509
Views
0
CrossRef citations to date
0
Altmetric
Articles

The Unsettling Truths of Settling: Ghostscapes in Domestic Textiles

References

  • Banivanua Mar, T., and P. Edmonds, eds. 2010. Making Settler Colonial Space: Perspectives on Race, Place and Identity. New York: Palgrave Macmillan.
  • Barber, E. W. 1994. Women's Work: The First 20,000 Years. New York: W.W. Norton & Company.
  • Bolt, B. 2000. “Shedding Light for the Matter.” Hypatia 15 (2):202–216. doi:10.1111/j.1527-2001.2000.tb00323.x.
  • Bristow, M. 2012. “Continuity of Touch—Textile as Silent Witness.” In The Textile Reader, edited by Jessica Hemmings, 44–51. London: Berg.
  • Carey, J. 2004. “M U Australia (1892–).” The National Foundation for Australian Women (NFAW) in conjunction with The University of Melbourne. Accessed 29 October 2018. http://www.womenaustralia.info/biogs/AWE0737b.htm
  • Gell, A. 1998. Art and Agency: An Anthropological Theory. Oxford: Clarendon Press.
  • Gero, A., and K. Somerville. 2016. Making the Australian Quilt 1800–1950. Melbourne: National Gallery of Victoria.
  • Gibson, R. 2002. Seven Versions of an Australian Badland. St Lucia, Queensland: University of Queensland Press.
  • Gibson, R. 2015. “Places Past Disappearance.” In Memoryscopes: Remnants Forensics Aesthetics, edited by Ross Gibson, 13–25. Crawley: UWA Publishing.
  • Goett, S. 2015. “Materials, Memories and Metaphors: The Textile Self Recollected.” In The Handbook of Textile Culture, edited by Janis Jeffries, Diana Wood Conroy, and Hazel Clark, 121–136. London: Bloomsbury Publishing.
  • Koompan, C. 2013. Genealogy as Critique: Foucault and the Problems of Modernity. American Philosophy. Bloomington: Indiana University Press.
  • Kumar, C. 2009. “John Dewey, Reconstruction in Philosophy (1920).” Philosophical Papers 38 (1): 111–128. doi:10.1080/05568640902933510.
  • Lampard, S. 2011. The Respectable of Port Adelaide: Working-Class Attitudes to Respectability through Material Culture. Saarbrucken. Germany: LAP LAMBERT Academic Publishing.
  • Lydon, J. 2012. The Flash of Recognition: Photography and the Emergence of Indigenous Rights. Sydney: NewSouth Publishers.
  • Moreton-Robinson, A. 2015. The White Possessive: Property, Power and Indigenous Sovereignty. Minneapolis: University of Minnesota Press.
  • Paisley, F. 2000. Loving Protection? Australian Feminism and Aboriginal Women's Rights 1919–1939. Carlton South: Melbourne University Press.
  • Pajaczkowska, C. 2015. “Making Known: The Textiles Toolbox—Psychoanalysis of Nine Types of Textile Thinking.” In The Handbook of Textile Culture, edited by Janis Jeffries, Diana Wood Conroy and Hazel Clark. London: Bloomsbury Publishing.
  • Parker, R. 1986. The Subversive Stitch: Embroidery and the Making of the Feminine. London: The Women's Press.
  • Ravenscroft, A. 2007. “Coming to Matter: The Grounds of Our Embodied Difference.” Postcolonial Studies 10 (3): 287–300. doi:10.1080/13688790701488163.
  • Roberts, T. 2009. “The Brutal Truth: What Happened in the Gulf Country.” The Monthly, November, 42–51.
  • Robinson, F. 2011. The Ethics of Care: A Feminist Approach to Human Security. Philadelphia: Temple University Press.
  • Saltzman, L. 2006. Making Memory Matter: Strategies of Remembrance in Contemporary Art. Chicago: The University of Chicago Press. doi:10.1086/ahr/73.1.89.
  • Swain, S., P. Grimshaw, and E. Warne. 2009. “Whiteness, Maternal Feminism and the Working Mother, 1900–1960.” In Creating White Australia, edited by Jane Carey and Claire McLisky, 214–229. Sydney: Sydney University Press.
  • Tello, V. 2016. Counter-Memorial Aesthetics: Refugee Histories and the Politics of Contemporary Art. London: Bloomsbury.
  • Tumarkin, M. 2005. Traumascapes: The Power and Fate of Places Transformed by Tragedy. Carlton: Melbourne University Press.
  • van Herk, A. 2012. “Cleansing Dislocation: To Make Life, Do Laundry (2008).” In The Domestic Space Reader, edited by Chiara Briganti and Kathy Mezei, 194–197. Toronto: University of Toronto Press.
  • Verwoert, J. 2010. “You Make Me Feel Mighty Real: On the Risk of Bearing Witness and the Art of Affective Labour.” In Tell Me What You Want, What You Really, Really Want, edited by Vanessa Ohlraun, 255–305. Rotterdam: Piet Zwart Institute, Willem de Kooning Academy, Rotterdam University; Berlin; New York: Sternberg Press.
  • Waters, S. 2012. “Repetitive Crafting: The Shared Aesthetic of Time in Australian Contemporary Art.” Craft + Design Enquiry (4). https://press.anu.edu.au/publications/journals/craft-design-enquiry/craft-design-enquiry-issue-4-2012.
  • Waters, S. 2015. “Inside the Outback: An Exploration of Domesticated Landscapes in Semco's Long Stitch Originals Series of the 1980s.” Craft + Design Enquiry (7). https://press.anu.edu.au/publications/journals/craft-design-enquiry/craft-design-enquiry-issue-7-2015.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.