138
Views
0
CrossRef citations to date
0
Altmetric
Articles

Breaking the frame in traditional Persian paintings, a prelude to remediation

, , &
Pages 337-357 | Received 14 Jul 2021, Accepted 20 Apr 2022, Published online: 30 Sep 2022

References

  • Afhami, R., and S. Ahmadian. 2016. “The Figural Composition and Subject in Iranian Miniature: A Case Study of Shah Tahmasb’s Shahnama.” Motaleate Tatbighi Honar 5 (10): 1–16. http://mth.aui.ac.ir/article-1-171-en.html.
  • Aghaie, A., and M. Piravi Vanak. 2015. “The Metaphysic of Encounter of Space at the Meet of Persian Miniature with Renaissance Painting.” Research on Metaphysik 50 (18): 33–48. https://www.sid.ir/en/journal/ViewPaper.aspx?id = 540669.
  • Aghaie, A., M. Piravi Vanak, and A. Javani. 2018. “An Interpretation on Form of Reception of Linear Perspective in Later Safavid Painting.” Honar-Ha-Ye-Tajassomi (Honar-Ha-Ye-Ziba) 23 (1): 83–92. doi: 10.22059/jfava.2017.224435.665576.
  • Arnheim, R. 1982. The Power of The Center A Study of Composition in The Visual Arts. Berkeley: University of California Press.
  • Azarpay, G., A. M. Belenitskii, B. I. Marshak, and M. J. Dresden. 1981. Sogdian Painting: The Pictorial Epic in Oriental Art. Berkeley: University of California Press.
  • Bazin, A. 1967. What is Cinema? Vol. I. Berkeley: University of California Press.
  • Bolter, J. D. 2007. “Remediation and the Language of New Media.” Northern Lights 5, Intellect Ltd Article. English language, doi: 10.1386/nl.5.1.25/1.
  • Bolter, J. D., and R. Grusin. 1999. Remediation: Understanding New Media. Cambridge, MA: MIT Press.
  • Canby, C. 2014. The Shahnameh of Shah Tahmasp: The Persian Book of Kings. New York: Metropolitan Museum of Art.
  • Çiçekoglu, F. 2003. “A Pedagogy of Two Ways of Seeing: A Confrontation of ‘Word and Image’ in My Name Is Red.” Journal of Aesthetic Education 37 (3): 1–20. URL: http://www.jstor.org/stable/3527301.
  • Deleuze, G. 1986. Cinema1- The Movement- Image. Minneapolis: University of Minnesota Press.
  • Derrida, J. 1987. The Truth in Painting. Chicago: University of Chicago Press.
  • Derrida, J., and C. Owens. 1979. The Parergon. Vol. 9, Cambridge, MA: The MIT Press. doi:10.2307/778319.
  • Engberg, M., and J. D. Bolter. 2020. “The Aesthetics of Reality Media.” Journal of Visual Culture 19 (1): 81–95. doi:10.1177/1470412920906264.
  • Gholipour, H., and P. Haselei. 2019. “The Study of the Influence of European Cultural Relations on the Painting Isfahan School.” Scientific Journal of Pazhuhesh-e Honar 9 (17): 1–16. http://ph.aui.ac.ir/article-1-673-fa.html.
  • Grusin, R. 2015. “Radical Mediation.” Critical Inquiry 42 (1): 124–148. doi:10.1086/682998.
  • Keshmiri, M., and Z. Rahbarnia. 2020. “Exploring Ways of Perspective in Iranian Traditional Paintings Based upon Ibn Al-Haytham’s Theories in Al-Manazir.” Honar-Ha-Ye-Tajassomi (Honar-Ha-Ye-Ziba) 24 (4): 77–90.
  • Kord Noghani, M., and A. Salmani. 2020. “The Image as a Predictor of Thoughts: An Interpretation of True and False Perspectives in Mohammad Zamani’s Paintings.” Parseh Journal of Archaeological Studies 3 (10): 149–163. http://journal.richt.ir/mbp/article-1-304-fa.html.
  • Kress, G., and T. Van leeuwen. 2020. Reading Images: The Grammar of Visual Design. London: Routledge. doi:10.4324/9781003099857
  • Manghani, S. 2012. Image Studies: Theory and Practice. London: Routledge. doi:10.4324/9780203134917.
  • McLuhan, M. 1994. Understanding Media: The Extensions of Man. Cambridge, MA: The MIT Press.
  • Nadimi, Z., A. Mohammadi, and K. Mandegari. 2014. “Rereading the Concept of Center.” Soffeh 23 (63): 21–34. https://www.sid.ir/en/journal/ViewPaper.aspx?id = 545535.
  • Ozkul, D. 2007. “Impacts of the Immersive Interface Design Model on the Image-Spectatore Interaction in New Media.” Master Thesis. Bilkent University, Ankara, Turkey. Retrieved from https://core.ac.uk/download/pdf/52925042.pdf.
  • Panjehzadeh, B. 2013. “Comparative Study About Spatial Simultaneity in Persian Painting on the Basis of Boccioni Painting with Futurism Style.” Journal of Basic and Applied Scientific Research 3 (8): 432–442.
  • Panjehzadeh, B., and M. Marasy. 2014. “Comparative Study of Spatial Simultaneity in Persian Painting and Picasso Cubist Painting.” Motaleate Tatbighi Honar 3 (6): 55–71. https://www.sid.ir/en/journal/ViewPaper.aspx?id = 412682.
  • Panofsky, E. 1991. Perspective as Symbolic Form. Trans. Christopher S. Wood. New York: Zone Books.
  • Parizadian, M. 2015. “Relationship between Cadre and Narretion in Persian Painting (Miniature) During the Ilkhanid Period to the End of Taymurid Period.” Master Thesis. University of Tarbiat Modares University, Tehran, Iran. https://parseh.modares.ac.ir/thesis/6061546#.
  • Qasemi, H. 2009. “Shahnameh Shah Tahmasp, Shive Safhearayi (Shahnameh Shah Tahmasp, Method of Layout).” Ketabe Mahe Honar Magazine 133: 56–61. https://www.noormags.ir/view/fa/articlepage/485213.
  • Rajabi, Z., and S. Ahmadpanah. 2020. “The Explanation of the Frame in Traditional Persian Paintings and Its Innovation in the Artworks of Mahmoud Farshchian.” Negareh Journal 15 (55): 67–85. doi: 10.22070/negareh.2020.3021.
  • Roshani Payan, M. 2019. “A Study of the Essence of the Cinematic Frame According to the Metaphors of the Window and Framework.” Kimiya-ye-Honar 8 (32): 25–36. Retrieved from http://kimiahonar.ir/article-1-1686-en.html.
  • Shokri, M., and M. Khanzad. 2019. “The Challenge Inside and Outside in Iranian Painting According to Derrida’s Reading of Kant’s … Research Paper.” Rahpooye Honar/ Visual Arts 2 (3): 29–42. doi:10.29252/rahpooyesoore.4.2.29.
  • Zaimaran, M. 2007. “Derrida’s Critical Approach to Art.” Pazhouhesh Nameh-e Farhangestan-e Honar (5): 83–98. http://pazhouheshnameh.ir/article-1-48-fa.html.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.