The spectator in the film-maker: re-framing filmology through creative film-making practices

References

• Barthes, R. 1977. “The Death of the Author.” In Image, Music, Text, translated by Stephen Heath, 142–153. New York: Noonday Press.
   Google Scholar
• Berkeley, L. 2011. “Between Chaos and Control: A Practice-based Investigation into the Creative Process of an Improvised Micro-Budget Screen Production.” PhD exegesis, RMIT University. http://researchbank.rmit.edu.au/view/rmit:160674.
   Google Scholar
• Buckland, W. 2000. The Cognitive Semiotics of Film: The Body on the Screen and in Frame. Cambridge: Cambridge University Press.
   Google Scholar
• Caldwell, J. 2008. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham, NC: Duke University Press.
   Google Scholar
• Cowan, J. 1998. On Becoming an Innovative University Teacher: Reflection in Action. Buckingham, PA: Society for Research into Higher Education & Open University Press.
   Google Scholar
• Csikszentmihalyi, M. 1996. Creativity: Flow and the Psychology of Discovery and Invention. New York: Harper Collins Publishers.
   Google Scholar
• Csikszentmihalyi, M. 1999. “Implications of A Systems Perspective for the Study of Creativity.” In Handbook of Creativity, edited by R. Sternberg, 313–335. Cambridge: Cambridge University Press.
   Google Scholar
• Dawson, A., and S. Holmes, eds. 2012. Working in the Global Film and Television Industries: Creativity, Systems, Space, Patronage. London: Bloomsbury Academic.
   Google Scholar
• Giddens, A. 1984. The Constitution of Society: Outline of the Theory of Structuration. Cambridge: Polity.
   Google Scholar
• Haralambos, M., and M. Holbern. 1995. Uniting Structural and Social Actions Approaches Sociology: Themes and Perspective. 4th ed., 903–907. London: Collins.
   Google Scholar
• Kerrigan, S. (2013). Accommodating Creative Documentary Practice Within a Revised Systems Model of Creativity. Journal of Media Practice 14 (2): 111–127. doi: 10.1386/jmpr.14.2.111_1
   Google Scholar
• Kerrigan, S. (2015). Confluences Approaches to Creative Documentary Practice. Accessed 16 April 2015. http://silverbullet.newcastle.edu.au/susankerriganphd/.
   Google Scholar
• Kerrigan, S. (2016). “Reconceptualizing Creative Documentary Practices.” In The Creative System in Action, edited by P. McIntyre, J. Fulton and E. Patton, 125–138. Basingstoke: Palgrave McMillan.
   Google Scholar
• Kerrigan, S., Berkeley, L., Maher, S., Sergi, M., and A. Wotherspoon. (2015). Screen Production Enquiry: A Study of Five Australian Doctorates. Studies in Australasian Cinema Journal 9 (2): 93–109. doi: 10.1080/17503175.2015.1059990
   Web of Science ®Google Scholar
• Knudsen, E. 2014. “Eyes and Narrative Perspectives on A Story: A Practice-Led Exploration of the Use of Eyes and Eye Lines in Fiction Film.” Journal of Media Practice 15 (1): 3–20. doi: 10.1080/14682753.2014.892798
   Google Scholar
• Lowry, E. 1985. The Filmology Movement and Film Study in France. Ann Arbor, MI: UMI Research Press.
   Google Scholar
• McIntyre, P. 2012. “Examining Creativity and Cultural Production: Screen-Based Media and the Current Research into Creativity.” IM E-Journal, ASPERA Special Edition 9. http://imjournal.murdoch.edu.au/im-issue-9-2013/.
   Google Scholar
• McIntyre, P., J. Fulton, and E. Paton. 2016. The Creative System in Action. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Metz, C. 1984. “A Profile of Etienne Souriau.” Translated by H Davis, L McCarroll, and F Ziolkowski. On Film 12: 5–8.
   Google Scholar
• Redvall, E. N. 2013. Writing and Producing Television Drama in Denmark: From The Kingdom to The Killing. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Redvall, E. N. 2016. “Film and Media Production as A Screen Idea System.” In The Creative System in Action, edited by P. McIntyre, J. Fulton, and E. Patton, 139–154. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Schon, D. 1987. Educating the Reflective Practitioner. San Francisco: Jossey-Bass.
   Google Scholar
• Silverstone, R. 1985. Framing Science: The Making of a BBC Documentary. London: British Film Institute.
   Google Scholar
• Souriau, E. 1951. “La Structure de L’univers Filmique et le Vocabulaire de la Filmologie.” Revue International de Filmologie 7–8: 231–240.
   Google Scholar
• Tulloch, J., and A. Manuel. 1983. Dr Who: The Unfolding Text. New York: St Martins Press.
   Google Scholar
• Wallas, G. 1976. “Stages in the Creative Process.” In The Creativity Question, edited by A. Rothenberg and C. Hausman, 69–73. Durham, NC: Duke University Press.
   Google Scholar
• Wolff, J. 1981. The Social Production of Art. London: Macmillan.
   Google Scholar