469
Views
4
CrossRef citations to date
0
Altmetric
Original Articles

“Turkish Rambo” Going Transnational: The Polarized Reception of Mainstream Political Cinema among the Turkish Diaspora in Belgium

Bibliography

  • Aksoy, Asu, and Kevin Robins. “Banal Transnationalism: The Difference that Television Makes.” In The Media of Diaspora, edited by Karim H. Karim, 89–105. London: Routledge, 2003.
  • Altınay, Ayşe Gül. The Myth of the Military-Nation: Militarism, Gender, and Education in Turkey. New York: Palgrave Macmillan, 2004.
  • Anaz, Necati, and Darren Purcell. “Geopolitics of Film: Valley of the Wolves—Iraq and its Reception in Turkey and Beyond.” The Arab World Geographer 13, no. 1 (2010): 34–49.
  • Arslan, Savaş. “The New Cinema of Turkey.” New Cinemas: Journal of Contemporary Film 7, no. 1 (2009): 83–97. doi: 10.1386/ncin.7.1.83_1
  • Arslan, Savaş. Cinema in Turkey: A New Critical History. Oxford: Oxford University Press, 2011.
  • Athique, Adrian. “Bollywood, Brand India and Soft Power.” In Indian Media: Global Approaches, edited by A. Athique, 111–130. Cambridge: Polity, 2012.
  • Aumüller, Jutta. “Türkische Fernsehmedien in Deutschland.” In Medien und Migration: Europa als multikultureller Raum? edited by Heinz Bonfadelli and Heinz Moser, 21–42. Wiesbaden: VS Verlag für Sozialwissenschaften, 2007.
  • Aytürk, İlker. “The Coming of an Ice Age? Turkish-Israeli Relations Since 2002.” Turkish Studies 12, no. 4 (2011): 675–687. doi: 10.1080/14683849.2011.622507
  • Banaji, Shakuntala. Reading “Bollywood”: The Young Audience and Hindi Films. Basingstoke: Palgrave Macmillan, 2006.
  • Baruh, Lemi, and Mihaela Popescu. “Communicating Turkish-Islamic Identity in the Aftermath of the Gaza Flotilla Raid: Who is the “Us” in “Us” Versus “Them”?” New Perspectives on Turkey 45 (2011): 75–99.
  • Boggs, Carl, and Tom Pollard. “Hollywood and the Spectacle of Terrorism.” New Political Science 28, no. 3 (2006): 335–351. doi: 10.1080/07393140600856151
  • Bora, Asku, and Tanıl Bora. “Kurtlar Vadisi ve erkeklik krizi: ‘Neden İskender'i öldürmüyoruz usta’.” Birikim, August–September, no. 256–257 (2010): 38–47.
  • Çelebi, Mehmet Celil. “o‘Valley of the Wolves’ as a Nationalist Text.” Unpublished master thesis, Middle East Technical University, Ankara, 2006. Accessed April 24, 2012. http://etd.lib.metu.edu.tr/upload/12607446/index.pdf
  • Christensen, Miyase. “Online Mediations in Transnational Space: Cosmopolitan (Re)Formations of Belonging and Identity in the Turkish Diaspora.” Ethnic and Racial Studies 35, no. 5 (2011): 888–905. doi: 10.1080/01419870.2011.628039
  • Cizre, Ümit. “Turkey at the Crossroads: From ‘Change with Politics as Usual’ to Politics with Change as Usual.” Insight Turkey 13, no. 4 (2011): 83–105.
  • Demir, Nesrin Kula. “Elazığ’da Kurtlar Vadisi dizisinin alımlanması.” Sosyal Bilimler Dergisi 9, no. 2 (2007): 251–266.
  • Dittmer, Jason, and Klaus Dodds. “Popular Geopolitics Past and Future: Fandom, Identities and Audiences.” Geopolitics 13, no. 3 (2010): 437–457. doi: 10.1080/14650040802203687
  • Dodds, Klaus. “Hollywood and the Popular Geopolitics of the War on Terror.” Third World Quarterly, 29, no. 8 (2008): 1621–1637. doi: 10.1080/01436590802528762
  • Dönmez-Colin, Gönül. Turkish Cinema: Identity, Distance and Belonging. London: Reaktion, 2008.
  • Durham, Meenakshi Gigi. “Constructing the ‘New Ethnicities’: Media, Sexuality, and the Diaspora Identity in the Lives of South Asian Immigrant Girls.” Critical Studies in Media Communication 21, no. 2 (2004): 140–161. doi: 10.1080/07393180410001688047
  • Georgiou, Myria. Diaspora, Identity and the Media: Diasporic Transnationalism and Mediated Spatialities. Cresskill, NJ: Hampton Press, 2006.
  • Gillespie, Marie. Television, Ethnicity, and Cultural Change. London: Routledge, 1995.
  • Gillespie, Marie. “Transnational Communications and Diaspora Communities.” In Ethnic Minorities and the Media: Changing Cultural Boundaries, edited by Simon Cottle, 164–178. Buckingham: Open University Press, 2000.
  • Güney, Aylin. “Anti-Americanism in Turkey: Past and Present.” Middle Eastern Studies 44, no. 3 (2008): 471–487.
  • Gürel, Perin. “America, the (Oppressively) Funny: Humor and Anti-Americanisms in Modern Turkish Cinema.” Paper presented at SCMS Conference, Boston, March 21–25, 2012, permission obtained from the author.
  • Hall, Stuart. “Encoding/Decoding.” In Culture, Media, Language: Working Papers in Cultural Studies 1972–1979, edited by Stuart Hall, Dorothy Hobson, Andrew Lowe, and Paul Willis, 128–138. London: Hutchinson, [1973] 1991.
  • Hopkins, Liza. “Citizenship and Global Broadcasting: Constructing National, Transnational and Post-National Identities.” Continuum: Journal of Media and Cultural Studies 23, no. 1 (2009): 19–32. doi: 10.1080/10304310802596333
  • Işık, Nuran Erol. “Milliyetçilik, Popüler kültür ve ‘Kurtlar Vadisi’.” Doğu Batı 9, no. 38 (2006): 327–347.
  • Jeffords, Susan. “Can Masculinity Be Determined?” In Screening the Male: Exploring Masculinities in Hollywood Cinema, edited by Steven Cohan and Ina Rae Hark, 245–262. London: Routledge, 1993.
  • Jenkins, Henry. “Reception Theory and Audience Research: The Mystery of the Vampire's Kiss.” In Reinventing Film Studies, edited by Christine Gledhill and Linda Williams, 165–182. London: Arnold, 2000.
  • Kalra, Virinder S., Raminder Kaur, and John Hutnyk. Diaspora & Hybridity. London: Sage, 2005.
  • Kaya, Raşit, and Bariş Çakmur. “Politics and Mass Media in Turkey.” Turkish Studies 11, no. 4 (2010): 521–537. doi: 10.1080/14683849.2010.540112
  • Kaya, Ayhan, and Ayşe Tecman. The Role of Common Cultural Heritage in External Promotion of Modern Turkey: Yunus Emre Cultural Centres. Istanbul: Bilgi University, 2011.
  • Lichtenfeld, Eric. Action Speaks Louder. Violence, Spectacle, and the American Action Movie. Middletown, CT: Wesleyan University Press, 2004.
  • Ma Mung, Emmanuel. “Diaspora, Spatiality, Identities.” In Comparative European Research in Migration, Diversity and Identities, edited by Wolfgang Bosswick and Charles Husband, 33–48. Bilbao: University of Deusto, 2005.
  • Michelle, Carolyn. “Modes of Reception: A Consolidated Analytical Framework.” The Communication Review 10, no. 3 (2007): 181–222. doi: 10.1080/10714420701528057
  • Morley, David. The “Nationwide” Audience. London: British Film Institute, 1980.
  • Morley, David. “Towards an Ethnography of the Television Audience.” In Television, Audiences and Cultural Studies, edited by D. Morley, 173–197. London; New York: Routledge, 1992.
  • Ogan, Christine. Communication and Identity in the Diaspora: Turkish Migrants in Amsterdam and Their Use of Media. Lanham, MD: Lexington, 2001.
  • Özkaracalar, Kaya. “Representations of Imperialism in Turkish Cinema within a Pendulum of Nationalism and Anti-Imperialism.” In Cinema and Politics: Turkish Cinema and the New Europe, edited by Deniz Bayrakdar, 164–171. Newcastle: Cambridge Scholars, 2009.
  • Özkirimli, Umut, and Pınar Uyan-Semerci. “Pater familias and homo nationalis: understanding nationalism in the case of Turkey.” Ethnicities 11, no. 1 (2011): 59–79. doi: 10.1177/1468796810388701
  • Özmen, Seçkin, and Murat Mengü. “Creation of Reality and its Reception by the Audience: A Study on a Popular Turkish TV Drama; The Valley of the Wolves.” Paper presented at International Symposium Communication in the Millennium, North Carolina, May 11–13, 2005. Accessed July 19, 2012. http://cim.anadolu.edu.tr/pdf/2005/Ozmen_Mengu.pdf
  • Robins, Kevin, and Asu Aksoy. “Deep Nation: The National Question and Turkish Cinema Culture.” In Cinema and Nation, edited by Mette Hjort and Scott Mackenzie, 203–221. London: Routledge, 2002.
  • Rosenbaum, Jonathan. Movies as Politics. Berkeley: University of California Press, 1997.
  • Ryan, Michael, and Douglas Kellner. Camera Politica: The Politics and Ideology of Contemporary Hollywood. Bloomington: Indiana University Press, 1988.
  • Schlesinger, Philip. “The Sociological Scope of ‘National Cinema’.” In Cinema and Nation, edited by Mette Hjort and Scott Mackenzie, 19–31. London: Routledge, 2002.
  • Simpson, Catherine. “Turkish Cinema's Resurgence: The ‘Deep Nation’ Unravels.” Senses of Cinema 39 (2006). Accessed May 4, 2012. http://sensesofcinema.com/2006/feature-articles/turkish_cinema
  • Smets, Kevin, Dilek Kaya Mutlu, and Roel Vande Winkel. “Beware of the Wolves! The Turkish versus the European Reception of ‘Valley of the Wolves: Iraq’.” Film International 9, no. 3 (2006): 19–34. doi: 10.1386/fint.9.3.19_1
  • Smets, Kevin, Philippe Meers, Roel Vande Winkel, and Sofie Van Bauwel. “A Semi-Public Diasporic Space: Turkish Film Screenings in Belgium.” Communications: The European Journal of Communication Research 36, no. 4 (2011): 395–414. doi: 10.1515/comm.2011.020
  • Staiger, Janet. Media Reception Studies. New York: New York University Press, 2005.
  • Suner, Asuman. New Turkish Cinema: Belonging, Identity and Memory. London: I.B. Tauris, 2010.
  • Suner, Asuman. “Between Magnificence and Monstrosity: Turkishness in Recent Popular Cinema.” New Perspectives on Turkey 45 (2011): 123–154.
  • Türkmen, Füsun. “Anti-Americanism as a Default Typology of Opposition: Turkey as a Case Study.” Turkish Studies 11, no. 3 (2010): 329–345. doi: 10.1080/14683849.2010.506738
  • Yanık, Lerna K. “‘Those Crazy Turks’ that Got Caught in the ‘Metal Storm’: Nationalism in Turkey's Best Seller Lists.” EUI Working Papers, European University Institute, Firenze, 2008.
  • Yanık, Lerna K. “‘Valley of the Wolves: Iraq’: Anti-geopolitics Alla Turca.” Middle East Journal of Culture and Communication 2, no. 1 (2009): 2–18.
  • Yükleyen, Ahmet. Localizing Islam in Europe: Turkish Islamic Communities in Germany and the Netherlands. Syracuse, NY: Syracuse University Press, 2012.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.