205
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

Urban love, celluloid illusion: A re-evaluation of Bombay middle cinema of the 1970s

Works cited

  • Agamben, Giorgio. “Metropolis.” 17 Mar. 2007. 10.1094/PDIS-91-4-0467B
  • Allen, Richard. Projecting Illusion. Cambridge, UK: Cambridge UP, 1995.
  • Ansoo Ban Gaye Phool. Dir. Satyen Bose. 1969. Film.
  • Banaji, Shakuntala. Reading ‘Bollywood’: The Young Audience and Hindi Films. Basingstoke: Palgrave Macmillan, 2012.
  • Bao, Weihong. Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945. Minneapolis: U of Minnesota P, 2015.
  • Baudry, Jean-Louis. “Ideological Effects of the Basic Cinematic Apparatus.” Tr. Alan Williams. Film Quarterly 28.2 Winter (1974–1975): 39–47. doi:10.2307/1211632
  • Berlant, Lauren. The Queen of America Goes to Washington City. Durham: Duke UP, 1997.
  • Chatterjee, Partha. Lineages of Political Society. Ranikhet: Permanent Black, 2011.
  • Chopra, B.R. “Emergency: Atmosphere of Peace, Political Stability and Economic Health.” Film Industry 4 Mar. 1976: 3, 6.
  • Connelly, Matthew. “Population Control in India: Prologue to the Emergency Period.” Population and Development Review 32.4 (2006): 629–67. doi:10.1111/padr.2006.32.issue-4.
  • Dass, Manishita. “Outside the Lettered City: Cinema, Modernity and Nation in India.” Diss. Stanford University, 2004.
  • Dickey, Sara. “Fantasy, Realism, and Other Mixed Delights: What Have Film Analysts Seen in Popular Indian Cinema?” Projections 3.2 (2009): 1–19. doi:10.3167/proj.2009.030202.
  • Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA: Harvard UP, 2002.
  • Frank, Andre Gunder. “Emergence of Permanent Emergency in India.” EPW 12.11 (12 Mar. 1977): 463–65, 467–75.
  • Gandhi, Ved P. “India s Self-inflicted Defence Burden.” EPW 9.35 (31 Aug. 1974): n.p. Gharaonda. Dir. Bhim Sain. 1977. Film.
  • Gopalan, Lalitha. Cinema of Interruption: Action Genre in Contemporary Indian Cinema. London: BFI, 2002.
  • Guddi. Dir. Hrishikesh Mukherjee. 1971. Film.
  • Hewitt, Vernon. Political Mobilisation and Democracy in India: States of Emergency. Abingdon, OX: Routledge, 2008.
  • Holston, James, and Arjun Appadurai. “Cities and Citizenship.” Public Culture 8.2 (1996): 187–204. doi:10.1215/08992363-8-2-187.
  • Joshi, Priya. Bollywood’s India: A Public Fantasy. New York: Columbia UP, 2015.
  • Kaarsholm, Preben, ed. City Flicks. Calcutta: Seagull, 2003.
  • Kaviraj, Sudipta. “Democracy and Development in India.” Democracy and Development: State, Markets, and Societies in Their Context. Ed. Amiya Kumar Bagchi. New York: St. Martin’s Press, 1995.
  • Kaviraj, Sudipta. “Reading a Song of the City—Images of the City in Literature and Films.” City Flicks. Ed. Preben Kaarsholm. Calcutta: Seagull, 2003.
  • Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. Princeton: Princeton UP, 1997.
  • Mankekar, D.R., and Kamala Mankekar. Decline and Fall of Indira Gandhi: 19 Months of Emergency. Delhi: Orient Paperbacks, 1977.
  • Mazumder, Ranjani. Bombay Cinema: An Archive of the City. Minneapolis: University of Minnesota Press, 2007.
  • Metz, Christian. The Imaginary Signifier: Psychoanalysis and the Cinema. Tr. Celia Britton et al. Bloomington: Indiana University Press, 1984.
  • Miller, Toby. The Well-Tempered Self: Citizenship, Culture and the Postmodern Subject. Baltimore: Johns Hopkins UP, 1993.
  • Nandy, Ashis. An Ambiguous Journey to the City. Delhi: Oxford UP, 2001.
  • O’Brien, Patricia. “Michel Foucault’s History of Culture.” The New Cultural History. Ed. Lynn Hunt. Berkley: U of California P, 1989.
  • Piya Ka Ghar. Dir. Basu Chatterjee. 1972. Film.
  • Poduval, Satish. “The Affable Young Man: Civility, Desire and the Making of a Middle-Class Cinema in the 1970s.” South Asian Popular Culture 10.1 (2012): 37–50. doi:10.1080/14746689.2012.655105.
  • Prasad, M. Madhava. Ideology of the Hindi Film: A Historical Construction. Delhi: Oxford UP, 1998.
  • Raghavendra, M.K. Seduced by the Familiar: Narration and Meaning in Indian Popular Cinema. Delhi: OUP, 2008.
  • Rajadhyaksha, Ashish. Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency. Bloomington: Indian UP, 2009.
  • Rajadhyaksha, Ashish, and Paul Willemen. Encyclopaedia of Indian Cinema. London: BFI and OUP, 1994.
  • Ram, Mohan. “Pleasure of Indefinite Detention.” EPW 9.37 (14 Sep. 1974): 14–20.
  • Roy, Srirupa. “Moving Pictures: The Postcolonial State and Visual Representations of India.” Contributions to Indian Sociology 36.1–2 (2002): 233–63. doi:10.1177/006996670203600108.
  • Sau, Ranjit. “Indian Economic Growth: Constraints and Prospects.” EPW 7.5 (9 Feb. 1972): n.p.
  • Tarlo, Emma. Unsettling Memories: Narratives of the Emergency in Delhi. Berkley: U of California P, 2003.
  • Taxi Taxie. Dir. Irshad. 1977. Film.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.