2,297
Views
1
CrossRef citations to date
0
Altmetric
Research Article

“A queer black woman invented rock-and-roll”: Rosetta Tharpe, memes, and memory practices in the digital age

Pages 1075-1091 | Received 05 Jul 2020, Accepted 19 Nov 2020, Published online: 15 Dec 2020

References

  • Afropunk. 2019. “Brittany Howard X AFROPUNK Brooklyn.” [Facebook status update]. August 22. https://www.facebook.com/watch/?v=720088438432891
  • Alo ˣ ⁴. 2014. “How Come Everyone Conveniently Forgets that Rock Music Was Created by a Queer Black Woman …. Not a Man! Not a White Person!” Twitter. December 23. https://twitter.com/FatHermosa/status/547526585067532289
  • Brock Jr., Andre. 2012. “From the Blackhand Side: Twitter as a Cultural Conversation.” Journal of Broadcasting & Electronic Media 56 (4): 529–549. doi:10.1080/08838151.2012.732147.
  • Brooks, Daphne A. Forthcoming. Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Cambridge Harvard University Press.
  • ChantéTanksley, Tiera. 2016. “Education, Representation, and Resistance: Black Girls in Popular Instagram Memes.” In The Intersectional Internet: Race, Sex, Class, and Culture Online, edited by in Safiya Umoja Noble and Brendesha M. Tynes, 243–260. New York: Peter Lang.
  • Christian, Aymar Jean. 2016. “Video Stars: Marketing Queer Performance in Networked Television.” In The Intersectional Internet: Race, Sex, Class, and Culture Online, edited by Safiya Umoja Noble and Brendesha M. Tynes, 95–114. New York: Peter Lang.
  • Crazy Horse, Kandia, (ed.). 2004. Rip It Up: The Black Experience in Rock ‘N’ Roll. New York: Palgrave Macmillan.
  • Davis, Arianna. 2013. “How Alabama Shakes Singer Brittany Howard Lives Her Best Life.” Oprah.com. http://www.oprah.com/spirit/brittany-howard-alabama-shakes-interview
  • Davis, Natalie Zemon, and Randolph Starn. 1989. “Introduction: Special Issue ‘Memory and Counter-Memory’.” Representations 26: 1–6. doi:10.2307/2928519.
  • Davison, Patrick. 2012. “The Language of Internet Memes.” In The Social Media Reader, edited by Michael Mandiberg, 120–134. New York: New York University Press.
  • Florini, Sarah. 2014a. “Recontextualizing the Racial Present: Intertextuality and the Politics of Online Remembering.” Critical Studies in Media Communication 31 (4): 314–326. doi:10.1080/15295036.2013.878028.
  • Florini, Sarah. 2014b. “Tweets, Tweeps, and Signifyin’: Communication and Cultural Performance on ‘Black Twitter’.” Television & New Media 15 (3): 223–237. doi:10.1177/1527476413480247.
  • Friedman, Vanessa. 2019. “Pyer Moss and the Power of Black Truth.” New York Times, September 9.
  • Gaunt, Kyra D. 2015. “YouTube, Twerking & You: Context Collapse and the Handheld Co-Presence of Black Girls and Miley Cyrus.” Journal of Popular Music Studies 27 (3): 244–273. doi:10.1111/jpms.12130.
  • The Godmother of Rock & Roll: Sister Rosetta Tharpe. 2011. Film. Directed by Mick Csáky. London: Antelope.
  • Griffin, Farah Jasmine. 2001. If You Can’t Be Free, Be a Mystery: In Search of Billie Holiday. New York: One World.
  • Griffin, Farah Jasmine. 2004. “When Malindy Sings: A Meditation on Black Women’s Vocality.” In Uptown Conversation: The New Jazz Studies, edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin, 102–125. New York: Columbia University Press.
  • Guitar Loves. 2016. “Ladies and Gentlemen, the ‘Original Soul Sister,’ the ‘Godmother of Rock N’ Roll,’ Sister Rosetta Tharpe! Artist: …” Facebook update. January 29. https://www.facebook.com/guitarloves1/videos/244199895911775/
  • Hamilton, Jack. 2016. Just around Midnight: Rock and Roll and the Racial Imagination. Harvard University Press: Cambridge.
  • Hartman, Saidiya. 2019. Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval. New York: W.W. Norton.
  • Lipsitz, George. 1990. Time Passages: Collective Memory and American Popular Culture. Minneapolis: University of Minnesota Press.
  • Mahon, Maureen. 2004. Right to Rock: The Black Rock Coalition and the Cultural Politics of Race. Durham: Duke University Press.
  • Mahon, Maureen. 2011. “Listening for Willie Mae ‘Big Mama’ Thornton’s Voice: The Sound of Race and Gender Transgressions in Rock and Roll.” Women and Music: A Journal of Gender and Culture 15 (1): 1–17. doi:10.1353/wam.2011.0005.
  • Maravillosa. 2015. “Rock Music’s True Origins, Created by a Queer Black Woman Http://T.co/avR5wBnskO.” Twitter. January 4. https://twitter.com/Sharks_Mininows/status/551631204647444480
  • McNair, Kimberly. 2019. “Beyond Hashtags: Black Twitter and Building Solidarity across Borders.” In Hashtagging Race, Gender, Sexuality, and Nation, edited by Abigail De Kosnik and Keith P. Feldman, 283–298. Ann Arbor: University of Michigan Press.
  • Morrison, Toni. 1989. “A Bench by the Road.” UUWorld.org. January-February. Accessed 5 May 2020. https://www.uuworld.org/articles/a-bench-by-road
  • Moss, Pyer. 2020. “‘American Also’- A Pyer Moss Film (Trailer 1).” YouTube, May 17. https://www.youtube.com/watch?time_continue=95&v=YxeMwOl32dM&feature=emb_logo
  • Nnadi, Chima. 2019. “Pyer Moss.” Vogue.com. September 8. Accessed 5 May 2020. https://www.vogue.com/fashion-shows/spring-2019-ready-to-wear/pyer-moss
  • Nyong’o, Tavia. 2020. “Too Black, Too Queer, Too Holy: Why Little Richard Never Truly Got His Dues.” The Guardian, May 12. https://www.theguardian.com/music/2020/may/12/too-black-queer-holy-why-little-richard-never-truly-got-his-dues-turbaned-drag-queen-sexual-underworld
  • Orodenker, R.M. 1942. “On the Records.” Billboard. May 30, 25.
  • ReelinInTheYears66. 2017. “Sister Rosetta Tharpe – ‘Didn’t It Rain?’ Live 1964 (Reelin’ In The Years Archive).” YouTube. https://www.youtube.com/watch?v=y9a49ofalze&t=24s
  • Royster, Francesca T. 2013. Sounding like a No-No: Queer Sounds and Eccentric Acts in the Post-Soul Era. Ann Arbor: University of Michigan Press.
  • Senft, Francesca T., and Safiya Umoja Noble. 2014. “Race and Social Media.” In The Social Media Handbook, edited by Jeremy Hunsinger and Theresa M. Senft, 107–126. New York: Routledge.
  • Sewell, Whembley. 2019. “Janelle Monáe: Living Out Loud.” them. April 12. Accessed 14 April 2020. https://www.them.us/story/janelle-monae-living-out-loud
  • Shaw, Adrienne. 2017. “Encoding and Decoding Affordances: Stuart Hall and Interactive Media Technologies.” Media, Culture & Society 39 (4): 592–602. doi:10.1177/0163443717692741.
  • Smith, Sable Elyse. 2019. “Pyer Moss Isn’t a Fashion Brand It’s a Life Raft.” Cultured. April 11. https://www.culturedmag.com/pyer-moss/
  • Spanos, Brittany. 2018. “Janelle Monáe Frees Herself.” Rolling Stone. April 26. https://www.rollingstone.com/music/music-features/janelle-monae-frees-herself-629204/
  • Spillers, Hortense. 1983. “A Hateful Passion, A Lost Love.” Feminist Studies 9 (2): 293–323. doi:10.2307/3177494.
  • Tate, Greg. 2003. Midnight Lightning: Jimi Hendrix and the Black Experience. Chicago: Lawrence Hill Books.
  • Tucker, Sherrie. 2002. “When Subjects Don’t Come Out.” In Queer Episodes in Music and Modern Identity, edited by Sophie Fuller and Lloyd Whitesell, 293–310. Chicago: University of Chicago Press.
  • Umphrey, Martha M. 1995. “The Trouble with Harry Thaw.” Radical History Review 62: 8–23.
  • Vazquez, Alexandra T. 2013. Listening in Detail: Performances of Cuban Music. Durham: Duke University Press.
  • vineandleaf. 2015. Tumblr. May 5. https://vineandleaf.tumblr.com/post/118179681360/attn-ignorant-men-who-come-into-twist-shout
  • Vogel, Shane. 2018. Stolen Time: Black Fad Performance and the Calypso Craze. Chicago: University of Chicago.
  • Wagner-Pacifici, Robin. 1996. “Memories in the Making: The Shapes of Things that Went.” Qualitative Sociology 19 (3): 301–321. doi:10.1007/BF02393274.
  • Wald, Gayle F. 2007. Shout, Sister, Shout! The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe. Boston: Beacon Press.
  • Wilcox, Desmond. 1957. “They Call Her ‘Holy Roller’: Rosetta Flies in to Rock.” Daily Mirror. November 22.
  • Williams, Stereo. 2016. “The First Badass Female Guitarist: Meet Sister Rosetta Tharpe, the Godmother of Rock ‘N’ Roll.” The Daily Beast. May 28. Updated 12 July 2017.
  • Zelizer, Barbie. 1995. “Reading the past against the Grain: The Shape of Memory Studies.” Critical Studies in Mass Communication 12 (2): 214–239.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.