287
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Hungama ho gaya? (An uproar has happened?): the erotic threat of female intoxication in Hindi film songs

Pages 852-873 | Received 06 Jan 2021, Accepted 07 Oct 2021, Published online: 24 Oct 2021

References

  • Ae Dil Hai Mushkil. 2016. Film. Directed by Karan Johar. India: Dharma Productions.
  • Anhonee. 1973. Film. Directed by Ravi Tandon. India: King Productions.
  • Anwer, Megha, and Anupama Arora. 2021. “#ImNotAChickFlick: Neoliberalism and Post-Feminism in Veere Di Wedding (My Friend’s Wedding, 2018).” BioScope 11 (2): 146–168.
  • Arora, Anupama. 2019. “Nobody Puts Rani in a Corner: Making of the New Indian Woman in Queen (2014).” South Asian Popular Culture 17 (2): 145–157. doi:10.1080/14746689.2019.1613783.
  • Band Baaja Baaraat. 2010. Film. Directed by Maneesh Sharma. India: Yash Raj Films.
  • Befikre. 2016. Film. Directed by Aditya Chopra. India: Yash Raj Films.
  • Bobby. 1973. Film. Directed by Raj Kapoor. India: RK Films.
  • Cocktail. 2012. Film. Directed by Homi Adajania. India: Eros International.
  • Dasgupta, Rana. 2015. Capital: The Eruption of Delhi. New York: Penguin.
  • Dilwale Dulhania Le Jayenge. 1995. Film. Directed by Aditya Chopra. India: Yash Raj Films.
  • Dostana. 2008. Film. Directed by Tarun Mansukhani. India: Yash Raj Films.
  • Feuer, Jane. 1993. The Hollywood Musical. 2nd ed. Bloomington: Indiana University Press.
  • Gopal, Sangita. 2010. “Sentimental Symptoms: The Films of Karan Johar and Bombay Cinema.” In Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora, edited by Rini Bhattacharya Mehta and Rajeshwari Pandharipande, 15–34. London: Anthem.
  • Govindan, Padma, and Bisakha Dutta. 2008. “‘From Villain to Traditional Housewife!’: The Politics of Globalization and Women’s Sexuality in New Indian Media.” In Global Bollywood, edited by Anandam Kavoori and Aswin Punathambekar, 180–202. NY: New York University Press.
  • Hussain, Saba, and Nazia Hussein. 2019. “The (Im)possibility of Decolonising Gender in South Asia: A Reading of Bollywood’s ‘New Women’.” Third World Thematics: A TWQ Journal 4 (4–5): 395–413. doi:10.1080/23802014.2019.1666660.
  • India’s Daughter. 2015. Film. Directed by Leslee Udwin. UK: Assassin Films.
  • Inteqam. 1969. Film. Directed by R.K. Nayyar. India: Shaktiman Enterprises.
  • Iyer, Usha. 2020. Dancing Women: Choreographing Corporeal Histories of Hindi Cinema. Oxford: Oxford University Press.
  • Jain, Madhu. 2005. The Kapoors: The First Family of Indian Cinema. New Delhi: Penguin.
  • Kal Ho Naa Ho. 2003. Film. Directed by Nikhil Advani. India: Dharma Productions.
  • Kambakkht Ishq. 2009. Film. Directed by Sabir Khan. India: Eros International.
  • Kasbekar, Asha. 2001. “Hidden Pleasures: Negotiating the Myth of the Female Ideal in Popular Hindi Cinema.” In Pleasure and the Nation: The History, Politics and Consumption of Public Culture in India, edited by Rachel Dwyer and Christopher Pinney, 286–308. London: Oxford University Press.
  • Ku, Hawon. 2020. “Her Trip Abroad: Middle-class Travel and Feminism in Women-centric Popular Hindi Movies.” South Asian Popular Culture 18 (3): 217–226. doi:10.1080/14746689.2020.1815449.
  • Ladies vs. Ricky Bahl. 2011. Film. Directed by Maneesh Sharma. India: Yash Raj Films.
  • Mazumdar, Ranjani. 2007. Bombay Cinema: An Archive of the City. Minneapolis: University of Minnesota Press.
  • Morcom, Anna. 2013. Illicit Worlds of Indian Dance: Cultures of Exclusion. Oxford: Oxford University Press.
  • Mulvey, Laura. 1975 [1989]. “Visual Pleasure and Narrative Cinema.” In Visual and Other Pleasures, 14–26. Bloomington: Indiana University Press.
  • Pfister, Manfred. 1988. The Theory and Analysis of Drama. Trans. John Halliday. Cambridge: Cambridge University Press.
  • Pinto, Jerry. 2006. Helen: The Life and Times of a Bollywood H-Bomb. Gurgaon: Penguin.
  • Purab aur Paschim. 1970. Film. Directed by Manoj Kumar. India: VIP Films.
  • Queen. 2014. Film. Directed by Vikas Bahl. India: Viacom18 Motion Pictures.
  • Race 2. 2013. Film. Directed by Abbas-Mustan. India: UTV Motion Pictures.
  • Rajadhyaksha, Ashish. 2003 [2008]. “The ‘Bollywoodization’ of the Indian Cinema: Cultural Nationalism in a Global Arena.” In Global Bollywood, edited by Anandam Kavoori and Aswin Punathambekar, 17–40. NY: New York University Press.
  • Sangam. 1964. Film. Directed by Raj Kapoor. India: RK Films.
  • Sarrazin, Natalie. 2008. “Songs from the Heart: Musical Coding, Emotional Sentiment, and Transnational Sonic Identity in India’s Popular Film Music.” In Global Bollywood, edited by Anandam Kavoori and Aswin Punathambekar, 203–219. NY: New York University Press.
  • Seeta aur Geeta. 1972. Film. Directed by Ramesh Sippy. India: NH Studioz.
  • Virdi, Jyotika. 2003. The Cinematic ImagiNation: Indian Popular Films as Social History. New Brunswick: Rutgers University Press.
  • Yeh Jawaani Hai Deewani. 2013. Film. Directed by Ayan Mukerji. India: Eros International.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.