Contemporary art and left-wing populism: the Artist Taxi Driver as working class ideology

References

• Adorno, Theodor. 1997. Aesthetic Theory. New York: Continuum.
   Google Scholar
• Adrono, Teodor, and Max Horkheimer. 1997. The Dialectic of Enlightenment. London: Verso.
   Google Scholar
• BAVO. 2007. Cultural Activism Today: The Art of Over-identification. Rotterdam: Episode.
   Google Scholar
• Becker, Howard. 1984. Art Worlds. Berkeley: University of California Press.
   Google Scholar
• Benjamin, Walter. 1970. “The Author as Producer.” New Left Review 62: 83–96.
   Google Scholar
• Born, Georgina. 1995. Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-garde. Los Angeles: University of California Press.
   Google Scholar
• Brecht, Bertolt. 2002. “Emphasis on Sport.” In The Cultural Resistance Reader, edited by Stephen Dancombe, 183–185. London: Verso.
   Google Scholar
• Bryan-Wilson, Julia. 2012. “Occupational Realism.” The Drama Review 56 (4): 32–48. doi: 10.1162/DRAM_a_00212
   Google Scholar
• Danto, Arthur. 1964. “The Artworld.” The Journal of Philosophy 61 (19): 571–584. doi: 10.2307/2022937
   Web of Science ®Google Scholar
• Dickie, George. 1969. “Defining Art.” American Philosophical Quarterly 6 (3): 253–256.
   Web of Science ®Google Scholar
• Elkins, James, and Harper Montgomery, eds. 2013. Beyond the Aesthetic and the Anti-aesthetic. University Park: The Pennsylvania State University Press.
   Google Scholar
• Foster, Hal. 1983. The Anti-Aesthetic: Essays in Postmodern Culture. Seattle, WA: Bay Press.
   Google Scholar
• Foster, Dawn. 2015. “Mark McGowan: The Artist Taxi Driver with a Rear-view Manifesto.” The Guardian, January 28. https://www.theguardian.com/society/2015/jan/28/mark-mcgowan-artist-taxi-driver-rear-view-manifesto.
   Google Scholar
• Foucault, Michel. 2011. The Government of Self and Others. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Foucault, Michel. 2012. The Courage of Truth: The Government of Self and Others II. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Gell, Alfred. 1996. “Vogel’s Net Traps as Artworks and Artworks as Traps.” Journal of Material Culture 1 (1): 15–38. doi: 10.1177/135918359600100102
   Web of Science ®Google Scholar
• Gell, Alfred. 1998. Art and Agency: An Anthropological Theory. Oxford: Oxford University Press.
   Google Scholar
• Gerbaudo, Paolo. 2017. The Mask and the Flag. Populism, Citizenism, and Global Protest. London: C Hurst.
   Google Scholar
• Glahn, Philip. 2014. Bertolt Brecht. London: Reaktion Books.
   Google Scholar
• Greenberg, Clement. 1939. “Avant-Garde and Kitsch.” Partisan Review 6 (5): 34–49.
   Google Scholar
• Kioupkiolis, Alexandros. 2016. “Podemos: The Ambiguous Promises of Left-wing Populism in Contemporary Spain.” Journal of Political Ideologies 21 (2): 99–120. doi: 10.1080/13569317.2016.1150136
   Web of Science ®Google Scholar
• Kompatsiaris, Panos. 2015. “Art Struggles: Confronting Internships and Unpaid Labour in Contemporary Art.” TripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 13 (2): 554–566.
   Web of Science ®Google Scholar
• Kompatsiaris, Panos. 2017. The Politics of Contemporary Art Biennials: Spectacles of Critique, Theory and Art. New York: Routledge.
   Google Scholar
• Laclau, Ernesto. 2005. On Populist Reason. London: Verso.
   Google Scholar
• Luhmann, Niklas. 2000. Art as a Social System. Stanford: Stanford University Press.
   Google Scholar
• Mahony, Emma. 2016. “The Uneasy Relationship of Self-Critique in the Public Art Institution.” Curator: The Museum Journal 59 (3): 219–238. doi: 10.1111/cura.12164
   Web of Science ®Google Scholar
• Rancière, Jacques. 2009. Aesthetics and its Discontents. Cambridge: Polity.
   Google Scholar
• Stallabras, Julian. 2004. Art Incorporated: The Story of Contemporary Art. Oxford: Oxford University Press.
   Google Scholar
• Stavrakakis, Yiannis. 2014. “The Return of ‘the People’: Populism and Anti-Populism in the Shadow of the European Crisis.” Constellations (oxford, England) 21 (4): 505–517.
   Google Scholar
• Wolff, Janet. 1983. Aesthetics and the Sociology of Art. London: George Allen and Unwin.
   Google Scholar
• Wortman, Richard. 1967. The Crisis of Russian Populism. London: Cambridge University Press.
   Google Scholar
• Żmijewski, Artur. 2012. “Foreword.” In Forget Fear, edited by A. Żmijewski and J. Warsza, 10–21. Berlin: KW Institution of Contemporary Art.
   Google Scholar