185
Views
0
CrossRef citations to date
0
Altmetric
Articles

Historical time in Tony Oursler's media arts

References

  • Benjamin, Andrew. 1991. Art, Mimesis and the Avant-Garde: Aspects of a Philosophy of Difference. London: Routledge.
  • Berlant, Lauren. 2011. Cruel Optimism. Durham: Duke University Press. doi:10.1215/9780822394716.
  • Bishop, Claire. 2005. Installation Art: A Critical History. London: Verso.
  • Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso.
  • Bolter, Jay David, and Richard Grusin. 2000. Remediation: Understanding New Media. Cambridge, MA: MIT Press.
  • Burger, Peter. [1974] 1984. Theory of the Avant-Garde, translated by Michael Shaw. Manchester: Manchester University Press.
  • Cubitt, Sean. 1993. Videography: Video Media as Art and Culture. Basingstoke: MacMillan Education.
  • Cubitt, Sean. 1998. Digital Aesthetics. London: Sage.
  • Foster, Hall. 1996. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge, MA: The MIT Press.
  • Freeman, E. 2005. “Time Binds, or, Erotohistoriography”. In Social Text 23 (3–4, 84–85; fall-winter 2005): 57–68. doi:10.1215/01642472-23-3-4_84-85-57.
  • Greenberg, Clement. 1939. “Avant-garde and Kitsch”. Accessed June 30. http://www.paduan.dk/Kunsthistorie%202008/Tekster/CLEMENT%20GREENBERG-AVANT-GARDE%20AND%20KITSCH.pdf
  • Greenberg, Clement. 1986. Clement Greenberg: The Collected Essays and Criticism. Vol. 1, Perceptions and Judgments 193944, edited by J. O’Brien. Chicago: Chicago University Press.
  • Groys, Boris. 2011. “Introduction – Global Conceptualism Revisited.” e-flux Journal. http://www.e-flux.com/journal/introduction-global-conceptualism-revisited/
  • Groys, Boris. 2013. “Art Workers: Between Utopia and the Archive.” e-flux Journal. http://www.e-flux.com/journal/art-workers-between-utopia-and-the-archive/
  • Iles, Chrissie. 1996. Scream and Scream Again: Film in Art. Oxford: Museum of Modern Art Oxford.
  • Krauss, Rosalind. 1980. Grids: Format and Image in 20th Century Art. New York: The Pace Gallery.
  • Krauss, Rosalind. 1986. The Originality of the Avant-Garde and Other Modernist Myths. London: Thames and Hudson.
  • Lodi, Simona, and Tony Oursler. 1998. Tony Oursler. Milan: Edizioni Charta.
  • Manovich, Lev. 2001. The Language of New Media. Cambridge, MA: The MIT Press.
  • Oursler, Tony. 1999. “Tony Oursler: An Endless Script”. Interview with Mike Kelley.” In Mike Kelley: Interviews, Conversations and Chit-Chat (1986–2004), edited by John Welchman. Zurich: JRP/Ringier.
  • Noord, Gerrie Van. 2000. Tony Oursler: The Influence Machine. Berlin: Medialis.
  • Panera, Javier F., Omar-Pascual Castillo, Suset Sanchez, and Tony Oursler. 2009. Tony Oursler: Thinking Gaze. Barcelona, Spain: Turner.
  • Puar, Jasbir. 2007. Terrorist Assemblages: Homonationalism in Queer Times. Durham: Duke University Press. doi:10.1215/9780822390442.
  • Warhol, Andy. [1975] 2007. The Philosophy of Andy Warhol. London: Penguin.
  • Welchman, John, ed. 2005. Mike Kelley: Interviews, Conversations and Chit-Chat (1986–2004). Zurich: JPR/Ringier.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.