252
Views
0
CrossRef citations to date
0
Altmetric
Articles

Painted spaces: an exploration through embodied and expansive practice

ORCID Icon
Pages 195-216 | Received 20 May 2021, Accepted 20 Mar 2022, Published online: 19 May 2022

References

  • Alloway, Lawrence. 1974. American Pop Art. New York: Collier Books.
  • Casati, Roberto, and Alessandro Pignocchi. 2007. “Mirror and Canonical Neurons are not Constitutive of Aesthetic Response.” Trends in Cognitive Sciences 11 (10): 410–411.
  • Colpitt, Frances. 1991. “The Shape of Painting in the 1960s.” Art Journal 50 (1): 52–56.
  • Crimp, Douglas. 1981. “The End of Painting.” October 16: 69–86.
  • Davis, Duane H. 2016. “The Art of Perception.” In Merleau-Ponty and the Art of Perception, edited by Duane H. David and S. William Hamrick, 3–52. Albany: State University of New York Press.
  • Davis, Duane H., and S. William Hamrick. 2016. Merleau-Ponty and the Art of Perception. Albany: State University of New York Press.
  • Foster, Hal, and Mark Godfrey. 2015. “Painting after Technology: Hal Foster and Mark Godfrey in Conversation.” Tate Talk. https://www.tate.org.uk/context-comment/audio/painting-after-technology-hal-foster-and-mark-godfrey-conversation.
  • Freedberg, David, and Vittorio Gallese. 2007. “Motion, Emotion and Empathy in Esthetic Experience.” Trends in Cognitive Sciences 11 (5): 197–203. https://doi.org/10.1016/j.tics.2007.02.003.
  • Fried, Michael. 1967. “Art and Objecthood.” ArtForum 1: 2–23.
  • Fried, Michael. 1998. “‘The American Painters’.” In Art and Objecthood: Essays and Reviews, 213–265. Chicago, IL: The University of Chicago Press.
  • Graw, Isabelle. 2009. “Conceptual Expression: On Conceptual Gestures in Allegedly Expressive Painting, Traces of Expression in Proto-Conceptual Works, and the Significance of Artistic Procedures.” In After Conceptual Art, edited by Sabeth Buchmann and Alexander Alberro, 120–143. Cambridge, MA: MIT Press.
  • Greenberg, Clement. 1960. “Modernist Painting.” Forum Lectures. Washington, DC: Voice of America. Arts Yearbook 4 (unrevised).
  • Groys, Boris. 2010. “Politics of Installation.” In Going Public, edited by Julieta Aranda, Brian Kuan Wood and Anton Vidokle and translated by Steven Lindberg and Matthew Partridge, 50. Berlin: Sternberg Press.
  • Harris, Erica. 2013. “The ‘I Cannot but it Can’ of Aesthetic Perception.” In Moving Imagination: Explorations of Gesture and Inner Movement, edited by Helena De Preester, 295–310. Amsterdam: John Benjamins.
  • Hobbs, Robert. 2001. “Merleau-Ponty’s Phenomenology and Installation Art.” In Installations Mattress Factory 1990-1999, edited by Claudia Giannini, 18–23. Pittsburgh: University of Pittsburgh Press.
  • Hoptman, Laura. 2014. The Forever Now: Contemporary Painting in an Atemporal World. New York: MOMA.
  • Hoskote, Ranjit. 2015. “Artist's Profile Manish Nai.” In Manish Nai. Mumbai: GalerieMirchandani + Steinruecke.
  • Joselit, David. 2009. “Painting Beside Itself.” October 130: 125–134.
  • Krauss, Rosalind. 1979. “Sculpture in the Expanded Field.” October 8: 31–44.
  • Merleau-Ponty, Maurice. (1945) 2008. Phenomenology of Perception. Translated by Collin Smith. New York: Routledge.
  • Merleau-Ponty, Maurice. (1960) 1993. “Eye and Mind.” In The Merleau-Ponty Aesthetics Reader: Philosophy and Painting, edited by Galen Johnson, 121–149. Evanston, IL: Northwestern University Press.
  • Nijhuis, Marta. 2016. “Echoes of Brushstrokes.” In Merleau-Ponty and the Art of Perception, edited by Duane H. Davis and S. William Hamrick, 85–96. Albany: State University of New York Press.
  • Potts, Alex. 2004. “Tactility: The Interrogation of Medium in Art of the 1960.” Art History 27: 282–304.
  • Rosenberg, Harold. 1961. “The American Action Painters” (1952), in The Tradition of the New. New York: Grove.
  • Staff, Craig. 2013. After Modernist Painting: The History of a Contemporary Practice. London: I.B. Tauris.
  • Stella, Frank. 1986. Working Space. Cambridge, MA: Harvard University Press.
  • Storr, Robert. 2010. “The Shifting Shapes of Things to Come.” In El Anatsui: When I Last Wrote to You About Africa, edited by Lisa Binder, 51–62. New York: Museum for African Art.
  • Whitehead, Derek. 2007. “Artist’s Labor.” Contemporary Aesthetic. https://contempaesthetics.org/newvolume/pages/article.php?articleID=466#FN35 (accessed September 2021).

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.