‘Look at me! Oh Lord have mercy!’: images of roller-coaster riders and the work of self-recognition

REFERENCES

• Anderson, D. 1999. “Sign, Space, and Story: Roller Coasters and the Evolution of a Thrill.” The Journal of Popular Culture 33: 1–22. doi:10.1111/j.0022-3840.1999.3302_1.x.
   Web of Science ®Google Scholar
• Andrejevic, M. 2004. Reality TV: The Work of Being Watched. Lanham, MD: Rowman & Littlefield Publishers.
   Google Scholar
• Andrejevic, M. 2012. “The Work of Being Watched: Interactive Media and the Exploitation of Self-Disclosure.” Critical Studies in Media Communication 19: 230–248. doi:10.1080/07393180216561.
   Web of Science ®Google Scholar
• Baudrillard, J. 1988. The Ecstasy of Communication. Brooklyn, NY: Autonomedia.
   Google Scholar
• Baudrillard, J. 1994. Simulacra and Simulation. Ann Arbor: University of Michigan Press.
   Google Scholar
• Berry, C., J. Harbord, and R. O. Moore, eds. 2013. Public Space, Media Space. New York: Palgrave.
   Google Scholar
• Berry, C., K. So-Yŏng, and L. Spigel, eds. 2010. Electronic Elsewheres: Media, Technology, and the Experience of Social Space. Minneapolis, MN: University of Minnesota Press.
   Google Scholar
• Bird, S. E. 2003. Audience in Everyday Life: Living in a Media World. New York: Routledge.
   Google Scholar
• Bolden, G. B. 2006. “Little Words that Matter: Discourse Markers ‘So’ and ‘Oh’ and the Doing of Other-Attentiveness in Social Interaction.” Journal of Communication 56: 661–688. doi:10.1111/jcom.2006.56.issue-4.
   Web of Science ®Google Scholar
• Casetti, F. 2013. “What Is a Screen Nowadays?” In Public Space, Media Space, edited by C. Berry, J. Harbord, and R. O. Moore. New York: Palgrave/Macmillan.
   Google Scholar
• Clavé, A. S. 2007. The Global Theme Park Industry. Wallingford, UK: CABI.
   Google Scholar
• Clifford, J. 1997. Routes: Travel and Translation in the Late Twentieth Century. Cambridge, MA: Harvard University Press.
   Google Scholar
• Couldry, N. 2003. “Passing Ethnographies: Rethinking the Sites of Agency and Reflexivity in a Mediated World.” In Global Media Studies: Ethnographic Perspectives, edited by P. Murphy and M. M. Kraidy. New York: Routledge.
   Google Scholar
• Couldry, N., and A. Mccarthy, eds. 2004. MediaSpace: Place, Scale, and Culture in a Media Age. London: Routledge.
   Google Scholar
• Dijck, J. V. 2007. Mediated Memories in the Digital Age. Stanford, CA: Stanford University Press.
   Google Scholar
• Dubrofsky, R. E. 2011. “Surveillance on Reality Television and Facebook: From Authenticity to Flowing Data“. Communication Theory 21: 111–129.
   Web of Science ®Google Scholar
• Dubrofsky, R. E., and S. A. Magnet, eds. 2015. Feminist Surveillance Studies. Durham, NC: Duke University Press.
   Google Scholar
• Dyer, R. 1997. White. London: Routledge.
   Google Scholar
• Eckardt, F., J. Geelhaar, L. Colini, K. S. Willis, K. Chorianopoulos, and R. Hennig, eds. 2008. Media and Urban Space: Understanding, Investigating and Approaching Mediacity. Berlin: Frank & Timme.
   Google Scholar
• Eco, U. 1986. Travels in Hyper Reality. San Diego: Harcourt Brace Jovanovich.
   Google Scholar
• Feighery, W. 2009. “Tourism, Stock Photography and Surveillance: A Foucauldian Interpretation.” Journal of Tourism and Cultural Change 7: 161–178. doi:10.1080/14766820903259485.
   Web of Science ®Google Scholar
• Fjellman, S. M. 1992. Vinyl Leaves: Walt Disney World and America. Boulder: Westview Press.
   Google Scholar
• Fox, J. E., and J. Schrock. 1999. “Discourse Markers in Spontaneous Speech: Oh What a Difference an Oh Makes.” Journal of Memory and Language 40: 280–295. doi:10.1006/jmla.1998.2613.
   Web of Science ®Google Scholar
• Gitlin, T. 2001. Media Unlimited: How the Torrent of Images and Sounds Overwhelms Our Lives. New York: Metropolitan Books.
   Google Scholar
• Goffman, E. 1967. Interaction Ritual: Essays in Face-To-Face Behavior. New York: Doubleday.
   Google Scholar
• Gumperz, J. J., and D. H. Hymes, eds. 1964. The Ethnography of Communication. Washington, DC: American Anthropological Association.
   Google Scholar
• Gunning, T. 1994. “The World as Object Lesson: Cinema Audiences, Visual Culture and the St. Louis World’s Fair, 1904.” Film History 6: 422–444.
   Google Scholar
• King, M. J., and J. G. O’boyle. 2011. “The Theme Park: The Art of Time and Space.” In Disneyland and Culture: Essays on the Parks and their Influence, edited by K. M. Jackson and M. I. West. Jefferson, NC: McFarland & Co.
   Google Scholar
• Krajina, Z. 2013. “Uses of Screen Images and Technologies in the London.” In Public Space, Media Space, edited by C. Berry, J. Harbord, and R. O. Moore. New York: Palgrave.
   Google Scholar
• Leighton, D. 2007. “In the Frame: Investigating the Use of Mobile Phone Photography in Museums.” International Journal of Nonprofit and Voluntary Sector Marketing 12: 308–319. doi:10.1002/(ISSN)1479-103X.
   Google Scholar
• Lübbren, N., and D. Crouch, eds. 2003. Visual Culture and Tourism. New York: Berg.
   Google Scholar
• Mccarthy, A. 2001. Ambient Television: Visual Culture and Public Space. Durham: Duke University Press.
   Google Scholar
• Mcluhan, M. 1964. Understanding Media: The Extensions of Man. Cambridge, MA: MIT Press.
   Google Scholar
• Noy, C. 2008a. “Writing Ideology: Hybrid Symbols in a Commemorative Visitor Book in Israel.” Journal of Linguistic Anthropology 18: 62–81.
   Web of Science ®Google Scholar
• Noy, C. 2008b. “Mediation Materialized: The Semiotics of a Visitor Book at an Israel Commemoration Site.” Critical Studies in Media Communication 25: 175–195.
   Web of Science ®Google Scholar
• Noy, C. 2009. “’I WAS HERE!’: Addressivity Structures and Inscribing Practices as Indexical Resources.” Discourse Studies 11: 421–440.
   Web of Science ®Google Scholar
• Noy, C. 2014. “’Staging Portraits: Tourism’s Panoptic Photo-industry.” Annals of Tourism Research 47: 48–62.
   Web of Science ®Google Scholar
• Noy, C. Forthcoming. “Ethnography of Communication.” In The International Encyclopedia of Communication Research Methods, edited by J. Matthes. Malden, MA: Wiley-Blackwell.
   Google Scholar
• Pratt, M. L. 1992. Imperial Eyes: Travel Writing and Transculturation. London: Routledge.
   Google Scholar
• Ritzer, G., and A. Liska. 1997. “‘Mcdisneyization’ and Post-Tourism’: Complementary Perspectives on Contemporary Tourism.” In Touring Cultures: Transformations of Travel and Theory, edited by C. Rojek and J. Urry. London: Routledge.
   Google Scholar
• Rubin, J. 2014. TEA/AECOM 2013 Theme Index & Museum Index: The Global Attractions Attendance Report. Burbank, CA: Themed Entertainment Association (TEA).
   Google Scholar
• Said, E. W. 1978. Orientalism. New York: Pantheon Books.
   Google Scholar
• Silverstein, M. 1976. “Shifters, Linguist Categories, and Cultural Description.” In Meaning in Anthropology, edited by K. H. Basso and S. A. Henry. Albuquerque: University of New Mexico Press.
   Google Scholar
• Strehovec, J. 1997. “Vertigo on Purpose: Entertainment in Simulators.” The Journal of Popular Culture 31: 199–209. doi:10.1111/jpcu.1997.31.issue-1.
   Web of Science ®Google Scholar
• Tagg, J. 1988. The Burden of Representation: Essays on Photographies and Histories. Amherst: University of Massachusetts Press.
   Google Scholar
• Urry, J., and J. Larsen. 2011. The Tourist Gaze 3.0. London: Sage.
   Google Scholar
• Van House, N. A. 2011. “Personal Photography, Digital Technologies and the Uses of the Visual.” Visual Studies 26: 125–134. doi:10.1080/1472586X.2011.571888.
   Web of Science ®Google Scholar