Gender, caste, and feminist praxis in transnational South India

Works cited

• Abu-Lughod, Lila. 1990. “Can There Be a Feminist Ethnography?” Women and Performance: A Journal of Feminist Theory, 5.1. New York, NY: Women & Performance Project at the Dept. of Performance Studies, New York University/Tisch School of the Arts. doi:10.1080/07407709008571138
   Google Scholar
• Alcoff, Linda. “The Problem of Speaking for Others.” Cultural Critique 20 (1992): 5–32.
   Google Scholar
• Banerji, Anurima. “An Intimate Ethnography.” Women & Performance: A Journal of Feminist Theory 19.1 (2009): 35–60. doi:10.1080/07407700802655547.
   Google Scholar
• Edensor, Tim. Tourists at the Taj: Performance and Meaning at a Symbolic Site. New York: Routledge, 1998.
   Google Scholar
• Halberstam, Judith. The Queer Art of Failure. Durham, NC: Duke University Press, 2011.
   Google Scholar
• Henderson, Carol E., and Maxine Weisgrau. Raj Rhapsodies: Tourism, Heritage and the Seduction of History. Burlington, VT: Ashgate, 2007.
   Google Scholar
• Hooks, Bell. “Culture to Culture: Ethnography and Cultural Studies as Critical Intervention.” In Yearning: Race, Gender, and Cultural Politics Boston: South End. 1990. 123–34.
   Google Scholar
• ———. “Cartographies of Knowledge and Power: Transnational Feminism as Radical Praxis.” Critical Transnational Feminist Praxis. Eds. Amanda Lock Swarr and Richa Nagar. Albany: SUNY Press, 2010. 23–45.
   Google Scholar
• Kumar, Dharma. Land and Caste in South India. Cambridge: Cambridge University Press, 1965.
   Google Scholar
• Manning, Susan. Modern Dance, Negro Dance: Race in Motion. Minneapolis,MN: University of Minnesota Press, 2004.
   Google Scholar
• ———. “Temple Stage as Historical Allegory in Bharatanatyam: Rukmini Devi as Dancer-Historian.” Performing Pasts: Reinventing the Arts in Modern South India. Eds. Indira Viswanathan Peterson and Davesh Soneji. New Delhi: Oxford University Press, 2008. 133–64.
   Google Scholar
• Mohanty, Chandra Talpade. Feminism without Borders: Decolonizing Theory, Practicing Solidarity. Durham, NC: Duke University Press, 2003.
   Google Scholar
• Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen 16.3 (1975): 6–18. doi:10.1093/screen/16.3.6.
   Google Scholar
• Pandian, M.S.S. “Tamil Cultural Elites and Cinema: Outline of an Argument.” Economic and Political Weekly 31.15 (1996): 950–55.
   Google Scholar
• Peterson, Indira, and Davesh Soneji, eds. Performing Pasts: Reinventing the Arts in Modern South India. New Delhi: Oxford University Press, 2008.
   Google Scholar
• Putcha, Rumya S. “Revisiting the Classical: A Critical History of Kuchipudi Dance.’ Ph.D. Diss. University of Chicago, 2011.
   Google Scholar
• ———. “Between History and Historiography: The Origins of Classical Kuchipudi Dance.” Dance Research Journal 45.3 (2013): 1–20. doi:10.1017/S0149767713000260.
   Web of Science ®Google Scholar
• ———. “Dancing in Place: Mythopoetics and the Production of History in Kuchipudi.” Yearbook for Traditional Music 47 (2015): 1–26. doi:10.5921/yeartradmusi.47.2015.0001.
   Web of Science ®Google Scholar
• Raghavan, Venkataraman. Splendours of Indian Dance: Forms, Theory, Practice. Chennai: Dr. V. Raghavan Center for Performing Arts, 2004.
   Google Scholar
• Roohi, Sanam. “Caste, Kinship and the Realisation of ‘American Dream’: High-Skilled Telugu Migrants in the U.S.A.” Journal of Ethnic and Migration Studies 43.16 (2017): 2756–70. doi:10.1080/1369183X.2017.1314598.
   Web of Science ®Google Scholar
• Said, Edward. Orientalism. New York: Vintage Books, 1978.
   Google Scholar
• Sambamoorthy, P. A Dictionary of South Indian Music and Musicians. 6 Volumes. Madras: The Indian Music Publishing House, 1952.
   Google Scholar
• Seizer, Susan. Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India. Durham: Duke University Press, 2005.
   Google Scholar
• Soneji. Unfinished Gestures: Devadasis, Memory, and Modernity in South India. Chicago: University of Chicago Press, 2012.
   Google Scholar
• Sreeranjani Subba, Rao, K. Struggle for Freedom: Case Study of the East Godavari District, 1905-1947. New Delhi, India: Mittal Publications, 1989.
   Google Scholar
• Srinivas, S.V. Politics as Performance: A Social History of the Telugu Cinema. New Delhi: Permanent Black, 2013.
   Google Scholar
• Swarr, Amanda Lock, and Richa Nagar, eds. Critical Transnational Feminist Praxis. Albany: SUNY Press, 2010.
   Google Scholar
• Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press, 2003.
   Google Scholar