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TEXTILE
Cloth and Culture
Volume 17, 2019 - Issue 1
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Exhibition Review

Engaging with Fibers, Fabrics, and Figures in Nkoli Ka Exhibition

References

  • Aniakor, Chike. 2017. “Nsukka School, after 50 Years: Homage to Creative Exceptionalism and Triumphalism – the Artistic Dance of the Giant Masquerades.” In Exhibition Guide: Nkoli Ka Nsukka School after 50 Years, edited by Chijioke Onuor, Eva Obaodo, and Chukwuemeka Okpara, 8–15. Nsukka: Department of Fine and Applied Arts, University of Nigeria.
  • Barnett, Pennina, Janis Jefferies, and Doran Ross, eds. 2003. “Aims and Scope.” Textile 1 (1): i–108.
  • Enwezor, Okwui, and Chika Okeke-Agulu. 2009. Contemporary African Art since 1980. Blogno: Damiani. https://orientationtrip2011.files.wordpress.Com/2010/08/text-contemporary-african-art-since-1980-by-okwui-enwezor-chika-okeke-agulu.pdf.
  • Kleiner, Fred. 2009. Gardener’s Art through the Ages. 13th ed. Boston, MA: Clark Baxter.
  • Morgan, Trevor. 2016. “Anya Fulu Ugo: Exhibition Review in Honor of El Anatsui and Obiora Udechukwu.” African Arts 49 (3): 86–89.
  • Nwigwe, Chukwuemeka. 2018. “Fashioning Terror: The Boko Haram Dress Code and the Politics of Identity.” Fashion Theory. 1–20. doi:10.1080/1362704X.2017.1420301.
  • Okeke-Agulu, Chika. 2015. Postcolonial Modernism Art and Decolonization in Twentieth Century Nigeria. Durham, NC: Duke University Press.
  • Ottenberg, Simon. 1997. New Traditions from Nigeria: Seven Artists from Nsukka Group. Washington, DC: Smithsonian Institution.
  • Preple, Duane, and Sarah Preble. 2004. ArtForms. Upper Saddle River, NJ: Pearson Education.

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