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Studies in Theatre and Performance Volume 37, 2017 - Issue 2: Joe Orton
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Editorial

Introducing Orton: a history and a historiography

Kate DorneyThe Martin Harris Centre for Music and Drama, University of Manchester, Manchester, UKCorrespondence[email protected]
Pages 165-172 | Published online: 11 Aug 2017

References

  • Bigsby, Christopher. 1982. Joe Orton. London: Routledge.
  • Bull, John. 2017. “‘We Cannot All Be Masters, Nor All Masters Cannot Truly Be Follow’d’: Joe Orton’s Holiday Camp Bacchae.” Studies in Theatre & Performance 37: 2.
  • Charney, Maurice. 1984. Joe Orton. London: Methuen.
  • Cook, Matt. 2008a. “Losing Orton in the Archives” [ podcast]. National Archives. https://media.nationalarchives.gov.uk/index.php/losing-orton-in-the-archives/.
  • Cook, Matt. 2008b. “Orton in the Archives.” History Workshop Journal 66: 163–179.10.1093/hwj/dbn041
  • Coppa, Francesca. 1998. “Introduction.” In Fred and Madge & The Visitors: Two Plays, vii–xxiv. London: Nick Hern Books.
  • Coppa, Francesca. 1999. “A Perfectly Developed Playwright: Joe Orton and Homosexual Reform.” In The Queer Sixties, edited by Patricia Juliana Smith. New York: Routledge.
  • Coppa, Francesca. 2003. Joe Orton: A Casebook. New York: Routledge.
  • Dorney, Kate. 2017. “Through the Closet with Ken and Joe: A Close Look at Clothes, Poses and Exposure.” Studies in Theatre & Performance 37: 2.
  • Dorney, Kate, and Maggie B. Gale, eds. 2017. Vivien Leigh: Actress and Icon. Manchester, NH: Manchester University Press.
  • Farrier, Stephen. 2017. “Sticky Stories: Joe Orton, Queer History, Queer Dramaturgy.” Studies in Theatre & Performance 37: 2.
  • Lahr, John, ed. 1976. The Complete Plays of Joe Orton. London: Methuen.
  • Lahr, John. 1978. Prick Up Your Ears. London: Allen Lane.
  • Lahr, John. 1986. The Orton Diaries. London: Methuen.
  • Laing, Olivia. 2017. “Against the Law: The LGBT Artists Branded Criminals.” Guardian, March 24.https://www.theguardian.com/books/2017/mar/24/refuge-and-rebellion-how-queer-artists-worked-in-the-shadow-of-the-law.
  • Lee, Hermione. 2009. Biography: A Very Short Introduction. Oxford: Oxford University Press.10.1093/actrade/9780199533541.001.0001
  • Needham, Alex. 2012. “John Lahr on Joe Orton.” Guardian, February 14.
  • Orton, Joe. 1964. “Letter to Peggy Ramsay.” Orton Archive MS 237/7/10. University of Leicester Special Collections and Archives, October 17.
  • Orton, Leonie. 2016. I Had It In Me: A Memoir. Leicester: Quirky Press.
  • Parker, Emma. 2014. “Introduction.” Entertaining Mr Sloane. London: Bloomsbury.
  • Russell Taylor, John. 1978. “Guilt-free Iconoclast.” The Times, October 19, 1978: 19.
  • Sinfield, Alan. 1990. “Who Was Afraid of Joe Orton?” Textual Practice 4 (2): 259–277.
  • Sinfield, Alan. 1999. Out on Stage. London: Yale University Press.
  • Sinfield, Alan. 2002. “Is There a Queer Tradition and is Orton in It?” In Joe Orton: A Casebook, edited by Francesca Coppa, 85–94. New York: Routledge.
  • Shepherd, Simon. 1989. Because We’re Queers: The Life and Crimes of Kenneth Halliwell and Joe Orton. London: Gay Men’s Press.
  • Shepherd, Simon. 2017. “August 1967/The Pyjamas.” Studies in Theatre & Performance 37: 2.
  • Tovey, Russell. 2017. “My London.” ES [Evening Standard] Magazine, April 13: 58.
  • Van Leer, David. 1999. “Saint Joe: Orton as Homosexual Rebel.” In Joe Orton: A Casebook, edited by Francesca Coppa. New York: Routledge.

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