsa

Joshua M. HallDepartment of Philosophy, William Paterson University, Wayne, NJ, USACorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0003-0762-6375View further author information
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Pages 73-87 | Received 16 Oct 2018, Accepted 02 Aug 2020, Published online: 03 Sep 2020

References

  • Alcoff, L. M. 2005. Visible Identities: Race Gender and the Self. Oxford: Oxford University Press.
  • Hall, J. M. 2021. “Dancing-with: A Theoretical Method for Poetic Social Justice.” In Dance and Philosophy, edited by R. Farinas, J. C. Craig Hanks, V. Camp, and A. Bresnahan. London: Bloomsbury.
  • Hans-George Gadamer. 2004. Truth and Method, trans. Joel Weisenheimer & Donald G. Marshall, 102. New York: Continuum.
  • .McMains, J. 2015. Spinning Mambo into Salsa: Caribbean Dance in Global Commerce. New York: Oxford.
  • Ross, V. R. 1958. Cosas de Negros: Estudios Preliminar y Notas de Horacio J. Becco. Buenos Aires: Hachette.
  • Savigliano, M. 1995. Tango and the Political Economy of Passion. Boulder, CO: Westview Press.
  • Thompson, R. F. 1973. “An Aesthetic of the Cool II.” African Arts 7 (1): 40–92. doi:10.2307/3334749.
  • Wittgenstein, L. 1991. Philosophical Investigations. trans. G. E. M. Anscombe. Hoboken, NJ: Wiley-Blackwell.

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