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Journal of Visual Art Practice Volume 13, 2014 - Issue 2
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Articles

The role of drawing in the work of Charlotte Hodes

Paul ColdwellChelsea College of Arts, University of the Arts London, 16 John Islip Street, London, SW1P 4JU, UKCorrespondence[email protected]
Pages 85-100 | Published online: 29 Sep 2014

References

  • Abrahams, C. 2014. Perfect Grammar. http://www.craftscouncil.org.uk/articles/perfect-grammar/.
  • Chamberlain, R. 2013. “Drawing Conclusions: An Exploration of the Cognitive and Neuroscientific Foundations of Representational Drawing.” PhD thesis, University College London.
  • Coldwell, P. 2006. Morandi's Legacy; Influences on British Art. London: Philip Wilson.
  • Jones, O. 1856. The Grammar of Ornament. London: Day and Son.
  • Klee, P. 1996. On Modern Art. Translated by Paul Findlay. London: Faber and Faber Ltd.
  • Livingstone, M. 1999. Patrick Caulfield. London: Hayward Gallery Publishing.
  • McKenzie, J. 2014. Charlotte Hodes' The Grammar of Ornament. London: London College of Fashion.
  • Merleau-Ponty, M. 2012. Phenomenology of Perception. trans. by Colin Smith. (New York: Humanities Press, and London: Routledge & Kegan Paul, 1962); trans. revised by Forrest Williams (1981; reprinted, 2002); new trans. by Donald A. Landes. New York: Routledge.
  • Treadaway, C. 2008. Charlotte Hodes' Drawing Skirts. London: London College of Fashion.
  • Van Sommers, P. 1984. Drawing and Cognition: Descriptive and Experimental Studies of Graphic Production Processes. Cambridge: Cambridge University Press.

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