205
Views
0
CrossRef citations to date
0
Altmetric
Articles

Portraits from Vienna

The rabbinical subject and the female artist

References

  • Adams, Laurie Schneider. 1993. Art and Psychoanalysis. New York: Westview Press.
  • Adlow, Dorothy. 1960. “Around the Art Galleries.” Christian Science Monitor, May 20. 11.
  • Aigner, Thomas. 2008. “Der Nachlass Eric-Paul Stekels in Wien.” In Douce France? Musik-Exil in Frankreich. Musiciens en exil en France. 1933–1945, edited by Michel Cullin and Primavera Driessen Gruber, 83–93. Vienna: Böhlau Köln.
  • Baron, Jacqueline. 1976. “Gertrude Stekel: Des tableaux lumineux et tragiques,” La Suisse, October 21. Clippings preserved in Gertrude Stekel file in Österreichische Galerie Belvedere Archiv.
  • Beller, Steven. 1989. Vienna and the Jews 1867–1938: A Cultural History. Cambridge: Cambridge University Press.
  • Bergstein, Mary. 2010. Mirrors of Memory: Freud, Photography, and the History of Art. Ithaca, NY: Cornell University Press.
  • Bilski, Emily D., and Emily Braun. 2005. Jewish Women and Their Salons: The Power of Conversation. New Haven and London: Yale University Press.
  • Blackshaw, Gemma, and Leslie Topp, eds. 2009. Madness and Modernity: Mental Illness and the Visual Arts in Vienna 1900. Farnham: Lund Humphries.
  • Blackshaw, Gemma, and Sabine Wieber. 2012. Journeys into Madness: Mapping Mental Illness in the Austro-Hungarian Empire. New York: Oxford University Press.
  • Brandow-Faller, Megan. 2010. An Art of their Own: Reinventing Frauenkunst in the Female Academies and Artist Leagues of Late-Imperial and First Republic Austria, 1900–1930. Washington, DC: Georgetown University.
  • Brandow-Faller, Megan. 2013. “Tenuous Mitschwestern: Mobilizing Vienna's Women Artists, 1914–1920.” Austrian Studies 21: 142–162. doi: 10.5699/austrianstudies.21.2013.0142
  • Buklijas, Tatjana. 2012. “The Politics of Fin-de-siècle Anatomy.” In The Nationalization of Scientific Knowledge in the Habsburg Empire, 1848–1918, edited by Mitchell G. Ash and Jan Surman, 209–244. New York: Palgrave Macmillan.
  • Caprio, Frank S. 1940. “Wilhelm Stekel [Obituary].” American Journal of Psychiatry 97 (3): 750. doi: 10.1176/ajp.97.3.749
  • Cohen, Richard. 1998. Jewish Icons: Art and Society in Modern Europe. Berkeley: University of California Press.
  • Doser, Barbara. 1989. “Die Frau als Künstlerin: widernatürlich und ‘Typus der Minderheit innerhalb des Weiblichen Geschlechtes?” In Aufbruch in das Jahrhundert der Frau? Rosa Mayreder und der Feminismus in Wien um 1900, edited by Reingard Witzmann, 101–106. Vienna: Eigenverlag der Museen der Stadt Wien, 1989.
  • Eros, Ferenc. 2010. “Gender, Hysteria, and War Neurosis.” In Gender and Modernity in Central Europe: The Austro-Hungarian Monarchy and its Legacy, edited by Agata Schwarz, 185–202. Ottawa: University of Ottawa Press.
  • Etzersdorfer, Irene. 1995. Arisiert. Eine Spurensuche im gesellschaftlichen Untergrund der Republik. Vienna: Kremayr and Scheriau.
  • Freidenreich, Harriet. 2002. Female, Jewish, and Educated: The Lives of Central European University Women. Indiana: Indiana University Press.
  • Gerson, Max, and Grete to Gertrud Zuckerkandl. 1934. “Collection Emile Zuckerkandl.” Österreichische Nationalbibliothek, October 13, file 405/B167/1.
  • “Getrude Stekel.” 1977. Exh. brochure for Le Scriptorim II (April 27-May 27). Paris. Preserved in Gertrude Stekel file in Österreichische Galerie Belvedere Archiv.
  • Goldberg, Mattis. 2007. Gedolei Yisroel: Portraits of Greatness. Jerusalem: Feldheim Publishers.
  • Hildebrandt, Hans. 1928. Die Frau als Künstlerin. Berlin: Rudolf Mosse.
  • Houze, Rebecca. 2015. Textiles, Fashion, and Design Reform in Austria-Hungary before the First World War. Surrey: Ashgate.
  • Janin, Louise. 1975. “Painting with Variations of the Marbling Technique—Cosmogrammes: A Memoir.” Leonardo 8: 282. doi: 10.2307/1573004
  • J.M.N. 1976a. “Par le médecin viennois Wilhelm Stekel.” L'Impartial, Newspaper clipping in Gertrude Stekel file in Österreichische Galerie Belvedere Archiv, October 6.
  • J.M.N. 1976b. “Gertrude Stekel ou l’éternelle jeunesse de la peinture.” L'Impartial, Newspaper clipping in Gertrude Stekel file in Österreichische Galerie Belvedere Archiv, October 6.
  • Johnson, Julie M. 2012. The Memory Factory: The Forgotten Women Artists of Vienna 1900. West Lafayette, IN: Purdue University Press.
  • Katz, Maya Balakirsky. 2010a. The Visual Culture of Chabad. New York: Cambridge University Press.
  • Katz, Maya Balakirsky. 2010b. “An Occupational Neurosis: A Psychoanalytic Case History of a Rabbi.” AJS Review 34 (1): 1–31. doi: 10.1017/S0364009410000280
  • Katz, Maya Balakirsky. 2010c. “Rebbishe Space: Pre-War Polish Photography of Hasidic Leaders.” In Jewish Artists and Central-Eastern Europe, edited by Jerzy Malinowski, 363–370. Warsaw: DiG Press.
  • Katz, Maya Balakirsky. 2011. “A Rabbi, a Priest, and a Psychoanalyst: Religion in the Early Psychoanalytic Case History.” Contemporary Jewry 31 (1): 3–24. doi: 10.1007/s12397-010-9059-y
  • Lagoutte, Roger. 1963. “Gertrud Stekel,” Le Musée Vivant, Clippings preserved in Gertrude Stekel file in Österreichische Galerie Belvedere Archiv.
  • Levine, Shalom Dovber. 1994. “ Pamphlet for AGUCH library exhibition.” August 25–November 3.
  • Levine, Shalom Dovber. 2009. Treasures from the Chabad Library: The Central Chabad Lubavitch Library and Archive Center [Hebrew and English]. Brooklyn: Library of Agudas Chasidei Chabad.
  • Meysels, Lucian O. 1994. In meinem Salon ist Österreich: Bertha Zuckerkandl und ihre Zeit. Vienna: Illustrierte Neue Welt.
  • Miller, Chaim. 2014. Turning Judaism Outward: A Biography of the Rabbi Menachem Mendel Schneerson. Brooklyn, NY: Kol Menachem.
  • Mundshine, Yehoshua, ed. 2000. “Aynayne Maseeach Daas Mayneyniv.” Kfar Chabad 911: 46–49.
  • Natter, Tobias G. 1995. Rabbiner. Bocher. Talmudschüler. Belder des Wiener Malers. Isidor Kaufmann 1853–1921. Vienna: Jüdisches Museum der Stadt Wien.
  • Nunberg, Herman and Ernst Feders, eds. 1962. Minutes of the Vienna Psychoanalytic Society. Vol. 1. New York: International Universities Press.
  • Nurenberg, David, ed. 2015. Aesthetic Theology and Its Enemies: Judaism in Christian Painting, Poetry, and Politics. Waltham: Brandeis University Press.
  • Pappernigg, Michaela, ed. 2001. Kunst des 20. Jahrhunderts: Bestandskatalog der Österreichischen Galerie. Vienna: Brandstätter.
  • Plakolm-Forsthuber, Sabine. 1994. Künstlerinnen in Österreich, 1897–1938: Malerei, Plastik, Architektur. Wien: Picus.
  • Poch-Lalous, Margarethe. 1972. “Das Frauenstudium an der Akademie der bildenden Künste in Wien.” In 100 Jahre Hochschulstatut, 280 Jahre Akademie der bildenden Künste, edited by Albert Massiczek, 204–207. Vienna: Akademi der bildenden Künste.
  • “Portrait of Yosef Yitzchak Schneeersohn.” 1936. Ha-Tamim 1: 7.
  • Redl, Renate. 1978a. “Aus einem Land das es nicht mehr gibt Die Malerin Gertrude Stekel.” Ostereishishe Galerie, Vienna.
  • Redl, Renate. 1978b. “Berta Zuckerkandl und die Wiener Gesellschaft. Ein Beitrag zur Österreichischen Kunst- und Gesellschaftskritik.” Diss., University of Vienna.
  • Rigg, Bryan Mark. 2004. Rescued from the Reich: How One of Hitler's Soldiers Saved the Lubavitcher Rebbe. New Haven, CT: Yale University Press.
  • Schapiro, Meyer. 1973. Words and Pictures: On the Literal and the Symbolic in the Illustration of a Text, 38–41. The Hague: Mouton.
  • Scheffler, Karl. 1908. Die Frau und die Kunst: Eine Studie. Berlin: Julius Bard.
  • Schneersohn, Sholom Dov Ber to Shneur Zalman. 16 Adar 5663, March 15 (1903). Reprinted in Mundshine, Yehoshua, ed. 2000. “Aynayne Maseeach Daas Mayneyniv.” Kfar Chabad 911: 46–49.
  • Schneersohn, Yosef Yitzchak. 1988. Likkutei Dibburim. Vols. 1–2. Brooklyn, NY: Kehot Publication Society.
  • Schneerson, Menachem Mendel. 2006. Torat Menachem: Reshimot ha-yoman Heh Tevet, 148–150. Brooklyn, NY: Kehot Publication Society [Hebrew].
  • Schneidewind, Martha. 1962. “From Portraits to Abstracts.” The Lens, February.
  • Schumacher, Horst [compiler]. 1980. “Gertrud Zuckerkandl File.” Österreichische Galerie Belvedere Archiv (September 3).
  • Shapira, Elana. 2006. “Modernism and Jewish Identity in Early Twentieth-Century Vienna: Fritz Waerndorfer and his House for an Art Lover.” Decorative Arts 13.2: 52–85. doi: 10.1086/studdecoarts.13.2.40663272
  • Shapira, Elana. 2014. “Imaging the Jew: A Clash of Civilisations.” In Facing the Modern: The Portrait in Vienna 1900, edited by Gemma Blackshaw, 155–171. New Haven, CT: Yale University Press.
  • Shroter, Edward. 1990. “Private Clinics in Central Europe, 1850–1933.” Social History of Medicine 3 (2): 159–195. doi: 10.1093/shm/3.2.159
  • Silverman, Lisa. 2012. Becoming Austrians: Jews and Culture between the World Wars. New York: Oxford University Press.
  • Simmons, Sherwin. 2001. “Ornament, Gender, and Interiority in Viennese Expressionism.” Modernism/Modernity 8: 245–276. doi: 10.1353/mod.2001.0042
  • Spitzmuller, Anna. 1930. “Die Frau in der bildenden Kunst.” In Frauenbewegung, Frauenbildung und Frauenarbeit in Österreich, edited by Martha Stephanie Brown, 320–324. Vienna: Bund Österreichischer Frauenvereine.
  • Stekel, Wilhelm. 1908. Nervöse Angstzustände und deren Behandlung. Mit einem Vorworte von Professor Dr. Sigmund Freud. Berlin: Urban and Schwarzenberg.
  • Stekel, Wilhelm. 2007 [1926]. “On the history of the Analytic Movement.” In The Self-marginalization of Wilhelm Stekel: Freudian Circles Inside and Out, edited by Jaap Bos and Leendert Groenendijk, 131–162. New York: Springer-Verlag.
  • Stewart, Janet. 2000. Fashioning Vienna: Loos's Cultural Criticism. New York: Routledge.
  • The Tenth International Exhibition: Watercolours, Pastels, Drawings, and Miniatures. 1930. Chicago: Art Institute of Chicago [exh. cat.].
  • Topp, Leslie. 1997. “An Architecture for Modern Nerves: Josef Hoffmann's Purkersdorf Sanatorium.” Journal of the Society of Architectural Historians 56 (4): 414–437. doi: 10.2307/991312
  • Weilxgärtner, Arpād. 1919. Katalog der Winterausstellung. Vienna: Verlag der Genossenschaft der Bildenden Künstler Wiens.
  • Wieber, Sabine. 2011. “Sculpting the Sanatorium: Nervous Bodies and Femmes Fragiles inVienna 1900.” Women in German Yearbook: Feminist Studies in German Literature and Culture 27: 58–86. doi: 10.5250/womgeryearbook.27.2011.0058
  • Woodall, Joanna, ed. 1997. Portraiture: Facing the Subject. Manchester: Manchester Unviersity Press.
  • Zuckerkandl, Bertha. 1899. “Cultureller Dilettantismus.” Dokumente der Frauen 1 (9): 231–233.
  • Zuckerkandl, Berta. 1908. “Kunst und Kultur.” Zeitkunst Wien 1901–7. Wien: Hugo Heller.
  • Zuckerkandl, Fritz to Gertrud Zuckerdkandl. 1945. “Collection Emile Zuckerkandl,” Österreichische Nationalbibliothek, September 30, file 405/B268/7.
  • Zuckerkandl, Fritz to Gertrude Zuckerkandl. 1945. “Collection Emile Zuckerkandl,” Österreichische Nationalbibliothek, October 7, file 405/B268/9.
  • Zuckerkandl-Stekel, Gertrud to Reinhard Federmann. 1969. [Paris] in “Reinhard Federmann Papers,” Österreichische Nationalbibliothek, November 24, file 386/B163.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.