References
- Agamben, Giorgio. 1999. The Man Without Content. Trans. Georgia Albert. Stanford: Stanford University Press.
- Arendt, Hannah. 1968. Men in Dark Times. New York: Harcourt Brace and World.
- Arendt, Hannah. 1977. Between Past and Future: Eight Exercises in Political Thought. Intro by Jerome Kohn. London: Penguin Books.
- Belting, Hans, 2001. The Invisible Masterpiece. Trans. Helen Atkins. London: Reaktion Books.
- Bersani, Leo. 2013. Marcel Proust: The Fictions of Life and of Art. Oxford: Oxford University Press.
- Buchholz, Daniel, and Christopher Müller. 2005. Tomma Abts, Galerie Daniel Buchholz, Cologne; greengrassi, London. See also archive of articles about Abts kindly supplied by greengrassi (TA_selected texts_e.pdf).
- Derby, Moyra. 2021. “The Productive Inadequacy of Image for Contemporary Painting. Image Based Operations in the Work of Beth Harland, Jacqueline Humphries and R.H. Quaytman.” The Journal for the Philosophy of Language, Mind and the Arts 2 (1): 205–220. doi:10.30687/Jolma/2723-9640/2021/01/012.
- Fried, Michael. 1980. Absorption and Theatricality: Painting and the Beholder in the Age of Diderot. London: University of Chicago Press.
- Fried, Michael. 1998. Art and Objecthood. Chicago: University of Chicago Press.
- Fried, Michael. 1999. Manet’s Modernism Or The Face of Painting in the 1860s. Chicago: University of Chicago Press.
- Fried, Michael. 2011. Four Honest Outlaws: Sala, Ray, Marioni, Gordon. New Haven: Yale University Press.
- Graw, Isabelle. 2012. “The Value of Painting: Notes on Unspecificity, Indexicality, and Highly Valuable Quasi-Persons.” In Thinking Through Painting: Reflexivity and Agency Beyond the Canvas, edited by Isabelle Graw, Daniel Birnbaum, and Nikolaus Hirsch, 45–58. Frankfurt am Main: Sternberg Press.
- Harland, Beth. 2009. “A Fragment of Time in the Pure State: Painting in Search of Haptic Time.” Journal of Visual Arts Practice 8 (1&2): 37–58. doi:10.1386/jvap.8.1and2.37_1.
- Harland, Beth. 2020. “Drawing in Atopia: An Exploration of ‘Drift’ as Method.” In A Companion to Contemporary Drawing, edited by Kelly Chorpening and Rebecca Fortnum, 175–187. Oxford: Wiley-Blackwell.
- Harland, Beth, and Nick Donnelly. 2017. “Art Spectatorship and Haptic Visuality: An Eye Movement Analysis Exploring Painting and Embodied Cognition.” In Sensory Arts and Design, edited by Heywood Ian. London: Bloomsbury.
- Joselit, David. 2009. “Painting Beside Itself.” October 130, Fall, 125–134.
- Nietzsche, Friedrich. 1969. On The Genealogy of Morals and Ecce Homo. Trans. Walter Kaufmann. New York: Vintage Books.
- Nietzsche, Friedrich. 2001. The Gay Science. Ed. Bernard Williams. Trans. Josefine Nauckhoff and Adrian del Caro. Cambridge: Cambridge University Press.
- Phillipson, Michael. n.d. Art’s Plight Archive. https://artsplight.michaelphillipson-arts.co.uk/texts/(accessed July 2022).
- Proust, Marcel. 1984. Contre Sainte-Beuve: Marcel Proust on Art and Literature, 1896–1919. Introduction by Terrance Kilmartin, trans. Sylvia Townsend Warner. New York: Carroll and Graff.
- Searle, Adrian. 2005. “Is Anyone There?”, The Guardian, 13 December.