580
Views
19
CrossRef citations to date
0
Altmetric
Articles

Using artistic form for aesthetic organizational inquiry: Rimini Protokoll constructs Daimler's Annual General Meeting as a theatre play

Pages 211-229 | Received 15 Dec 2009, Accepted 06 Sep 2010, Published online: 11 Jan 2012

References

  • Augustine , N. and Adelman , K. 1999 . Shakespeare in charge: The bard's guide to leading and succeeding on the business stage , New York : Hyperion .
  • Behrendt , E. 2009 . Genial: Rimini Protokoll macht die Daimler-Hauptversammlung als Theaterinszenierung sichtbar . Frankfurter Rundschau , April 11, 35
  • Biehl , B. 2005 . Großes Kino. Hauptversammlungen sind nicht nur Aktionärstreffen, sondern auch inszenierte Selbstdarstellungen . Frankfurter Rundschau , May 20, 26–7
  • Biehl , B. 2007a . Aesthetics of emptiness. Verena Landau's pass_over reflects the cold atmosphere of shareholder meetings . Aesthesis , 1 ( 2 ) : 80 – 5 .
  • Biehl , B. 2007b . Business is Showbusiness. Wie Topmanager sich vor Publikum inszenieren , Frankfurt : Campus .
  • Biehl-Missal , B. 2009 . “ Meine Theaterwissenschaftlerin ” . In Hauptversammlung , Edited by: Protokoll , Rimini . 90 – 2 . Berlin : HAU Hebbel am Ufer .
  • Biehl-Missal , B. 2011 . Business is show business. Management presentations as performance . Journal of Management Studies , 48 ( 3 ) : 619 – 45 .
  • Boje , D. M. 1995 . Stories of the storytelling organization: A postmodern analysis of Disney as Tamara-land . Academy of Management Journal , 38 ( 4 ) : 997 – 1035 .
  • Boje , D. M. , Luhman , J. T. and Cunliffe , A. L. 2003 . A dialectic perspective on the organization theatre metaphor . American Communication Journal , 6 ( 2 ) http://acjournal.org/holdings/vol6/iss2/articles/boje.htm (accessed March 2010)
  • Brearley , L. 2001 . “ Exploring creative forms within phenomenological research ” . In Phenomenology , Edited by: Bernacle , R. 74 – 87 . Melbourne : RMIT University Press .
  • Burke , K. 1968 . “ Dramatism ” . In International encyclopaedia of the social sciences, VII , Edited by: Sills , D. L. 445 – 52 . New York : Macmillan .
  • Burke , K. 1989 . On symbols and society , Chicago : University of Chicago Press .
  • Clark , T. 2008 . “ Performing the organization: Organization theatre and imaginative life as physical presence ” . In New approaches in management and organization , Edited by: Barry , D. and Hansen , H. 401 – 11 . London : Sage .
  • Clark , T. and Mangham , I. 2004 . From dramaturgy to theatre as technology: The case of corporate theatre . Journal of Management Studies , 41 ( 1 ) : 37 – 59 .
  • Cornelissen , J. P. 2004 . What are we playing at? Theatre, organization, and the use of metaphor . Organization Studies , 25 ( 5 ) : 705 – 26 .
  • Daimler. 2009. Address by the Chairman of the Board of Management at the annual shareholders’ meeting of Daimler AG, Berlin, April 8. http://www.daimler.com/Projects/c2c/channel/documents/1698388_daimler_ir_hv2009_speech.pdf (accessed May 2009)
  • Dreyesse , M. 2007 . “ Die Aufführung beginnt jetzt ” . In Experten des Alltags. Das Theater von Rimini Protokoll , Edited by: Dreysse , M. and Malzacher , F. 76 – 99 . Berlin : Alexander Verlag .
  • Fanizadeh , A. 2009 . ‘Wo ist Rimini?’ . taz , April 11, 4
  • Fischer-Lichte , E. 2005 . Theatre, sacrifice, ritual. Exploring forms of political theatre , London : Routledge .
  • Fraschke , B. 2009 . Schon Beobachten verändert . Hessische Allgemeine Nachrichten , April 5
  • Gabriel , Y. 2008 . Spectacles of resistance and resistance of spectacles . Management Communication Quarterly , 21 ( 3 ) : 310 – 26 .
  • Gardner , W. L. and Avolio , B. J. 1998 . The charismatic relationship: A dramaturgical perspective . Academy of Management Review , 23 ( 1 ) : 32 – 58 .
  • Goffman , E. 1959 . The presentation of self in everyday life , London : Allen Lane .
  • Goffman , E. 1974 . Frame analysis , New York : Harper Books .
  • Harvey , A. 2001 . A dramaturgical analysis of charismatic leader discourse . Journal of Organizational Change Management , 14 ( 3 ) : 253 – 65 .
  • HAU Hebbel am Ufer Theater. 2009. Footnotes on the ‘Capital’ – Hauptversammlung Rimini Protokoll (Haug/Kaegi/Wetzel). http://www.hebbel-am-ufer.de/archiv_en/kuenstler/kuenstler_14820.html (accessed December 2009)
  • Höbel , W. 2009 . Anstachelung zum Aufruhr . Der Spiegel , 16 : 132
  • Höpfl , H. 2002 . Playing the part: Reflections on aspects of mere performance in the customer–client relationship . Journal of Management Studies , 39 ( 2 ) : 255 – 67 .
  • Jelinek , E. 2009 . Die Kontrakte des Kaufmanns , Cologne , , Germany : Schauspielhaus Köln .
  • Kärreman , D. 2001 . “ The scripted organization: Dramaturgy from Burke to Baudrillard ” . In The language of organization , Edited by: Westwood , R. and Linstead , S. 95 – 111 . London : Sage .
  • Landau , V. 2009 . “ Meine Malerin ” . In Hauptversammlung , Edited by: Protokoll , Rimini . 24 – 27 . Berlin : Hebbel am Ufer .
  • Laudenbach , P. 2009 . Gesellschaft des Spektakels . Süddeutsche Zeitung , April 9
  • Lehmann , H.-T. 1989 . Die Inszenierung: Probleme ihrer Analyse . Zeitschrift für Semiotik , 11 ( 1 ) : 29 – 49 .
  • Lehmann , H.-T. 2006 . Postdramatic theatre , London : Routledge .
  • Maisch , M. and Teschler , D. 2005 . Großes Theater . Handelsblatt , Mai 19, 12
  • Malzacher , F. 2007 . “ Dramaturgien der Fürsorge und Verunsicherung. Die Geschichte von Rimini-Protokoll ” . In Rimini Protokoll. Experten des Alltags. Das Theater von Rimini Protokoll , Edited by: Dreysse , M. and Malzacher , F. 14 – 45 . Berlin : Alexander Verlag .
  • Mangham , I. L. 2001 . Afterword: Looking for Henry . Journal of Organizational Change Management , 14 ( 3 ) : 295 – 304 .
  • Mangham , I. L. and Overington , M. 1987 . Organizations as theatre: A social psychology of dramatic appearances , Chichester : Wiley .
  • Meisiek , S. and Barry , D. 2007 . Through the looking glass of organizational theatre: Analogically mediated inquiry in organizations . Organization Studies , 28 ( 12 ) : 1805 – 27 .
  • Missal , A. 2005 . Hauptversammlungen gleichen Theaterinszenierungen. Interview mit Kulturwissenschaftlerin . Deutsche Presse-Agentur dpa , April 6
  • Müller-Dofel , M. 2008 . Große Bühnen – Miese Shows. Hauptversammlungen . Euro Wirtschaftsmagazin , : 42 – 5 .
  • Nissley , N. , Taylor , S. and Houden , L. 2004 . The politics of performance in organizational theatre-based training and interventions . Organization Studies , 25 ( 5 ) : 817 – 39 .
  • Oswick , C. , Keenoy , T. and Grant , D. 2001 . Dramatizing and organizing: Acting and being . Journal of Organizational Change Management , 14 ( 3 ) : 218 – 24 .
  • Pavis , P. 2003 . Analyzing performance, theater, dance, and film , Ann Arbor : University of Michigan Press .
  • Peters , N. 2009 . Aktionäre sind Schauspieler wider Willen . Stuttgarter Zeitung , April 9, 33
  • Philipp, E. 2009. Inszenierung der Macht. Nachtkritik, April 9. http://www.nachtkritik.de/index.php?option=com_content&task=view&id=2663&Itemid=1&limit=1&limitstart=0 (accessed April 2009)
  • Pretzlaff , H. 2009 . Zetsche schwört Anleger auf düstere Zeiten ein . Stuttgarter Zeitung , April 9, 13
  • Rimini Protokoll . 2009a . Hauptversammlung , Berlin : Hebbel am Ufer . Available online via Club of Florence. http://www.cof.cg/img/banners/rimini.pdf (accessed December 2009)
  • Rimini Protokoll. 2009b. Annual shareholders meeting. http://www.rimini-protokoll.de/website/en/project_4008.html (accessed December 2009)
  • Roselt , J. 2007 . “ In Erscheinung treten ” . In Rimini Protokoll. Experten des Alltags. Das Theater von Rimini Protokoll , Edited by: Dreysse , M. and Malzacher , F. 46 – 63 . Berlin : Alexander Verlag .
  • Rosile , G. A. 2003 . To head knowledge: Critical dramaturgy and artful ambiguity . Management Communication Quarterly , 17 ( 2 ) : 308 – 14 .
  • Schmeicher , K. 2009 . Rimini Protokoll haben in der Aktionärsversammlung der Daimler AG ein Schauspiel ausgemacht . Theater der Zeit , : 56
  • Schreyögg , G. and Höpfl , H. 2004 . “ Theatre and organization: Editorial introduction ” . In Organization Studies Vol. 25, no. 5 , 691 – 704 .
  • Strati , A. 1999 . Organization and aesthetics , London : Sage .
  • Taylor , S. S. 2003a . Knowing in your gut and in your head: Doing theater and my underlying epistemology of communication . Management Communication Quarterly , 17 ( 2 ) : 272 – 9 .
  • Taylor , S. S. 2003b . Ties that bind . Management Communication Quarterly , 17 ( 2 ) : 280 – 300 .
  • Taylor , S. S. 2008 . Theatrical performance as unfreezing. Ties that bind at the Academy of Management . Journal of Management Inquiry , 17 ( 4 ) : 398 – 406 .
  • Taylor , S. S. and Hansen , H. 2005 . Finding form: Looking at the field of organizational aesthetics . Journal of Management Studies , 42 ( 5 ) : 1211 – 31 .
  • Turner , V. 1982 . From ritual to theatre: The human seriousness of play , New York : Performing Arts Journal Publications .
  • Wahl , C. 2009 . Die ultimative Theater-AG . Der Tagesspiegel , April 5, 29
  • Walker , R. and Monin , N. 2001 . The purpose of the picnic: Using Burke's dramatistic pentad to analyse a company event . Journal of Organizational Change Management , 14 ( 3 ) : 266 – 79 .
  • Warren , S. 2008 . Empirical challenges in organizational aesthetics research: Towards a sensual methodology . Organization Studies , 29 ( 4 ) : 559 – 80 .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.