REFERENCES
- Baetens, J. 2006. “Conceptual Limitations of Our Reflection on Photography: The Question of ‘Interdisciplinarity’.” In Photography Theory, edited by J. Elkins and E. New, 53–74. London: Routledge.
- Barthes, R. 1981. Camera Lucida. London: Hill and Wang.
- Bateson, G., and M. Mead. 2002. “On the Use of the Camera in Anthropology.” In The Anthropology of Media: A Reader, edited by K. M. Askew and R. R. Wilk, 41–46. London: Wiley-Blackwell.
- Cartier-Bresson, H. 1952. The Decisive Moment. New York: Simon and Schuster.
- Collier, J., Jr., and M. Collier. 1986. Visual Anthropology: Photography as a Research Method. Revised ed. Enlarged, New Mexico: University of New Mexico Press.
- Dam, S. C. 2016. Artistry in Social Science Research. Calgary, AB: University of Calgary. http://hdl.handle.net/11023/2724
- Degen, M. M., and G. Rose. 2012. “The Sensory Experiencing of Urban Design: The Role of Walking and Perceptual Memory.” Urban Studies 49 (15): 3271–3287. doi:https://doi.org/10.1177/0042098012440463.
- Denton, C. 2005. “Using Documentary Photogrpahy Using the Creative Method.” In Handbook of Visual Communication: Theory, Methods, and Media, edited by K. L. Smith, S. Moriarty, K. Kenney, and G. Barbatsis, 405–428. Mahwah, NJ: Lawrence Erlbaum Associates.
- Gadamer, H.-G. 1996. Truth and Method. 2nd ed. New York: Continuum.
- Ganesh, T. G. 2007. “Commentary through Visual Data: A Critique of the United States School Accountability Movement.” Visual Studies 22 (1): 42–47. doi:https://doi.org/10.1080/14725860601167184.
- Harper, D. 1982. Good Company. Chicago: University of Chicago Press.
- Harper, D. 1986. “Meaning and Work: A Study in Photo Elicitation.” Current Sociology 34 (3): 24–46. doi:https://doi.org/10.1177/001139286034003006.
- Harper, D. 2002. “Talking about Pictures: A Case for Photo Elicitation.” Visual Studies 17 (1): 13–26. doi:https://doi.org/10.1080/14725860220137345.
- Harper, D. 2003. “Framing Photographic Ethnography.” Ethnography 4 (2): 241–266. doi:https://doi.org/10.1177/14661381030042005.
- Harper, D. 2012. Visual Sociology. New York: Routledge.
- “Heritage | Kodak.” n.d. Accessed 9 March 2019. kodak.com/us/en/corp/aboutus/heritage/default.htm
- Hingley, L. 2011. “Photographer/Researcher: Notes from the Field of Faith.” Anthropology Matters 13 (1). doi:https://doi.org/10.22582/am.v13i1.223.
- Holt, A. 2010. “Using the Telephone for Narrative Interviewing: A Research Note.” Qualitative Research 10 (1): 113–121. doi:https://doi.org/10.1177/1468794109348686.
- Lapenta, F. 2012. “Some Theoretical and Methodolgoical Views on Photo-Elicitation.” In The SAGE Handbook of Visual Research Methods, edited by E. Margolis and L. Pawels, 201–211. London: SAGE Publications.
- Lombard, M. 2013. “Using Auto-Photography to Understand Place: Reflections from Research in Urban Informal Settlements in Mexico.” Area 45 (1): 23–32. doi:https://doi.org/10.1111/j.1475-4762.2012.01115.x.
- Margolis, E. 1990. “Visual Ethnography Tools for Mapping the AIDS Epidemic.” Journal of Contemporary Ethnography 19 (3): 370–391. doi:https://doi.org/10.1177/089124190019003006.
- Margolis, E. 1998. “Picturing Labor: A Visual Ethnography of the Coal Mine Labor Process 1.” Visual Sociology 13 (2): 5–35. doi:https://doi.org/10.1080/14725869808583792.
- Margolis, E., and L. Pauwels, eds. 2011. The SAGE Handbook of Visual Research Methods. London: SAGE Publications.
- Margolis, E., and J. Rowe. 2011. “Methodological Approaches to Disclosing Historic Photographs.” In The SAGE Handbook of Visual Research Methods, edited by E. Margolis and L. Pauwels, 337–58. London: SAGE Publications.
- Moules, N. J. 2002. “Hermeneutic Inquiry: Paying Heed to History and Hermes.” International Journal of Qualitative Methods 1: 3. doi:https://doi.org/10.1177/160940690200100301.
- Pink, S. 2007. Doing Visual Ethnography. 2nd ed. London: SAGE Publications.
- Prosser, J., and A. Loxley. 2008. “Introducing Visual Methods.” ESRC National Centre for Research Methods Review Paper.
- Prosser, J., and D. Schwartz. 1998. “Photographs within the Sociological Research Process.” In Image-Based Research: A Sourcebook for Qualitative Researchers, edited by J. Prosser, 115–129. London: RoutledgeFarmer.
- Reckwitz, A. 2002. “Toward a Theory of Social Practices.” European Journal of Social Theory 5 (2): 243–263. doi:https://doi.org/10.1177/13684310222225432.
- Rose, G. 2003. “Family Photographs and Domestic Spacings: A Case Study.” Transactions of the Institute of British Geographers 28 (1): 5–18. doi:https://doi.org/10.1111/1475-5661.00074.
- Rose, G. 2004. “‘Everyone’s Cuddled up and It Just Looks Really Nice’: An Emotional Geography of Some Mums and Their Family Photos.” Social & Cultural Geography 5 (4): 549–564. doi:https://doi.org/10.1080/1464936042000317695.
- Rose, G. 2007. Visual Methodologies: An Introduction to the Interpretation of Visual Materials. 2nd ed. London: SAGE Publications.
- Rose, G., and D. P. Tolia-Kelly. 2012. “Visuality/Materiality: Images, Objects and Practices.” https://www.ashgate.com/default.aspx?page=637&calcTitle=1&title_id=10065&edition_id=13511
- Rouse, J. 2001. “Two Concepts of Practice.” In The Practice Turn in Contemporary Theory, edited by T. R. Schatzki, E. Von Savigny, and K. K. Cetina, 189–198. New York: Routledge.
- Ruby, J. 2005. “The Last 20 Years of Visual Anthropology - A Critical Review.” Visual Studies 20 (2): 159–170. doi:https://doi.org/10.1080/14725860500244027.
- Ruby, J. 2013. “Re: Visual Anthropology.” Visual Anthropology Open Group Facebook On-line forum comment. https://www.facebook.com/groups/126120714075058/
- Sandelowski, M. 1995. “Research in Nursing and Health.” Sample Size in Qualitative Research 18: 179–183.
- Schatzki, T. 2001. “Introduction: Practice Theory.” In The Practice Turn in Contemporary Theory, edited by T. R. Schatzki, E. Von Savigny, and K. K. Cetina, 13–26. New York: Routledge.
- Schatzki, T. 2005. “Peripheral Vision: The Sites of Organizations.” Organization Studies 26 (3): 465–484. doi:https://doi.org/10.1177/0170840605050876.
- Schatzki, T. 2012. “Primer on Practices.” In Practice-Based Education Perspectives and Strategies, edited by J. Higgs, R. Barnett, and B. Stephen, 12–26. Boston, MA: SensePublishers.
- Schwartz, D. 1983. “Camera Clubs and Fine Art Photography: Distinguishing between Art and Amateur Activity.” Doctoral Dissertation, University of Pennsylvania, Philadelphia.
- Schwartz, D. 1989. “Visual Ethnography: Using Photography in Qualitative Research.” Qualitative Sociology 12 (2): 119–154. doi:https://doi.org/10.1007/BF00988995.
- Schwartz, D. 1992. Waucoma Twilight: Generations of the Farm. Washington: Smithsonian Institution Press.
- Schwartz, D. 4 December 2012. “Shifing Focus: From Ethnography (With Photography) to Photography (With Ethnography).” Guest Lecture Presented at the Department of Art, University of Calgary.
- Schwartz, D., and M. Winik. 2010. Dona Schwartz: In the Kitchen. Heidelberg: Kehrer.
- Shove, E., and M. Pantzar. 2007. “Recruitment and Reproduction: The Careers and Carriers of Digital Photography and Floorball.” Human Affairs 17 (2): 154–167. doi:https://doi.org/10.2478/v10023-007-0014-9.
- Stasz, C. 1979. “The Early History of Visual Sociology.” In Images of Information: Still Photography in the Social Sciences, 119–136. London: SAGE Publications.
- Suchar, C. S. 1997. “Grounding Visual Sociology Research in Shooting Scripts.” Qualitative Sociology 20 (1): 33–55. doi:https://doi.org/10.1023/A:1024712230783.