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Original Articles

Absence of the ‘un-exchangeable’ monument: Cinematic design and national identity in a time of partition

Works cited

  • Aijaz, Rahul. “Ratan Kumar: Pakistan’s Famous Child Actor of the 1950’s Passes Away.” Express Tribune 13 Dec. 2016: Web. 23 Mar. 2018.
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  • Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song. New York: Oxford University Press, 2015. Print.
  • Bhaskar, Ira, and Richard Allen. Islamicate Cultures of Bombay Cinema. New Delhi: Tulika, 2009. Print.
  • Dabashi, Hamid. “Pakistan and the Idea of a National Cinema.” Cinema and Society: Film and Social Change in Pakistan. Eds. Ali Khan and Ali Nobil Ahmed. Karachi: Oxford University Press, 2016. xi–xiii. Print.
  • Dadi, Iftikhar. “Lineages of Pakistan’s ‘Urdu’ Cinema: Mode, Mood and Genre in Zehr-E Ishq/Poison of Love (1958).” Screen 57.4 (2016): 480–87. Print. doi: 10.1093/screen/hjw050.
  • Dadi, Iftikhar. “Modernity and Its Vernacular Remainders in Pakistani Cinema.” Ali Khan and Ali Nobil Ahmad eds. Cinema and Society: Film and Social Change in Pakistan, 2016. 77–100. Karachi: Oxford University Press. Print.
  • Kaur, Raminder, and Ajay Sinha, eds. Bollyworld: Popular Indian Cinema through a Transnational Lens. New Delhi: Sage Publications, 2005. Print.
  • Khan, Ali, and Ali Nobil Ahmed, eds. Cinema and Society: Film and Social Change in Pakistan. Karachi: Oxford University Press, 2016. Print.
  • Mackenzie, Scott. “Mimetic Nationhood: Ethnography and the National.” Cinema and Nation. Eds. Meete Hjort and Scott Mackenzie. London and New York: Routledge, 2000. 227–244. Print.
  • Manto, Saadat Hasan. “Toba Tek Singh.” Trans. Khalid Hasan. Mottled Dawn: Sketches and Stories of Partition. New Delhi: Penguin. 1997. 1–10. Print.
  • Marcus, Scott. “Recycling Indian Film-Songs: Popular Music as a Source of Melodies for North Indian Folk Musicians.” Asian Music 24.1 (1992–1993): 101–10. Print. doi: 10.2307/834452.
  • Renan, Ernest. “What Is a Nation?” Trans. Martin Thom. Ed. Homi Bhabha. Nation and Narration. London: Routledge, 1990. 8–22. Print.
  • Sarkar, Bhaskar. Mourning the Nation: Indian Cinema in the Wake of Partition. Durham and London: Duke University Press, 2009. Print.
  • Vasudevan, Ravi. “Geographies of a Cinematic Public: Notes on the Regional, National, and Global Histories of Indian Cinema.” Journal of the Moving Image (2010): 9, 94–117. Print.
  • Zamindar, Vazira Fazila-Yacoobali. The Long Partition and the Making of Modern South Asia: Refugees, Boundaries, Histories. New York: Columbia University Press, 2007. Print.

Films Cited

  • Bedari. Dir. Rafiq Rizvi. Music, Fateh Ali Khan. Lyrics, Saleem Raza and Munawwar Sultana. Produced by Wazir Ali Rizvi. 1957. Film.
  • Boot Polish. Dir. Prakash Arora. Produced Raj Kapoor. Perf. Ratan Kumar. 1953. Film.
  • Do Bigha Zameen. Dir. Bimal Roy. Produced. Bimal Roy. Perf. Ratan Kumar. 1953. Film.
  • Jagriti. Dir. Satyen Bose. Music, Hemant Kumar. Lyrics, Kavi Pradeep. Filmistan. 1954. Film.
  • Kismet. Dir. Gyan Mukherjee. Music, Anil Biswas. Lyrics, Kavi Pradeep. Bombay Talkies. 1943. Film.
  • Lage Raho Munna Bhai. Dir. Rajkumar Hirani. Music, Shantanu Moitra. Lyrics, Swanand Kirkire. Vidhu Vinod Chopra Productions. 2006. Film.

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