References
- Armstrong, Philip, and Laura Lisbon. 2015. “Archival Texts: Conversations with Hantai: Didi-Huberman, Damisch, Rouan, Nancy.” Journal of Contemporary Painting 1 (2): 201–249.
- Bennett, Jane. 2010. “The Force of Things.” Chapter 1 in Vibrant Matter: A Political Ecology of Things, 1–19. Durham, NC: Duke University Press.
- Biswas, Allie. 2019. “Julie Mehretu with Allie Biswas.” The Brooklyn Rail, February 2019. Accessed June 15, 2019. https://brooklynrail.org/2019/02/art/JULIE-MEHRETU-with-Allie-Biswas
- Bradway, Todd. 2019. Landscape Painting Now: From Pop Abstraction to New Romanticism. London: Thames & Hudson.
- Calame, Ingrid. 2005. #219 Tracing up to LA River [Painting]. Image Courtesy of the Artist. Copyright: Ingrid Calame.
- Crystal Bridges. 2019. Artist Julie Mehretu on Monumental Canvases [Video File]. January 23. https://www.youtube.com/watch?v=fLRJfd8ahLo.
- Deleuze, Gilles, and Félix Guattari. 2004. A Thousand Plateaus: Capitalism and Schizophrenia. London: Continuum.
- Haraway, Donna J. 2016. A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century. Minneapolis: University of Minnesota Press.
- Harmon, Katharine A. 2010. The Map as Art: Contemporary Artists Explore Cartography. New York: Princeton Architectural Press.
- Keith, Hamish. 2007. A Big Picture: A History of New Zealand Art from 1642. Auckland, New Zealand: Random House New Zealand.
- Kleeblatt, Norman L. 2018. “The Water Lilies: American Abstract Painting and the Last* Monet.” The Brooklyn Rail, September. https://brooklynrail.org/2018/09/artseen/The-Water-Lilies-American-Abstract-Painting-and-the-Last-Monet.
- Latour, Bruno. 2017. “On Actor-network Theory. A Few Clarifications, Plus More than a Few Complications.” https://pdfs.semanticscholar.org/7352/c5ec843c9882dfa7678e01ab93b4194a0a27.pdf?_ga=2.139888115.1720083916.1579206693-943420340.1579206693.
- Louisiana Channel. 2013. Julie Mehretu: The In-between Place [Video File]. August 14. https://vimeo.com/72331885.
- Mehretu, Julie. 2013. Cairo [Painting]. Image Courtesy of the Artist and Marion Goodman Gallery. Photo Credit: Tome Powel Imaging. Copyright: Julie Mehretu.
- Pound, Francis. 1983. Frames on the Land: Early Landscape Painting in New Zealand. Auckland: Collins.
- Schwabsky, Barry. 2004. “Ingrid Calame: James Cohan Gallery.” Artforum International 42 (6): 150. https://link-gale-com.wintec.idm.oclc.org/apps/doc/A113389518/AONE?u=per_witl&sid=AONE&xid=74b59daa.
- Schwabsky, Barry. 2019. “Painting With the Flow of the World.” In Landscape Painting Now: From Pop Abstraction to New Romanticism, edited by T. Bradway, 13–25. London: Thames & Hudson.
- Vera List Centre. 2011. Jane Bennett. Powers of the Hoard: Artistry and Agency in a World of Vibrant Matter [Video File]. September 24. https://vimeo.com/29535247.