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Visual Studies Volume 37, 2022 - Issue 5
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New Media Review

The burden of the present in Gareth Brookes, The Dancing Plague

Christopher Bishop
Pages 502-510 | Published online: 04 Apr 2022

REFERENCES

  • Brookes, Gareth. 2021. The Dancing Plague. London: SelfMadeHero.
  • Charcot, Jean-Martin, and Paul Richer. 1887. Les Démoniaques Dans L’art. Paris: Delahaye et Lecrosnier.
  • Clementz, Élisabeth. 2016. “Waller (John), Les danseurs fous de Strasbourg. Une épidémie de transe collective en 1518”, Revue d’Alsace (142).
  • Decie, Joe. 2021. ‘“If the Marks Are Perfect, How Can You Relate to Them?”: An Interview with Gareth Brookes’, The Comics Journal, Accessed 20 December 2021. https://www.tcj.com/if-the-marks-are-perfect-how-can-you-relate-to-them/.
  • García Márquez, Gabriel. 1985. El Amor en los Tiempos del Cólera. Bogotá: Editorial Oveja Negra.
  • Regalado, Aldo. 2005. “Modernity, Race and the American Superhero.” In Comics as Philosophy, edited by Jeff McLaughlin, 84–99. Jackson: University Press of Mississippi.
  • Regalado, Aldo. 2015. Bending Steel: Modernity and the American Superhero. Jackson: University Press of Mississippi.
  • Waller, John. 2008. A Time to Dance, A Time to Die. Cambridge: Icon Books.

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