418
Views
0
CrossRef citations to date
0
Altmetric
Article

Transgression and transcendence in Shoaib Mansoor’s feminist trilogy

ORCID Icon
Pages 1575-1592 | Received 24 Mar 2021, Accepted 20 Jan 2022, Published online: 31 Jan 2022

References

  • Ahmad, Ali Nobil. 2016. “Explorations into Pakistani Cinema: Introduction.” Screen 57 (4): 468–479. doi:10.1093/screen/hjw053.
  • Ahmad, Sadaf. 2016. “Sexualised Objects and the Embodiment of Honour: Rape in Pakistani Films.” South Asia: Journal of South Asian Studies 39 (2): 386–400. doi:10.1080/00856401.2016.1166473.
  • Ahmed Faiz, Faiz. 1971. Poems by Faiz, Edited by V. G. Kiernan. London: Vanguard Books.
  • Ali Asdar, Kamran. 2014. “On Female Friendships.” Dawn News. 2014. https://www.dawn.com/news/1122839
  • Ali Asdar, Kamran. 2020. “Female Friendship and Forbidden Desire: Two Films from 1960s Pakistan.” In South Asian Filmscapes: Transregional Encounters, edited by Elora Halim Chowdhury and Esha Niyogi De, 43–59. Seattle: University of Washington Press.
  • Ayres, Alyssa. 2008. “Language, the Nation, and Symbolic Capital: The Case of Punjab.” The Journal of Asian Studies 67 (3): 917–946. doi:10.1017/S0021911808001204.
  • Barlas, Asma. 2002. “Believing Women” in Islam: Unreading Patriarchal Interpretations of the Qur’an. Austin, TX: University of Texas Press.
  • Butler, Alison. 2002. Women’s Cinema: The Contested Screen. London: Wallflower Press.
  • Campbell, Rebecca. 1998. “The Community Response to Rape: Victims’ Experiences with the Legal, Medical, and Mental Health Systems.” American Journal of Community Psychology 26 (3): 355–379. doi:10.1023/a:1022155003633.
  • Chaudhuri, Shohini. 2006. Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. New York and London: Routledge.
  • Daly, Mary. 1973. Beyond God the Father: Toward a Philosophy of Women’s Liberation. Boston: Beacon Press.
  • De Beauvoir, Simone. 1953. The Second Sex, Edited by H.M. Parshley. London: Lowe and Brydone.
  • De Lauretis, Teresa. 1987. Technologies of Gender: Essays on Theory, Film, and Fiction. Bloomington and Indianapolis: Indiana University Press.
  • Eyles, J, and M Evans. 1987. “Popular Consciousness, Moral Ideology, and Locality.” Environment and Planning D: Society and Space 5 (1): 39–71. doi:10.1068/d050039.
  • Fabijancic, Ursula. 2001. “Simone de Beauvoir’s Le Deuxieme Sexe 1949–1999: A Reconsideration of Transcendence and Immanence.” Women’s Studies: An Interdisciplinary Journal 30 (4): 443–475. doi:10.1080/00497878.2001.9979390.
  • Foucault, Michel. 1978. The History of Sexuality, Edited by Robert Hurley. New York: Pantheon Books.
  • Foust, R. Christina. 2010. Transgression as a Mode of Resistance. Maryland: Lexington Books.
  • Gershon, Daphne. 2021. “Same Shame: National, Regional, and International Discourses Surrounding Mansoor’s Cinematic Portrayal of Gender Oppression.” Feminist Media Studies 21 (4): 1–14. doi:10.1080/14680777.2020.1828980.
  • Gopalan, Lalitha. 1997. “Avenging Women in Indian Cinema.” Screen 38 (1): 42–59. doi:10.1093/screen/38.1.42.
  • Gwynne, Joel. 2016. “Queering Heterosexuality in New Transgressive Cinema.” In TRANSGRESSION in Anglo-American Cinema: Gender, Sex and the Deviant Body, edited by Joel Gwynne, 1–6. New York and London: Wallflower Press.
  • Hamid, Zebunnisa. 2020. “Behind the Scenes: The Women Filmmakers of New Pakistani Cinema.” BioScope: South Asian Screen Studies 11 (1): 15–26. doi:10.1177/0974927620942316.
  • Hayes, Rebecca M, Katherine Lorenz, and Kristin A Bell. 2013. “Victim Blaming Others: Rape Myth Acceptance and the Just World Belief.” Feminist Criminology 8 (3): 202–220. doi:10.1177/1557085113484788.
  • Heller-Nicholas, Alexandra. 2011. Rape-Revenge Films: A Critical Study. London: McFarland & Company.
  • Hollinger, Karen. 2012. Feminist Film Studies. New York: Routledge.
  • Hull, Zainabb. 2020. “Filming the Motherland: Gendered Violence and Pakistani Female Empowerment in Dukhtar and My Pure Land.” Brief Encounters 4 (1). doi:10.24134/be.v4i1.174.
  • Jenks, Chris. 2003. Transgression. London: Routledge.
  • Khan, Ali, and Ali Nobil Ahmad. 2010. “From Zinda Laash to Zibahkhana: Violence and Horror in Pakistani Cinema.” Third Text 24 (1): 149–161. doi:10.1080/09528820903489024.
  • Koppedrayer, Kay. 2007. “Feminist Applications of Buddhist Thought.” Journal of Feminist Studies in Religion 23 (1): 121–140. doi:10.2979/FSR.2007.23.1.121.
  • Kramer, Kaley. 2017. “‘How Do You like My Darkness Now?’: Women, Violence, and the Good ‘Bad Girl’ in Buffy the Vampire Slayer.” In Bad Girls and Transgressive Women in Popular Television, Fiction, and Film, edited by Julie A. Chappell and Mallory Young, 15–31. Cham: Palgrave Macmillan.
  • Lonsway, Kimberly A, and Louise F Fitzgerald. 1994. “Rape Myths. In Review.” Psychology of Women Quarterly 18 (2): 133–164. doi:10.1111/j.1471-6402.1994.tb00448.x.
  • 2018. “Mahira Khan’s ‘Verna’ to Screen at Women-Centric UK Asian Film Fest.” The Express Tribune. 2018. https://tribune.com.pk/story/1628303/4-mahira-khans-verna-screenwomen-centric-uk-asian-film-fest
  • Mansoor, Shoaib. 2007. Khuda Kay Liye (In the Name of God). Pakistan: GEO Films.
  • Mansoor, Shoaib. 2011. Bol. Pakistan: Geo Films.
  • Mansoor, Shoaib. 2017a. “Mansoor Breaks His Silence on Verna.” The News. 2017. https://www.thenews.com.pk/magazine/instep-today/239541-Shoaib-Mansoor-breaks-his-silence-on-Verna
  • Mansoor, Shoaib. 2017b. Verna. Pakistan: Hum Films.
  • Mulvey, Laura. 1989. “Visual Pleasure and Narrative Cinema.” In Visual and Other Pleasures, 14–26. Hampshire: Palgrave Macmillan.
  • NewsBytes. 2016. “Mahira Khan Signs Mansoor’s Next, Verna.” The News. 2016. https://www.thenews.com.pk/magazine/instep-today/157074-Mahira-Khan-signs-Shoaib-Mansoors-next-Verna
  • Niyogi De, Esha. 2020. “Action Heroines and Regional Gifts: Authorship Crossing Pakistan.” In South Asian Filmscapes: Transregional Encounters, edited by Elora Halim Chowdhury and Esha Niyogi De, 160–179. Seattle: University of Washington Press.
  • Pasha, Alina Noor. 2020. “Gender and Crime in Mansoor’s Films.” Reel Pakistan: A Screen Studies Forum 1 (1): 44–55.
  • Projansky, Sarah. 2001. Watching Rape: Film and Television in Postfeminist Culture. New York and London: New York University Press.
  • Ray, Shankhamala. 2012. “Islamic Women in Films: Turning the Voyeurs into Spectators.” Global Media Journal: Indian Edition 3 (1): 1–5.
  • Rehman, Mohib. 2016. “Discourse on Gender, Religion, and Culture in Pakistani Films: A Narrative Analysis of Contemporary Independent Films from Pakistan.” University of New Mexi.
  • Rizvi, Wajiha Raza. 2014. “Visual Pleasure in Pakistani Cinema (1947–2014).” International Journal of Asia Pacific Studies (Special Issue on Performance in Asia) 10 (2): 73–105.
  • Ryan, William. 1972. Blaming the Victim. New York: Vintage Books.
  • Sakhkhane, Taoufiq. 2012. Spivak and Postcolonialism: Exploring Allegations of Textuality. Basingstoke: Palgrave Macmillan.
  • Sarah Kirk, Gwendolyn. 2016. “Uncivilized Language and Aesthetic Exclusion: Language, Power and Film Production in Pakistan.” University of Texas.
  • Sarwar, Azam, and Hong Zeng. 2021. “Breaking Free from Patriarchal Appropriation of Sacred Texts: An Islamic Feminist Critique of Bol.” Asian Journal of Women’s Studies 27 (4): 1–23. doi:10.1080/12259276.2021.1981526.
  • Shahzadi, Aqsa Iram. 2015. “A Feminist Representation in Pakistani Cinema: A Case Study of ‘Bol’ the Movie.” New Media and Mass Communication 43 (11): 17–30.
  • Spivak, Gayatri Chakravorty. 1999. A Critique of Postcolonial Reason: Toward A History of the Vanishing Present. Cambridge: Harvard University Press.
  • Srinivas, Lakshmi. 2002. “The Musical Formula: Song and Dance in Popular Indian Cinema.” In Envisioning Dance on Film and Video, edited by Judy Mitoma, Elizabeth Zimmer, Dale Ann Stieber, Nelli Heinonen, and Norah Zuniga Shaw, 185–188. New York and London: Routledge.
  • Stubbs-Richardson, Megan, Nicole E Rader, and Arthur G Cosby. 2018. “Tweeting Rape Culture: Examining Portrayals of Victim Blaming in Discussions of Sexual Assault Cases on Twitter.” Feminism & Psychology 28 (1): 90–108. doi:10.1177/0959353517715874.
  • Wadud, Amina. 1999. Qur’an and Woman: Rereading the Sacred Text from a Woman’s Perspective. New York: Oxford University Press.
  • Weedon, Chris. 2001. “Subject and Subjectivity.” In Critical Dictionary of Film and Television Theory, edited by Roberta E. Pearson and Philip Simpson, 610–617. New York and London: Routledge.
  • Zaidi, Saqlain. 2019. “Heroine in the Narratives of Pakistani Cinema.” The Journal of History and Social Sciences 10 (2). doi:10.22555/jhss.v10i2.95.
  • Zinck, Pascal. 2012. “Blind Faith: Women at War in Khuda Kay Liye and Escape from Taliban.” Pakistaniaat: A Journal of Pakistan Studies 4 (2): 123–140.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.