References
- A.D. 1939. “Marriage of Blood.” The Manchester Guardian, March 20, 13.
- Adams, M. 1977. García Lorca. Playwright and Poet. New York: George Braziller.
- Balme, C.B. 2014. The Theatrical Public Sphere. Cambridge: Cambridge University Press.
- Barea, A. 1944. Lorca. The Poet and His People. London: Faber and Faber.
- Bastianes, M. 2020. Vida escénica de ‘La Celestina’ en España (1909–2019). Oxford: Peter Lang.
- Bentley, E. 1992. In Search of Theatre. New York: Applause Theatre Books.
- Bentley, E. 2008. Bentley on Brecht. Evanston: Northwestern University Press.
- Billington, M. 2007. The State of the Nation: British Theatre since 1945. London: Faber and Faber.
- Billington, M. 2017. “Sir Peter Hall Obituary: Powerful Force in British Theatre.” The Guardian, September 12. https://www.theguardian.com/stage/2017/sep/12/peter-hall-obituary-british-theatre-rss-national
- Buchanan, D. 2007. The Impact of the Spanish Civil War on Britain. War, Loss and Memory. Brighton: Sussex Academic Press.
- Callahan, D. 1991. “Harley Granville-Barker and the Response to Spanish Theater, 1920–1932.” Comparative Drama 25 (2): 129–146.10.1353/cdr.1991.0001.
- Callahan, D. 1993. “Negotiating Spanish Poets in England: 1920–1940.” Dedalus. Revista Portuguesa de Literatura Comparada 3–4: 155–168.
- Chambers, C. 1989. The Story of Unity Theatre. London: Lawrence and Wishart.
- Connolly, R. 2000. The Evolution of the Lyric Players Theatre, Belfast. Lampeter: Edwin Mellen Press.
- Corkill, D., and S. Rawnsley, eds. 1981. The Road to Spain. Anti-Fascist at War 1936–1939. Glasgow: Borderline Press.
- Cornford, T. 2012. “The English theatre studios of Michael Chekhov and Michel Saint-Denis, 1935–1965.” PhD diss., University of Warwick.
- David Ley, C. 1981. Costanilla de los diablos. Memorias literarias (1943–1952). Madrid: José Esteban Editor.
- De Bosio, G. 2016. La più bella regia. La mia vita. Vicenza: Neri Pozza.
- Delgado, M. 2008. Federico García Lorca. New York: Routledge.
- Dubatti, J. 2008. Cartografía Teatral. Introducción Al Teatro Comparado. Buenos Aires: Atuel.
- Edwards, G. 2005. “Lorca on the London Stage: Problems of Translation and Adaptation.” New Theatre Quarterly 21 (84): 382–394. 10.1017/S0266464X05000242.
- Edwards, G. 2007. “Theatre Workshop and the Spanish Drama.” New Theatre Quarterly 23 (4): 304–316. 10.1017/S0266464X0700022X.
- The Era. 1937. “The Stage Society’s Plans.” The Era, November 4, 5.
- Gagen, D. 2001. “Lope, Lorca and Littlewood: the reception of Spanish theatre in the north of England,” In Spanish Theatre: Studies in Honour of Victor F. Dixon, edited by Adams, K., Cosgrove, C., and Whiston, J., 27–39. Woodbridge: Tamesis.
- García Lorca, F. 1941. From Lorca’s Theatre. Five Plays of Federico García Lorca. Translated by J. Graham-Luján, and R. L. O’ Connell. New York: Scribner’s Sons.
- García Lorca, F. 1947. The Shoemaker’s Wife: A Farce in Two Acts. London: New Theatre.
- García Lorca, F. 1997. Epistolario completo, Edited by A. A. Anderson and C. Maurer. Madrid: Cátedra.
- García Lorca, F. 1998. The House of Bernarda Alba. Edited and translated by G. Edwards. London: Methuen Drama .
- García Lorca, F. 2006. Blood Wedding. Edited and translated by G. Edwards. London: Bloomsbury/Methuen Drama.
- Gibson, I. 1989. Federico García Lorca. A Life. New York: Pantheon Books.
- Hall, P. 1983. Peter Hall’s Diaries: The Story of a Dramatic Battle. New York: Harper & Row.
- Hall, P. 1993. Making an Exhibition of Myself. London: Sinclair-Stevenson.
- Hall, P. 2003. “Godotmania.” The Guardian, January 4. https://www.theguardian.com/stage/2003/jan/04/theatre.beckettat100
- Holdsworth, N. 2011. Joan Littlewood’s Theatre. Cambridge: Cambridge University Press.
- Honig, E. 1945. García Lorca. London: Editions Poetry London.
- Leach, R. 2010. Theatre Workshop. Exeter: University of Exeter Press.
- Lerminier, G. 1954. “Biographie de Michel Saint-Denis.” http://michelsaintdenis.net/biographie-de-michel-saint-denis-par-georges-lerminier
- Littlewood, J. 1949. “Theatre Workshop.” The Manchester Guardian. September 19, 4.
- MacColl, E. 1990. Journeyman: The Autobiography of Ewan MacColl. London: Sidgwick & Jackson.
- Mayhew, J. 2018. Lorca’s Legacy. Essays on Interpretation. New York: Routledge.
- McGarry, F. 2002. “Irish Newspapers and the Spanish Civil War.” Irish Historical Studies 33 (129): 68–90. 10.1017/S0021121400015510.
- McGlone, J. 2014. Ria Mooney: The Life and Times of the Artistic Director of the Abbey Theatre, 1948–1963. Jefferson: McFarland & Company.
- Nottingham Journal. 1938. “In Search of an Author.” Nottingham Journal, June 24, 6.
- O’Malley, C. 1988. A Poets’ Theatre. Dublin: Elo Press.
- O’Malley, C. 1990. Never Shake Hands with the Devil. Dublin: Elo Publications.
- Pérez-Villanueva Tovar, I. 1990. La residencia de estudiantes. Madrid: Ministerio de Educación y Ciencia.
- Programme of The House of Bernarda Alba. Old Vic School Theatre. University of Bristol Theatre Collection (Reference: OV/PG/490).
- Programme of Theatre Workshop. Leeds University Library’s Special Collections, Baron Archive (Reference: BC MS 20c Theatre, Baron/A/1).
- Rankin, P. 2014. Joan Littlewood. Dreams and Reality. The Official Biography. London: Oberon Books.
- RHC. 1949. “Library Theatre. Summer Fare.” The Manchester Guardian, September 13, 5.
- Rogers, G. 2012. Modernism and the New Spain: Britain, Cosmopolitan Europe, and Literary History. New York: Oxford University Press.
- Ruiz Mas, J. 2020. “The Spanish Armada and Anglo-Irish Poetry.” Novaciencia, February 7. https://novaciencia.es/the-spanish-armada-in-anglo-irish-poetry
- Ryjik, V. 2011. “Lope de Vega, poeta del pueblo. ¿ruso?” Anuario Lope de Vega 16: 125–141.
- Scaramella, E. 2017. “Imagining Andalusia: Race, Translation, and the Early Critical Reception of Federico García Lorca in the U.S.” Revista Canadiense De Estudios Hispánicos 41 (2): 417–448. 10.18192/rceh.v41i2.2159.
- Shand, J. 1953. “The Tavistock Players Move to Canonbury.” The Manchester Guardian, January 15, 5.
- Smith, P. J. 1998. The Theatre of García Lorca. Text, Performance and Psychoanalysis. Cambridge: Cambridge University Press.
- The Stage. 1939. “Plays of the Year 1939.II.” The Stage, September 21, 4.
- The Times. 1928. “A Call for A National Theatre.” The Times, August 13, 10
- The Times. 1938. “The Barn Theatre Shere.” The Times, August 9, 10.
- The Times. 1939a. “The Theatres.” The Times, March 16, 14.
- The Times. 1939b. “Stage Society.” The Times, March 20, 12.
- The Times. 1946. “French Players at the Mercury.” The Times, June 17, 6.
- The Times. 1949. “The House of Bernarda Alba by Federico García Lorca.” The Times, January 27, 7.
- The Times. 1952. “The Theatres.” The Times, June 30, 3.
- The Times. 1953. “Lorca Play in Manchester.” The Times, December 11, 5.
- The Times. 1956. “The Arts. Cambridge A.D.C.” The Times, February 8, 5.
- Torres Monreal, F. 1989. “El teatro de García Lorca en Francia (1938–1973).” Estudios Románicos 5: 1346–1369.
- Turnbull, O. 2008. Bringing down the House. The Crisis in Britain’s Regional Theatres. Chicago: University of Chicago.
- Ustinov, P. 1979. Dear Me. London: Penguin Books.
- Walmsley, P. 1999. “Obituaries: Margery Withers.” The Stage, April 11, 28.
- Walsh, A. S. 2020. Lorca in English. A History of Manipulation through Translation. Routledge, Kindle Edition.
- Warden, C. 2012. British Avant-Garde Theatre. New York: Palgrave Macmillan.