Publication Cover
Green Letters
Studies in Ecocriticism
Volume 25, 2021 - Issue 1
250
Views
0
CrossRef citations to date
0
Altmetric
Articles

Cave To Cosmos: Mythological Animals In The Sculpture Of Anish Kapoor

Pages 76-89 | Received 03 Apr 2020, Accepted 19 Mar 2021, Published online: 05 Apr 2021

References

  • Adajania, N. “Anish Kapoor: The Mind Viewing Itself.” Anish Kapoor. Accessed 7 Aug. 2019, par. 26. http://anishkapoor.com/459/The-Mind-Viewing-Itself-by-Nancy-Adajania.html
  • “The Avatars of Vishnu” (N.d). Museum of Art and Archaeology” University of Missouri. https://maa.missouri.edu/gallery/avatars-vishnu Accessed 20 Jan 2021
  • Bataille, G. 1970. Oeuvres Completes, 22. Vol. 1. Paris: Gallimard.
  • Baume, N. 2008. “Mythologies in the Making: Anish Kapoor in Conversation.” In Anish Kapoor Past Present Future, 28–55. Boston, MA: Institute of Contemporary Art.
  • Bhabha, H. K. 1998. “Anish Kapoor: Making Emptiness”. Anish Kapoor. Accessed 27 Aug 2019, par. 15. http://anishkapoor.com/185/Making-Emptiness-by-Homi-K.-Bhabha.html
  • Bovenschen, S., J. Blackwell, J. Moore, and B. Weckmueller. 1978. “The Contemporary Witch, the Historical Witch and the Witch Myth: The Witch, Subject of the Appropriation of Nature and Object of the Domination of Nature.” New German Critiqueno.15 (Autumn): 83–119.
  • Bredekamp, H. 2013. “The Death of Leviathan: Form as a Political Issue.” In Symphony for a Beloved Sun: Anish Kapoor, edited by R. Norman,29-46. Berlin: Walther, Konig, Koln.
  • Buchanan, B. 2011. “Painting the Prehuman: Bataille, Merleau-Ponty, and the Aesthetic Origins of Humanity.” Journal for Critical Animal Studies 9, no. 1: 14-31.
  • Crone, R., and A. Von Stosch. 2008. Anish Kapoor. Berlin: Prestel.
  • Dalal, N. 2017. “Introduction”. In Asian Perspectives on Animal Ethics, Rethinking the Nonhuman, edited by Neil Dalal and Chloe Taylor, 1-37. London:Routledge.
  • Dalmia, A. 2016. Anish Kapoor: Embedded Impressions of Indian Culture. Ontario: OCAD University.
  • Dorrian, M. 2012. “Voice, Monstrosity and Flaying: Anish Kapoor’s Marsyas as a Silent Sound Work.” Architectural Theory Review 17 , no.1: 93–104.
  • Eisenmann, S. 2013. The Cry of Nature. Art and the Making of Animal Rights. London: Reaktion Books.
  • Forrest, N. 2015. “Anish Kapoor versus Rembrandt at the Rijksmuseum.” Blouin Art Info International. Accessed 1 Aug. 2018. http://www.blouinartinfo.com/news/story/1288845/anish-kapoor-versus-rembrandt-at-the-rijksmuseum
  • Freud, S. 2003. The Uncanny.Translated by David McLintock. London: Penguin Books.
  • Gebauer, G. 1989. “The Place of Beginning and End: Caves and Their Systems of Symbols.” In Looking Back on the End of the World, edited by K. Dietmar and W. Christoph, 19-28. Berlin: Semiotext(e) Foreign Agents Series.
  • Guerlac, S. 2007. “The Useless Image: Bataille, Bergson, Magritte.” Representations,97.no 1, (Winter) : 28–56.
  • Hilty, G., and A. Rose. (2010). “Anish Kapoor: British Council and Lisson Gallery, London” 2010. Accessed 1 Jan, 2021.http://anishkapoor.com/191/in-conversation-with-greg-hilty-and-andrea-rose
  • Jobson, C. 2015. “Anish Kapoor’s Perpetual Black Water Whirlpool Installed in the Floor of Former Movie Theatre in Italy.” Colossal. Accessed 11 Sept, 2019.http://www.thisiscolossal.com/2015/05/anish-kapoor-decension/
  • Kapoor, Anish. 2006. “In Conversation with Marcello Dantas”. Ascension, Rio de Janeiro. Anish Kapoor. Accessed 31 Oct. 2019. http://anishkapoor.com/178/in-conversation-with-marcello-dantas
  • Krauss, R. E. 1987. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, Massachusetts: London: The MIT Press.
  • LaCapra, D. 2009. History and Its Limits: Human, Animal Violence. Ithaca and London.: Cornell University Press.
  • Lippit, A. M. 2000. Electric Animal. Toward at Rhetoric of Wildlife. Minnesota: The University of Minnesota Press.
  • Lippit, A. M. 2002. “Archetexts: Lascaux, Eros, and the Anamorphic Subject.” Discourse 24 no. 2( Spring):.18-29
  • Lotringer, S. 2015. “The Last Political Scene.” In Art and the Anthropocene: Encounters among Aesthetics, Politics, Environments and Epistemologies, edited by H. David and E. Turpin, , 371-378. London: Open Humanities Press.
  • Meer, A. 1990. “Anish Kapoor”, BOMB, 30, Winter. Accessed Jan. 30, 2020. https://bombmagazine.org/articles/anish-kapoor/
  • Mitter, P. 2008. “History, Memory and Anish Kapoor.” In Anish Kapoor Past Present Future, , edited by Nicholas Baume, 104-119. Boston, MA: Institute of Contemporary Art.
  • Morton, T. 2013. “Poisoned Ground.” In Symplokē. 21: no. 1:37–50 .
  • Murray, M. 1918. “103 Witches’ Transformations Into Animals.” Man 18: 188–191.
  • Noske, B. 1997. Beyond Boundaries. Montreal: Black Rose Books.
  • Ovid, M. 1977. Book 6, Loeb Classical Library. Cambridge, MA: Harvard University Press ; London: Heinemann.
  • Pachirat, T. 2013. Every 12 Seconds: Industrialised Slaughter and the Politics of Sight. Yale Agrarian Studies Series. New Haven: Yale University Press.
  • Patterson, C. 2001. Eternal Triblinka: Our Treatment of Animals and the Holocaust. New York: Lantern Publishing & Media.
  • Pick, A. 2011. Creaturely Poetics: Animality and Vulnerability in Literature and Film. New York: Columbia University Press.
  • Rosenthal, N. 2013. “Anish Kapoor: The Artist in the Echo Chamber of History.” In Symphony for a Beloved Sun: Anish Kapoor, edited by N. Rosenthal and H. Bredekamp, 9-28. Berlin: Walther Konig: Koln.
  • Sanbonmatsu, J. 2014. “The Animal of Bad Faith: Speciesism as an Existential Project.” In Critical Animal Studies, Thinking the Unthinkable, edited by J. Sorenson, 29-45. Toronto: Canadian Scholars’ Press .
  • Sorenson, J. 2014. “Introduction: Thinking the Unthinkable.” In Critical Animal Studies, Thinking the Unthinkable, edited by J. Sorenson, xi - xxxiv. Toronto: Canadian Scholars’: Press Inc,
  • Ungar, S. 1990. “Phantom Lascaux: Origin of the Work of Art.” Yale French Studiesno. 78: 246–262.
  • Wadiwel, D. J. 2009. “The War against Animals: Domination, Law and Sovereignty.” Griffith Law Review 18,no 2: 283–297. doi:https://doi.org/10.1080/10383441.2009.10854642.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.