Joe Orton and Shakespeare: collage, class and queerness

References

• Black, Alistair. 2003. “False Optimism: Modernity, Class, and the Public Library in Britain in the 1960s and 1970s.” Libraries & the Cultural Record 38 (3): 201–213.10.1353/lac.2003.0038
   Google Scholar
• Bourdieu, Pierre. 2013. Distinction: A Social Critique of the Judgement of Taste. London: Routledge.
   Google Scholar
• Bristol, Michael D. 1996. Big-time Shakespeare. London: Routledge.
   Google Scholar
• Bromley, James M. 2012. Intimacy and Sexuality in the Age of Shakespeare. Cambridge: Cambridge University Press.
   Google Scholar
• Bush, Douglas. 1961. “Introduction.” In Shakespeare’s Sonnets, edited by Douglas Bush and Alfred Harbage, 7–19. Harmondsworth: Pelican.
   Google Scholar
• Butler, Judith. 1993. Bodies That Matter: On the Discursive Limits of “Sex”. London: Routledge.
   Google Scholar
• Campbell, D. Grant. 2013. “Joe Orton, Kenneth Halliwell and the Islington Public Library: Defacement, Parody and Mashups.” In Feminist and Queer Information Studies Reader, edited by Patrick Kielty and Rebecca Dean, 620–639. Sacramento: Litwin Books.
   Google Scholar
• Charney, Maurice. 1984. Joe Orton. London: Methuen.10.1007/978-1-349-17565-9
   Google Scholar
• Charney, Maurice. (2008/2009). “Joe Orton’s Laodicean Tragedy: The Good and Faithful Servant.” Connotations 18 (1–3): 139–150.
   Google Scholar
• Colsell, Ilsa. 2013. Malicious Damage: The Defaced Library Books of Kenneth Halliwell and Joe Orton. London: Donlon Books.
   Google Scholar
• Cran, Rona. 2014. Collage in Twentieth Century Art, Literature, and Culture. London: Routledge.
   Google Scholar
• Croall, Jonathan. 2008. Sybil Thorndike: A Star of Life. London: Haus Books.
   Google Scholar
• Croall, Jonathan, comp. 2012. Gielgoodies: The Wit and Wisdom (& Gaffes) of John Gielgud. London: Oberon.
   Google Scholar
• Dorsch, T. S. 1955. “Introduction.” In Julius Caesar, edited by T. S. Dorsch, vii–lxxiv. London: Methuen.
   Google Scholar
• Draudt, Manfred. 1978. “Comic, Tragic, or Absurd? Some Parallels Between the Farces of Joe Orton and Seventeenth Century Tragedy.” English Studies 59 (3): 202–217.10.1080/00138387808597890
   Web of Science ®Google Scholar
• Egan, Gabriel. 2016. “Shakespeare and the Impact of Editing.” In Shakespeare’s Cultural Capital, edited by Dominic Shellard and Siobhan Keenan, 32–56. Basingstoke: Palgrave Macmillan.10.1007/978-1-137-58316-1
   Google Scholar
• Fischlin, Daniel, and Mark Fortier, eds. 2000. Adaptations of Shakespeare: A Critical Anthology of Plays from the Seventeenth Century to the Present. London: Routledge.
   Google Scholar
• Garber, Marjorie. 1993. Vested Interests: Crossdressing and Cultural Anxiety. London: Penguin.
   Google Scholar
• Goulding, Anne. 2008. “Libraries and Cultural Capital.” Journal of Librarianship and Information Science 40 (4): 235–237.10.1177/0961000608096713
   Web of Science ®Google Scholar
• Hoare, Philip. 2013. “Introduction: A Genius Like Us.” In Malicious Damage, edited by Ilsa Colsell, 11–13. London: Donlon Books.
   Google Scholar
• Holderness, Graham. 2016. “Remembrance of Things Past: Shakespeare 1851, 1951, 2012.” In Celebrating Shakespeare: Commemoration and Cultural Memory, edited by Clara Calvo and Coppélia Kahn, 78–100. Cambridge: Cambridge University Press.
   Google Scholar
• Hornsey, Richard. 2003. “Of Public Libraries and Paperbacks: ‘Deviant’ Masculinity and the Spatial Practices of Reading in Post-war London.” In Posting the Male, edited by Daniel Lea and Berthold Shoene-Harwood, 35–53. Amsterdam: Rodopi.
   Google Scholar
• Hutcheon, Linda, with Siobhan O’Flynn. 2006. A Theory of Adaptation. London: Routledge.
   Google Scholar
• Hutchings, William. 1988. “Joe Orton’s Jacobean Assimilations in What the Butler Saw.” In Farce, edited by James Redmond, 227–235. Cambridge: Cambridge University Press.
   Google Scholar
• Keenan, Siobhan, and Dominic Shellard. 2016. “Introduction.” In Shakespeare’s Cultural Capital, edited by Dominic Shellard and Siobhan Keenan, 1–12. Basingstoke: Palgrave Macmillan.10.1007/978-1-137-58316-1
   Google Scholar
• Lahr, John. 1980. Prick Up Your Ears: The Biography of Joe Orton. London: Penguin.
   Google Scholar
• Levine, Lawrence W. 1988. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press.
   Google Scholar
• Lewisohn, Mark. 2013. The Beatles: All These Years. Volume 1: Tune In. Extended Special Edition. London: Little, Brown.
   Google Scholar
• Madhavi, Meron. 2011. “Introduction: Queer Shakes.” In Shakesqueer: A Queer Companion to the Complete Works of Shakespeare, edited by Meron Madhavi, 1–27. Durham: Duke University Press.
   Google Scholar
• Muñoz, José Esteban. 1999. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis, MN: University of Minnesota Press.
   Google Scholar
• Orton, Joe. 1950. Unpublished Teenage Diary, Joe Orton Collection, University of Leicester, MS 237 1/19-24.
   Google Scholar
• Orton, Joe. 1971. Head to Toe. London: Methuen.
   Google Scholar
• Orton, Joe. 1986. The Orton Diaries, edited by John Lahr. London: Minerva.
   Google Scholar
• Orton, Joe. 1988. The Complete Plays, edited by John Lahr. London: Methuen.
   Google Scholar
• Rose, Jonathan. 2002. The Intellectual Life of the British Working Classes. New Haven, CT: Yale University Press.
   Google Scholar
• Rusinko, Susan. 1995. Joe Orton. New York: Twayne.
   Google Scholar
• Sanders, Julie. 2005. Adaptation and Appropriation. London: Routledge.
   Google Scholar
• Sellar, W. C., and R. C. Yeatman. 1930. 1066 and All That: A Memorable History of England. London: Methuen.
   Google Scholar
• Shaughnessy, Robert. 2013. Representing Shakespeare: England, History and the RSC. London: Routledge.
   Google Scholar
• Shepherd, Simon. 1989. “Because We’re Queers”: The Life and Crimes of Kenneth Halliwell and Joe Orton. London: Gay Men’s Press.
   Google Scholar
• Taylor, Gary. 1991. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. Oxford: Oxford University Press.
   Google Scholar
• Thompson, Ann. 1992. Which Shakespeare? A User’s Guide to Editions. Milton Keynes: Open Univerity Press.
   Google Scholar
• Wells, Stanley. 2004. Looking for Sex in Shakespeare. Cambridge: Cambridge University Press.
   Google Scholar
• White, Jerry. 2008. London in the Twentieth Century: A City and its People. London: Vintage.
   Google Scholar