3,569
Views
3
CrossRef citations to date
0
Altmetric
Articles

Magical manes and untamable tresses: (en)coding computer-animated hair for the post-feminist Disney Princess

Pages 1086-1101 | Received 30 Apr 2017, Accepted 07 Oct 2017, Published online: 15 Nov 2017

References

  • Amidi, Amid. 2013. “Frozen’s Head of Animation Says Animating Women is ‘Really, Really Difficult’.” Cartoon Brew. http://www.cartoonbrew.com/disney/frozen-head-of-animation-says-animating-women-is-really-really-difficult-89467.html.
  • Anjyo, Ken-ichi, Yoshiaki Usami, and Tsuneya Kurihara. 1992. “A Simple Method for Extracting the Natural Beauty of Hair.” Computer Graphics 26 (2): 111–120. 10.1145/142920
  • “Beach Babes: Pick of the Products.” 2010. Sunday Sun. August 22.
  • Brave. 2012. Film. Directed by Mark Andrews and Brenda Chapman. USA: Pixar Studios.
  • Butler, Judith. 1990. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
  • duCille, Ann. 2003. “Black Barbie and the Deep Play of Difference.” In The Feminism and Visual Culture Reader, edited by Amelia Jones, 337–348. New York: Routledge.
  • Do Rozario, Rebecca C. 2004. “The Princess and the Magic Kingdom: Beyond Nostalgia, the Function of the Disney Princess.” Women’s Studies in Communication 27 (1): 35–59.
  • Duke, Lisa. 2000. “Black in a Blonde World: Race and Girls’ Interpretations of the Feminine Ideal in Teen Magazines.” Journalism and Mass Communication Quarterly 77 (2): 367–392. 10.1177/107769900007700210
  • Dyer, Richard. 1997. White. London: Routledge.
  • FilmNC: North Carolina Film Office. 2010. “UNC Grad Student Untangles CGI Hair.” November 29. Accessed April 27, 2017. http://www.filmnc.com/news/498/109/UNC-Grad-Student-Untangles-CGI-Hair.html.
  • Frozen. 2013. Film. Directed by Chris Buck and Jennifer Lee. USA: Walt Disney Pictures.
  • Gill, Rosalind. 2007a. Gender and the Media. Cambridge: Polity Press.
  • Gill, Rosalind. 2007b. “Post-Feminist Media Culture: Elements of a Sensibility.” European Journal of Cultural Studies 10 (2): 146–166.
  • Goudreau, Jenna. 2012. “Disney Princess Tops List of the 20 Best-Selling Entertainment Products.” Forbes. September 17. Accessed April 27, 2017. http://www.forbes.com/sites/jennagoudreau/2012/09/17/disney-princess-tops-list-of-the-20-best-selling-entertainment-products/#74dd9f7252d8.
  • Harris, Anita, ed. 2004. “The 'Can-Do' Girl Versus the 'At-Risk' Girl.” In All About the Girl: Culture, Power, and Identity, 13–36. New York: Routledge.
  • Iben, Hayley, Mark Meyer, Lena Petrovic, Olivier Soares, John Anderson, and Andrew Witkin. 2013. “Artistic Simulations of Curly Hair.” 12th ACM SIGGRAPH/Eurographics Symposium: 63–72.
  • Jones, Lisa. 1994. Bulletproof Diva: Tales of Race, Sex, and Hair. New York: Doubleday.
  • Kapurch, Katie. 2015. “Rapunzel Loves Merida: Melodramatic Expressions of Lesbian Girlhood and Teen Romance in Tangled, Brave, and Femslash.” Journal of Lesbian Studies 19: 436–453. 10.1080/10894160.2015.1057079
  • Kearney, Mary Celeste. 2013. Girls Make Media. New York: Routledge.
  • Kearney, Mary Celeste. 2015. “Sparkle: Luminosity and Post-Girl Power Media.” Continuum 29 (2): 263–273. 10.1080/10304312.2015.1022945
  • Klein, Sheri. 1993. “Breaking the Mold with Humor: Images of Women in the Visual Media.” Art Education 48 (5): 60–65. 10.2307/3193387
  • Luo, Linjie, Hao Li, and Szymon Rusinkiewicz. 2013. “Structure-Aware Hair Capture.” ACM Transactions on Graphics 32 (4): 76:1–76:11.
  • Magnenat-Thalmann, Nadia, Melanie Montagnol, Ugo Bonanni, and Rajeev Gupta. 2007. “Visuo-Haptic Interface for Hair.” International Conference on Cyberworlds 07: 3–12.
  • Magnenat-Thalmann, Nadia, Ugo Bonanni, and Pascal Volino. 2009. “Physical Behavior of Deformable Hair and Clothes: What is Common?” IEEE International Conference on Computer-Aided Design and Computer Graphics 11: 12–18.
  • McRobbie, Angela. 2007. “Post-Feminism and Popular Culture: Bridget Jones and the New Gender Regime.” In Interrogating Post-Feminism: Gender and the Politics of Popular Culture, edited by Yvonne Tasker and Diane Negra, 27–39. Durham: Duke University Press.10.1215/9780822390411
  • McRobbie, Angela, and Jenny Garber. 1991. “Girls and Subcultures.” In Feminism and Youth Culture: From Jackie to Just Seventeen, edited by Angela McRobbie, 1–15. Boston, MA: Unwin Hyman.10.1007/978-1-349-21168-5
  • Moana. 2016. Film. Directed by Ron Clements and John Musker. USA: Walt Disney Pictures.
  • Mulan. 1998. Film. Directed by Barry Cook and Tony Bancroft. USA: Walt Disney Pictures.
  • Opiah, Antonia. 2014. “The Changing Business of Black Hair, a Potentially $500b Industry.” Huffington Post. January 24. Accessed April 28, 2017. http://www.huffingtonpost.com/antonia-opiah/the-changing-business-of-_b_4650819.html.
  • Patrick, Deborah, Shaun Bangay, and Adele Lobb. 2004. “Modelling and Rendering Techniques for African Hairstyles.” Proceedings of the 3rd International Conference on Computer Graphics, Virtual Reality, Visualisation and Interaction in Africa: 115–124.
  • Petrovic, Lena, Mark Henne, and John Anderson. 2005. “Volumetric Methods for Simulation and Rendering of Hair.” Pixar Animation Studios 2 (4): n.p..
  • Pocahontas. 1994. Film. Directed by Michael Gabriel and Eric Goldberg. USA: Walt Disney Pictures.
  • Projansky, Sarah. 2007. “Mass Magazine Cover Girls: Some Reflections on Postfeminist Girls and Postfeminism’s Daughters.” In Interrogating Post-Feminism: Gender and the Politics of Popular Culture, edited by Yvonne Tasker and Diane Negra, 40–72. Durham: Duke University Press. 10.1215/9780822390411
  • Robertson, Barbara. 2012. “The Royal Treatment.” Computer Graphics World 35 (4): 10–19.
  • Robertson, Barbara. 2016. “Navigating Polynesia.” Computer Graphics World 39 (6): 8–16.
  • Sadeghi, Iman, Heather Pritchett, Henrik W. Jensen, and Rasmus Tamstorf. 2010. “An Artist Friendly Hair Shading System.” ACM Transactions on Graphics 29 (4): 56: 1–56:10.
  • Selle, Andrew, Michael Lentine, and Ronald Fedkiw. 2008. “A Mass Spring Model for Hair Animation.” ACM Transactions on Graphics 27 (3): 64: 1–64:11.
  • Soares, Olivier, Samantha Raja, Rich Hurrey, and Hayley Iben. 2012. “Curls Gone Wild: Hair Simulation in Brave.” Paper presented at the meeting of SIGGRAPH, Los Angeles, CA.
  • Tangled. 2010. Film. Directed by Nathan Greno and Bryan Howard. USA: Walt Disney Pictures.
  • Telotte, J. P. 2008. The Mouse Machine: Disney and Technology. Urbana: University of Illinois Press.
  • The Little Mermaid. 1989. Film. Directed by John Musker. U.S.A: Walt Disney Pictures.
  • The Princess and the Frog. 2009. Film. Directed by Ron Clements and John Musker. USA: Walt Disney Pictures.
  • van Oost, Ellen. 2003. “Materialized Gender: How Shavers Configure the Users' Femininity and Masculinity.” In How Users Matter The Co-Construction of Users and Technologies, edited by Nelly Oudshoorn and Trevor Pinch, 193–208. Cambridge: MIT Press.
  • Wade, Susan W. 2013. “Gertrude’s Tonsure: An Examination of Hair as a Symbol of Gender, Family and Authority in the Seventh-Century Vita of Gertrude of Nivelles.” Journal of Medieval History 39 (2): 129–145. 10.1080/03044181.2013.781534
  • Ward, Kelly, Florence Bertails, Tae-Yong Kim, Stephen R. Marschner, Marie-Paul Cani, and Ming C. Lin. 2006. “A Survey on Hair Modeling: Styling, Simulation, and Rendering.” TVCG 13 (2): 213–234.
  • Weitz, Rose. 2004. Rapunzel’s Daughters: What Women’s Hair Tells Us about Women’s Lives. New York: Farrar, Strauss and Giroux.
  • YouTube. 2013. “Tangle Hair Rig Demo.” https://www.youtube.com/watch?v=E2M3b1hc6WA.
  • Zaslow, Emilie. 2009. Feminism Inc: Coming of Age in Girl Power Media Culture. New York: Palgrave Macmillan. 10.1057/9780230101531

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.