References
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- The Alcohol Years. 2000. C. Cannon and Morley Productions. UK. Directed by Carol Morley.
- The Body Beautiful. 1990. BFI. London. Directed by Ngozi Onwurah.
- The Border Crossing. 2011. High Ground Films. UK. Directed by Jill Daniels. https://vimeo.com/93590375.
- Bordering on Fiction: Chantal Akerman’s “D'Est”. 1993/1995. Justin Smith Purchase Fund. US. Chantal Akerman.
- D’Est/From the East. 1993. USA. Icarus Films. Directed by Chantal Akerman.
- Foster, G. A. 1999. “Introduction.” In Identity and Memory: The Films of Chantal Akerman, edited by G.A. Foster, 1–8. Trowbridge: Flick Books.
- History and Memory: For Akiko and Takashige. 1991. USA. Directed by Rea Tajiri.
- Horwatt, E. 2009. “A Taxonomy of Digital Video Remixing: Contemporary Found Footage Practice on the Internet.” In Cultural Borrowings: Appropriation, Reworking, Transformation, edited by I. A. Smith, 76–91. Scope: An Online Journal of Film and Television Studies.
- In the Mirror. 1971/2007. La Fondation Chantal Akerman & Marion Goodman Gallery. Directed by Chantal Akerman.
- Jeanne Dielman 23 Quai du Commerce,1080, Bruxelles. 1975. Paradise Films & Criterion Collection. Belgium: Directed by Chantal Akerman.
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- Lebow, A., ed. 2012. The Cinema of Me: The Self and Subjectivity in First Person Documentary. London: Wallflower Press.
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- Little, J. A. 2007. The Power and Potential of Performative Documentary Film. Accessed October 23, 2016. http://scholarworks.montana.edu/xmlui/bitstream/handle/1/1741/LittleJ0507.pdf?sequence=1.
- Man With a Movie Camera. 1929. USSR. Directed by Dziga Vertov.
- Maniac Shadows. 2013. USA. Directed by Chantal Akerman.
- My Private Life. 2013. UK. High Ground Films. Directed by Jill Daniels. https://vimeo.com/104385249.
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- Not Reconciled. 2009. High Ground Films. UK. Directed by Jill Daniels. http://screenworks.org.uk/archive/volume-3/not-reconciled.
- Russell, C. 1999. Experimental Ethnography: The Work of Art in the Age of Video. Durham: Duke University Press.
- Sayad, C. 2013. Performing Authorship: Self-inscription and Corporeality in the Cinema. London: I.B Taurus.
- Stories We Tell. 2012. US. Directed by Sarah Polley.
- Tongues Untied. 1989. Frameline. USA. Directed by Marlon Riggs.
- Woman Sitting After A Killing. 2001. USA. Directed by Chantal Akerman.
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