References
- Azaryahu, Maoz. 2003. “Tale of Two Monuments.” In Gender, Place and Memory in the Modern Jewish Experience: Replacing Ourselves, edited by Judith Tydor Baumel and Tova Cohen, 252–268. Portland, OR: Vallentine Mitchell.
- Bashan, Raphael. 1965. “Chana Orloff: Fifteen Hundred Sculptures.” [In Hebrew.] Translated by Ayelet Carmi. Maariv: Days and Nights 29: 2–5.
- de Bastier, Muriel. 2009. “Chana Orloff: le destin d'une sculptrice.” Les Cahiers du Judaïsme, no. 27: 61–70.
- Benstock, Shari. 1986. Women of the Left Bank: 1900–1940. Austin: University of Texas Press.
- Birnbaum, Paula J. 1999. “Alice Halicka's Self-effacement.” In Diaspora and Modern Visual Culture: Representing Africans and Jews, edited by Nicholas Mirzoeff, 207–223. London: Routledge.
- Birnbaum, Paula J. 2011. Women Artists in Interwar France: Framing Femininities. Aldershot, UK: Ashgate.
- Birnbaum, Paula J. 2012a. “Chana Orloff: Sculpting as a Modern Jewish Mother.” In Reconciling Art and Motherhood, edited by Rachel Epp Buller, 45–55. Aldershot, UK: Ashgate.
- Birnbaum, Paula J. 2012b. “Chana Orloff, Sculpture d'une Moderne.” In Chana Orloff, edited by Ariane Justman Tamir, 55–63. Paris: Chana Orloff Association.
- Birnbaum, Paula J., and Anna Novakov, eds. 2009. Essays on Women's Artistic & Cultural Contributions 1919–1939. Lewiston, NY: Edwin Mellen.
- Cassou, Jean. 1961. Chana Orloff: 1911–1961. Tel Aviv: Tel Aviv Museum.
- Chadwick, Whitney, and Tirza True Latimer, eds. 2003. The Modern Woman Revisited: Paris Between the Wars. New Brunswick, NJ: Rutgers University Press.
- Charnow, Sally. 2013. “Imagining a New Jerusalem: Edmond Fleg and Inter-War French Ecumenism.” French History 27 (4): 557–578.
- Cogniat, Raymond. 1971. Chana Orloff: Sculptures et dessins. Paris: Musée Rodin.
- Corn, Wanda M., and Tirza True Latimer. 2011. Seeing Gertrude Stein: Five Stories. Berkeley: University of California Press.
- Courières, E. des. 1927. Chana Orloff: Trente reproductions de sculptures et de dessins. Paris: Gallimard, Coll. Les Sculpteurs français nouveaux, N° 6.
- Coutard-Salmon, Germaine. 1976. “ Chana Orloff.” PhD diss., l’École du Louvre, Paris.
- Coutard-Salmon, Germaine, Jean Cassou, Chaim Gamzu, and Cécile Goldscheider. 1980. Chana Orloff. Brescia: Shakespeare.
- Elliott, Bridget, and Jo-Ann Wallace. 1994. Women Artists and Writers: Modernist (Im)positionings. London: Routledge.
- Gamzu, Haim. 1951. Chana Orloff. [In Hebrew.] Tel Aviv: Editions Masada.
- Gamzu, Haim. 1969. Chana Orloff: Retrospective. 120 Sculptures—60 dessins. [In Hebrew and English.] Tel Aviv: Tel Aviv Museum.
- Geller, Jay. 1992. “(G)nos(e)ology: The Cultural Construction of the Other.” In People of the Body: Jews and Judaism from an Embodied Perspective, edited by Howard Eilberg-Schwartz, 243–282. Albany: State University of New York Press.
- Gilman, Sander L. 1986. Jewish Self-hatred: Anti-Semitism and the Hidden Language of the Jews. Baltimore, MD: Johns Hopkins University Press.
- Gilman, Sander L. 1991. The Jew's Body. New York: Routledge.
- Golan, Romy. 1985. “The École Française vs. the École de Paris: The Debate about the Status of Jewish Artists in Paris Between the Wars.” In The Circle of Montparnasse: Jewish Artists in Paris, 1905–1914, edited by Kenneth Silver and Romy Golan, 81–87. New York: The Jewish Museum.
- Golan, Romy. 1995. Modernity and Nostalgia: Art and Politics in France Between the World Wars. New Haven, CT: Yale University Press.
- Gravano, Viviana. 2009. “Explorations, Simulations: Claude Cahun and Self-Identity.” European Journal of Women's Studies 16: 353–371. doi: 10.1177/1350506809342619
- Grey, Nancy Robin. 2007. “Edmond Fleg.” In Jewish Writers of the Twentieth Century, edited by Sorrel Kerbel, 302–305. New York: Fitzroy Dearborn.
- Grossman, Cissy. 1998. “ Restructuring and Rediscovering a Woman's Oeuvre: Chana Orloff, Sculptor in the School of Paris, 1910 to 1940.” PhD diss., City University of New York.
- Hyman, Paula. 1979. From Dreyfus to Vichy: The Remaking of French Jewry, 1906–1939. New York: Columbia University Press.
- Hyman, Paula. 1995. Gender and Assimilation in Modern Jewish History: The Roles and Representation of Women. Seattle: University of Washington Press.
- Kahn, Gustave. 1922. “Chana Orloff.” Les Feuillets d'Art, July, 232.
- Kleeblatt, Norman, ed. 1987. The Dreyfus Affair: Art, Truth & Justice. Berkeley: University of California Press.
- Kofler, Hana, ed. 1993. Chana Orloff: Line & Substance, 1912–1968. [In Hebrew and English.] Tefen: The Open Museum, Tefen Industrial Park.
- Latimer, Tirza True. 2005a. Acting Out: Claude Cahun and Marcel Moore. Berkeley, CA: Exhibition at the Judah L. Magnus Museum.
- Latimer, Tirza True. 2005b. Women Together/Women Apart: Portraits of Lesbian Paris. New Brunswick, NJ: Rutgers University Press.
- Leperlier, François. 1992. Claude Cahun: l'ecart et la metamorphose. Paris: Jean Michel Place.
- Leperlier, François. 2006. Claude Cahun: L'exotisme intérieure. Paris: Fayard.
- Leperlier, François, and Elisabeth Lebovici. 1996. Claude Cahun: Photographe. Paris: Jean Michel Place.
- Linett, Maren Tova. 2007. Modernism, Feminism, and Jewishness. Cambridge: Cambridge University Press.
- Luzzatto, G. L. 1933. Chana Orloff. Estratto de La Rassegna Mensile di Israël. Vol. VIII, n.3–4. Città di Castello.
- Manor, Dalia. 2005. Art in Zion: The Genesis of Modern National Art in Jewish Palestine. New York: Routledge/Kurzon.
- Manor, Dalia. 2015. “Turning to Diaspora: The Jewish Discourse in the Art of Eretz-Israel During the 1930s.” In Israeli Exiles: Homeland and Exile in the Israeli Discourse, Studies in the Rebirth of Israel, Vol. 10, edited by Ofer Shiff, 13–52. Sde Boker, Israel: Ben-Gurion University of the Negev Press.
- Mansbach, Steven A. 2008. “The Artifice of Modern(ist) Art History.” In Exiles, Diasporas & Strangers, (Annotating Art's Histories: Cross-Cultural Perspectives in the Visual Arts), edited by Kobena Mercer, 96–121. Boston: The MIT Press.
- Marcilhac, Félix. 1991. Chana Orloff. Paris: Editions de l'Amateur.
- Meyer, Tamar. 2000. Gender Ironies of Nationalism: Sexing the Nation. London: Routledge.
- Nochlin, Linda, and Tamar Garb, eds. 1996. The Jew in the Text: Modernity and the Construction of Identity. London: Thames & Hudson.
- Ofrat, Gideon. 1990. Origins of Eretz-Israeli Sculpture, 1906–1939. [In Hebrew and English.] Herzliya: Herzliya Museum.
- Orloff, Chana, and Riva Katznelson. 1957. Memoirs (unpublished in Hebrew, based on interviews conducted in 1957). Document courtesy of the Chana Orloff Association, Paris. Translated by Ayelet Carmi.
- Pappas, Andrea. 2002. “The Picture at Menorah Journal: Making ‘Jewish Art’.” American Jewish History 90 (3): 205–238. doi: 10.1353/ajh.2003.0048
- Pollock, Griselda. 2004. “Modigliani and the Bodies of Art: Carnality, Attentiveness, and the Modernist Struggle.” In Modigliani: Beyond the Myth, edited by Mason Klein, 55–74. New Haven, CT: Yale University Press.
- Roberts, Mary Louise. 1994. Civilization Without Sexes. Chicago: University of Chicago Press.
- Shaw, Jennifer L. 2013. Reading Claude Cahun's Disavowals. Aldershot, UK: Ashgate.
- Souhami, Diana. 2005. Wild Girls: Paris, Sappho and Art: The Lives and Loves of Natalie Barney and Romaine Brooks. London: Saint Martin's Press.
- Talpir, Gabriel. 1951. Chana Orloff. [In Hebrew.] Tel Aviv: Ed. Gazit.
- Tamir, Ariane. 2012. “Chana Orloff: une vie de legend.” In Chana Orloff, edited by Ariane Justman Tamir, 19–53. Paris: Chana Orloff Association.
- Van Barchan, Powel. 1924. “Chana Orlowa.” Translated by Chloe Kwiatkowski. Deutsche Kunst und Dekoration 54: 284–291.
- Vassilieff, Marie. 1995. Marie Vassilieff, 1884–1957: Eine Russische Kunstlerin in Paris. Berlin: Traum and Raum.
- Werth, Léon. 1927. Chana Orloff. Quarante reproductions de sculptures, hors-texte. Paris: Ed. G. Crés.
- Winestein, Anna. 2008. “Quiet Revolutionaries: The ‘Mir Isskustva’ Movement and Russian Design.” Journal of Design History 21 (4): 315–333. doi: 10.1093/jdh/epn035