1,618
Views
13
CrossRef citations to date
0
Altmetric
Original Articles

As Kamp As Bree

The Politics of Camp Reconsidered By Desperate Housewives

Pages 157-174 | Published online: 19 Aug 2006

References

  • Akass , Kim and McCabe , Janet , eds. 2007 . Reading Desperate Housewives , London : I.B. Tauris .
  • Ali: Fear eats the soul (1974) dir. Fassbinder, Germany.
  • All That Heaven Allows (1955) dir. Douglas Sirk, USA.
  • Ally McBeal (television series) (1997–2003), USA.
  • American Beauty (1999) dir. Sam Mendes, USA.
  • Austin , John L. 1962 . How To Do Things With Words , Oxford : Clarendon Press .
  • Babuscio , Jack . 1984 . “ Camp and the gay sensibility ” . In Gays and Film , Edited by: Dyer , Richard . 40 – 57 . London and New York : Zoetrope .
  • Bergman , David . 1993 . “ Introduction ” . In Camp Grounds: Style and Homosexuality , Edited by: Bergman , David . Amherst : University of Massachusetts Press .
  • Blachford , Gregg . 1981 . “ Male dominance and the gay world ” . In The Making of the Modern Homosexual , Edited by: Plummer , Kenneth . 184 – 210 . London : Hutchinson .
  • Boys Don't Cry (1999) dir. Kimberly Peirce, USA.
  • Butler , Judith . 1991 . “ Imitation and gender insubordination ” . In Inside/Out: Lesbian Theories, Gay Theories , Edited by: Fuss , Diana . 13 – 31 . London and New York : Routledge .
  • Butler , Judith . 1993 . Bodies That Matter: On The Discursvie Limits of “Sex” , London and New York : Routledge .
  • Butler , Judith . 1999 . Gender Trouble: Feminism and the Subversion of Identity , 2nd edn , London and New York : Routledge .
  • Camper , Fred . 1971 . The films of Douglas Sirk . Screen , 12 ( 2 ) : 44 – 62 .
  • Charmed (1998–) (television series), USA.
  • Clum , John M. 2000 . Still Acting Gay: Male Homosexuality in Modern Drama , New York : St. Martin's Griffin .
  • Desperate Housewives (2004–) (television series), USA.
  • Dollimore , Jonathan . 1991 . Sexual Dissidence: Augustine to Wilde, Freud to Foucault , Oxford : Clarendon Press .
  • Dollimore , Jonathan . 2001 . Sex, Literature and Censorship , Cambridge : Polity Press .
  • Douglas , Susan and Michaels , Meredith . 2005 . The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women , New York : Simon and Schuster .
  • Dyer , Richard . 2004 . “ It's being so camp as keep us going ” . In The Culture of Queers , Edited by: Dyer , Richard . 49 – 62 . London and New York : Routledge .
  • Elsaesser , Thomas . 1987 . “ Tales of sound and fury: observations on the family melodrama ” . In Home Is Where The Heart Is: Studies In Melodrama and the Woman's Film , Edited by: Christine , Gledhill . 43 – 69 . London : BFI .
  • Family Law (1999–2002) (television series), USA.
  • Far from heaven (2002) dir. Todd Haynes, USA.
  • Farmer , Brett . 2000 . Spectacular Passions: Cinema, Fantasy, Gay Male Spectatorships , Durham, NC and London : Duke University Press .
  • Fernbach , Amanda . 2002 . Fantasies of Fetishism: From Decadence to the Post-Human , Edinburgh : Edinburgh University Press .
  • Foucault , Michel . 1998 . The History of Sexuality , Vol 1 , London : Penguin Books . trans. Robert Hurley
  • Friedan , Betty . 1965 . The Feminine Mystique , Harmondsworth : Penguin .
  • Gamble , Sarah . 1999 . “ Postfeminism ” . In The Icon Critical Dictionary of Feminism and Postfeminism , Edited by: Gamble , Sarah . Cambridge : Icon Books .
  • Gerhard , Jane . 2005 . Sex and the City: Carrie Bradshaw's queer postfeminism . Feminist Media Studies , 5 ( 1 ) : 37 – 49 .
  • The Golden Girls (1985–1992) (television series), USA.
  • Greer , Germaine . 1971 . The Female Eunuch , St. Albans : Paladin .
  • Greer , Germaine . 1999 . The Whole Woman , London : Doubleday .
  • Hollows , Joanne . 2003 . Feeling like a domestic goddess: postfeminism and cooking . European Journal of Cultural Studies , 6 ( 2 ) : 179 – 202 .
  • Hooks , Bell . 1981 . Ain't I a Woman: Black Women and Feminism , Boston : South End Press .
  • Judging Amy (television series) (1999–), USA.
  • Kim , L. S. 2001 . Sex and the single girl” in Postfeminism: the F word on television . Television and New Media , 4 ( 4 ) : 319 – 334 .
  • Kleinhans Chuck (1994) ’Taking Out the Trash: Camp and the Politics of Irony’ The Politics and Poetics of Camp (ed.) Moe Meyer. Routledge, London and New York, pp. 182–201.
  • Lotz , Amanda D. 2001 . Postfeminist television criticism: rehabilitating critical terms and identifying postfeminist attributes . Feminist Media Studies , 1 ( 1 ) : 105 – 121 .
  • MacDonald , Myra . 1995 . Representing Women: Myths of Femininity in the Popular Media , London : Arnold .
  • McRobbie , Angela . 2004 . Post-feminism and popular culture . Feminist Media Studies , 4 ( 3 ) : 255 – 264 .
  • Medhurst , Andy . 1991 . That special thrill: brief encounter, homosexuality and authorship . Screen , 32 ( 2 ) : 197 – 208 .
  • Medhurst , Andy . 1997a . “ Introduction ” . In Lesbian and Gay Studies: A Critical Introduction , Edited by: Medhurst , Andy and Munt , Sally R. xi – xxvii . London : Cassell .
  • Medhurst , Andy . 1997b . “ Camp ” . In Lesbian and Gay Studies: A Critical Introduction , Edited by: Medhurst , Andy and Munt , Sally R. 274 – 293 . London : Cassell .
  • Merck , Mandy . 2003 . “ Sexuality in the city ” . In Reading Sex and the City , Edited by: Akass , Kim and McCabe , Janet . 48 – 62 . London : I.B. Tauris .
  • Meyer , Moe . 1994a . “ Introduction ” . In The Politics and Poetics of Camp , Edited by: Meyer , Moe . 1 – 22 . London and New York : Routledge .
  • Meyer , Moe . 1994b . “ Under the sign of Wilde: an archaeology of posing ” . In The Politics and Poetics of Camp , Edited by: Meyer , Moe . 75 – 109 . London and New York : Routledge .
  • Miller , David A. 1993 . “ Sontag's urbanity ” . In The Lesbian and Gay Studies Reader , Edited by: Abelove , Henry , Aina Barale , Michele and Halperin , David M. London and New York : Routledge .
  • Modleski , Tania . 1991 . Feminism Without Women: Culture and Criticism in a ‘Postfeminist’ Age , London and New York : Routledge .
  • Moseley , Rachel . 2002 . Glamorous witchcraft: gender and magic in teen film and television . Screen , 43 ( 4 ) : 403 – 422 .
  • Moseley , Rachel and Jacinda , Read . 2002 . Having it Ally: popular television (post)feminism . Feminist Media Studies , 2 ( 2 ) : 231 – 249 .
  • Mrs. Doubtfire (1993) dir. Chris Columbus, USA.
  • Mulvey , Laura . 1975 . Visual pleasure and narrative cinema . Screen , 16 ( 3 ) : 6 – 18 .
  • Mulvey , Laura . 1987 . “ Notes on Sirk and melodrama ” . In Home is Where the Heart Is: Studies in Melodrama and the Woman's Film , Edited by: Gledhill , Christine . 75 – 79 . London : BFI .
  • Paglia , Camille . 1995 . Vamps and Tramps: New Essays , London : Penguin .
  • Parker , Andrew . 1996 . The construction of masculinity within boys' physical education . Gender and Education , 8 ( 2 ) : 141 – 162 .
  • Pascoe , Cheri Jo . 2005 . “Dude, you're a fag”: adolescent masculinity and the fag discourse . Sexualities , 8 ( 3 ) : 329 – 346 .
  • Playing it straight (2005) (television series), UK. Channel 4.
  • Ravenhill, Mark (1996) Shopping and Fucking (first performed at the Royal Court Theatre, London).
  • Richardson , Niall . forthcoming . Effeminophobia meets misogyny: the politics of Channel 4 . Playing it Straight' ,
  • Robertson , Pamela . 1996 . Guilty Pleasures: Feminist Camp from Mae West to Madonna , London : I.B. Tauris .
  • Rodowick , David N. 1987 . “ Madness, authority and ideology: the domestic melodrama of the 1950s ” . In Home Is Where The Heart Is: Studies in Melodrama and the Woman's Film , Edited by: Geldhill , Christine . 268 – 280 . London : BFI .
  • Ross , Andrew . 1988 . Uses of camp . The Yale Journal of Criticism , 2 ( 2 ) : 1 – 24 .
  • Safe (2002) dir. Todd Haynes, USA.
  • Sedgwick , Eve Kosofsky . 1990 . Epistemology of the Closet , Berkeley : University of California Press .
  • Sex and the city. (1998–2004) (television series), USA.
  • Sontag , Susan . 1982 . “ Notes on camp ” . In A Susan Sontag Reader , Edited by: Sontag , Susan . London : Penguin .
  • Stern , Michael . 1976 . Patterns of power and potency, repression and violence: an introduction to the study of Douglas Sirk's films of the 1950s . Velvet Light Trap , 16 : 16 – 21 .
  • Thornham , Sue and Purvis , Tony . 2005 . Television Drama: Theories and Identities , Hamsphire : Palgrave MacMillan .
  • Tootsie (1982) dir. Sydney Pollack, USA.
  • Walters , Suzanne Danuta . 1991 . Premature postmortems: “postfeminism” and popular culture . New Politics , 3 ( 2 ) : 103 – 112 .
  • Warner , Michael . 2002 . Publics and Counterpublics , New York : Zone Books .
  • Willemen , Paul . 1971 . Distanciation and Douglas Sirk . Screen , 12 ( 2 ) : 63 – 67 .
  • Willemen , Paul . 1972–73 . Towards an analysis of the Sirkian system . Screen , 12 ( 4 ) : 128 – 133 .
  • Willox , Annabelle . 2003 . Branding Teena: (mis)representations in the media . Sexualities , 6 ( 3/4 ) : 407 – 426 .
  • Wolf , Naomi . 1993 . Fire With Fire: The New Female Power and How it Will Change the 21st Century , London : Chatto & Windus .
  • Wood , Robin . 1998 . “ Reading: Written on the Wind ” . In The Oxford Guide to Film Studies , Edited by: Hill , John and Church Gibson , Pamela . 24 – 26 . Oxford : Oxford University Press .
  • Written on the wind (1957) dir. Douglas Sirk, USA.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.