Crafting Community

References

• Auther, Elissa. 2010. String, Felt, Thread: The Hierarchy of Art and Craft in American Art. Minneapolis: University of Minnesota Press.
   Google Scholar
• Basualdo, Carlos, and Reinaldo Laddaga. 2009. “Experimental Communities.” Edited by Nina Montmann. Public: New Communities 39: 20–31.
   Google Scholar
• Black, Anthea, and Nicole Burisch. 2011. “Craft Hard Die Free: Radical Curatorial Strategies for Craftivism.” In Extra/Ordinary: Craft and Contemporary Art, edited by Maria Elena Buszek, 204–221. Durham: Duke University Press.
   Google Scholar
• Bryan-Wilson, Julia. 2011. “Sewing Notions.” Artforum: 72–75.
   Google Scholar
• Burcikova, Milada. 2011. “Craftivism 2000: Utopia of Socially Engaged Craft?” Edited by Malcolm Ferris. Making Futures: The Crafts as Change-maker in Sustainably Aware Cultures 2: 8–14. http://mfarchive.plymouthart.ac.uk/journalvol2/pdf/Burcikova_Milada.pdf.
   Google Scholar
• Buszek, Maria Elena. 2014. “Labor is My Medium: Some Perspecive(s) on Contemporary Craft.” Archives of American Art Journal 50 (3–4): 66–75.
   Google Scholar
• Dezeuze, Anna, ed. 2012. The ‘Do-it-yourself’ Artwork: Participation from Fluxus to New Media. Manchester: Manchester University Press.
   Google Scholar
• Fariello, Anna M. 2011. “Making and Naming: The Lexicon of Studio Craft.” In Extra/Ordinary: Craft and Contemporary Art, edited by Maria Elena Buszek, 23–42. Durham: Duke University Press.10.1215/9780822392873
   Google Scholar
• Feigenbaum, Anna, Fabian Frenzel, and Patrick McCurdy. 2013. Protest Camps. London: Zed Books.
   Google Scholar
• Finkelpearl, Tom, ed. 2013. What We Made: Conversations on Art and Social Cooperation. Durham: Duke University Press.
   Google Scholar
• Gauntlett, David. 2011. Making is Connecting: The Social Meaning of Creativity from DIY and Knitting to YouTube and Web 2.0. Malden: Polity Press.
   Google Scholar
• Gordon, Beverly. 2011. Textiles: The Whole Story: Uses, Meanings, Significance. London: Thames & Hudson.
   Google Scholar
• Hackney, Fiona. 2013. “Quiet Activism and the New Amateur: The Power of Home and Hobby Crafts.” Design and Culture 5 (2): 169–193.10.2752/175470813X13638640370733
   Web of Science ®Google Scholar
• Harris, Jennifer. 1988. “Embroidery in Women’s Lives: 1300-1900.” In The Subversive Stitch, Exhibition Catalogue, edited by Jennifer Harris and Pennina Barnett, 7–33. Whitworth Art Gallery: Cornerhouse.
   Google Scholar
• Herring, James. 2013. “Playing with Real Stuff: Science Museums, Children’s Museums and Art Museums.” Edited by Karen Rainiey. Engage: Critical Craft 33: 48-56.
   Google Scholar
• Jackson, Shannon. 2011. Social Works: Performing Art, Supporting Publics. New York: Routledge.
   Google Scholar
• Jefferies, Janis. 2008. “Contemporary Textiles: The Art Fabric.” In Contemporary Textiles: The Fabric of Fine Art, edited by Nadine Monem, 34–61. London: Blackdog.
   Google Scholar
• Jefferies, Janis. 2011. “In Loving Attention: An Outburst of Craft in Contemporary Art.” In Extra/Ordinary: Craft and Contemporary Art, edited by Maria Elena Buszek, 222–240. Durham: Duke University Press.10.1215/9780822392873
   Google Scholar
• Jones, Jonathan. 2014. “Richard Tuttle’s Turbine Hall Flying Machine is Lovely … and Forgettable.” The Guardian (Monday October 13). http://www.theguardian.com/artanddesign/2014/oct/13/richard-tuttle-i-dont-know-the-weave-of-textile-language-review-tate-turbine-hall.
   Google Scholar
• Kester, Grant H. 2004. Conversation Pieces, Community + Communication in Modern Art. Berkeley: University of California Press.
   Google Scholar
• Kinna, Ruth. 2007. “Socialist Fellowship and the Woman Question.” In Writing on the Image: Reading William Morris, edited by David Latham, 183–196. Toronto: University of Toronto Press.
   Google Scholar
• Kravagna, Christian. 1999. “Working on the Community. Models of Participatory Practice.” Eipcp: http://eipcp.net/transversal/1204/kravagna/en.
   Google Scholar
• Krugh, Michele. 2014. “Joy in Labour: The Politicization of Craft from the Arts and Crafts Movement to Etsy.” Canadian Review of American Studies 44 (2): 281–301.10.3138/CRAS.2014.S06
   Web of Science ®Google Scholar
• Lind, Maria. 2009 “Complications: On Collaboration, Agency and Contemporary Art.” Edited by Nina Montmann. Public: New Communities 39: 52–73.
   Google Scholar
• Loveday-Edwards, Mary. 2011. “Craft as a Socially Aware Nostalgic Practice: Re-envisioning a Positive Future.” Edited by Malcolm Ferris. Making Futures: The Crafts as Change-maker in Sustainably Aware Cultures 2: 142–149, http://makingfutures.plymouthart.ac.uk/journalvol2/index.php.
   Google Scholar
• Micheletto-Blouin, Stephan. 2011. “Toward Relational Craft.” MFA Thesis, Greenville, School of Art and Design at East Carolina University.
   Google Scholar
• Minahan, Stella, and Wolfram Cox, Julie. 2007. “Stitch ‘N Bitch: Cyberfeminism, a Third Place and the New Materiality.” Journal of Material Culture 12 (1): 5–21.10.1177/1359183507074559
   Web of Science ®Google Scholar
• Montmann, Nina. 2009. “New Communities.” Edited by Nina Montmann. Public: New Communities 39: 10–19.
   Google Scholar
• Myzelev, Alla. 2009. “Whip Your Hobby into Shape: Knitting, Feminism and Construction of Gender.” Textile 7 (2): 148–163.
   Web of Science ®Google Scholar
• Papastergiadis, Nikos. 2009. “Collaboration in Art and Society: A Global Pursuit of Democratic Dialogue.” Edited by Nina Montmann. Public: New Communities 39: 32–51.
   Google Scholar
• Parker, Roszika, and Griselda Pollock. 1981. Old Mistresses: Women, Art and Ideology. London: Harper Collins.
   Google Scholar
• Putnam, Robert D. 2000. Bowling Alone: The Collapse and Revival of American Community. New York: Touchstone Books by Simon and Schuster.10.1145/358916
   Google Scholar
• Robertson, Kirsty. 2010. “Rebellious Dollies and Subversive Stitches: Writing a Craftivist History.” In Extra/Ordinary: Craft and Contemporary Art, edited by Maria Elena Buszek, 184–203. Durham: Duke University Press.
   Google Scholar
• Sennett, Richard. 2012. Together: The Rituals, Pleasures and Politics of Cooperation. New Haven, CT: Yale University Press.
   Google Scholar
• Sorkin, Jenni. 2003. “Way beyond Craft: Thinking through the Work of Mildred Constantine.” Textile: The Journal of Cloth and Culture 1 (1): 29–47.
   Google Scholar
• Stimson, Blake, and Gregory Sholette, eds. 2007. Collectivism after Modernism: The Art of Social Imagination after 1945. Minneapolis: University of Minnesota Press.
   Google Scholar
• Thompson, Nato, ed. 2012. Living as Form: Socially Engaged Art from 1991–2011. Cambridge: MIT Press.
   Google Scholar
• Tickner, Lisa. 1987. The Spectacle of Women: Imagery of the Suffrage Campaign 1907–14. London: Chatto and Windus.
   Google Scholar
• Tokumitsu, Miya. 2014. “In the Name of Love.” Jacobin Magazine January. https://www.jacobinmag.com/2014/01/in-the-name-of-love/.
   Google Scholar
• Turkle, Sherry. 2011. Alone Together: Why We Expect More from Technology and Less from Each Other. New York: Basic Books.
   Google Scholar
• Vaccaro, Jeanne. 2014. “Keywords: Handmade.” TSQ: Transgender Studies Quarterly 1 (1–2): 96–97.
   Google Scholar
• Vinebaum, Lisa .2015. “Performing Globalization: Anne Wilson and Mandy Cano Villalobos.” In The Handbook of Textile Culture, edited by Hazel Clark, Janis Jefferies, and Diana Wood Conroy, 169–185. London: Bloomsbury.
   Google Scholar
• Weltge-Wortmann, Sigrid. 1998. Bauhaus Textiles: Women Artists and the Weaving Workshop. London: Thames and Hudson.
   Google Scholar