Publication Cover
TEXTILE
Cloth and Culture
Volume 18, 2020 - Issue 2
664
Views
2
CrossRef citations to date
0
Altmetric
Articles

The Textilesphere: The Threshold of Everyday Contacts

References

  • Abercrombie, Nicholas, Stephen Hill, and Bryan S. Turner. 2006. The Penguin Dictionary of Sociology. 5th ed. London: Penguin.
  • Anzieu, Didier. 1989. The Skin Ego. Translated by Chris Turner. New Haven, CT: Yale University Press.
  • Ardalan, Ziba. 2018. "The Escapades of Anna Mannheimer from the House of Man and Other Stories." In Heidi Bucher, edited by Ziba Ardalan, 7–15. London: Parasol Unit.
  • Barad, Karen. 2012. “On Touching: The Inhuman That Therefore I Am.” Differences: A Journal of Feminist Cultural Studies 23 (3): 206–223.
  • Barthes, Roland. 1977. “Rhetoric of the Image.” In Image Music Text. Translated by Stephen Heath, 32–51. London: Fontana Press.
  • Barthes, Roland. 1985. “Cy Twombly: Works on Paper.” In The Responsibility of Forms: Critical Essays on Music, Art and Representation. Translated by Richard Howard, 157–176. New York, NY: Hill & Wang.
  • Basualdo, Carlos, and Doris Salcedo. 2000. “Interview.” In Doris Salcedo, 6–35. London: Phaidon.
  • Belcove, Julie L. 2017. "Artist Do Ho Suhʼs Houses of Memory." Financial Times, January 26. https://www.ft.com/content/a187c15e-e287-11e6-9645-c9357a75844a.
  • Benjamin, Walter. 2002. The Arcades Project. Cambridge, MA: Harvard University Press.
  • Benthien. Claudia 2002. Skin: On the Cultural Border between Self and the World. New York, NY: Columbia University Press.
  • Böhme, Gernot. 1993. "Atmosphere as the Fundamental Concept of a New Aesthetics." Thesis Eleven 36: 113–126.
  • Böhme, Gernot. 2000. “Acoustic Atmospheres: A Contribution to the Study of Ecological Aesthetics.” Soundscape: The Journal of Acoustic Ecology 1 (1): 14–18.
  • Bosco, Fernando J. 2006. “Actor-Network Theory, Networks, and Relational Approaches in Human Geography.” In Approaches to Human Geography, edited by Stuart Aitken and Gill Valentine, 136–146. London: Sage.
  • Bruno, Giuliana. 2014. Surface: Matters of Aesthetics, Materiality, and Media. London: University of Chicago Press.
  • Burkitt, Ian. 2016. “Relational Agency: Relational Sociology, Agency and Interaction.” European Journal of Social Theory 19 (3): 322–321.
  • Connor, Steven. 2004. The Book of Skin. London: Reaktion.
  • Crossley, Nick. 2018. “Networks, Interactions and Relations.” In The Palgrave Handbook of Relational Sociology, edited by François Dépelteau, 481–498. London: Palgrave Macmillan.
  • Cumming, Laura. 2018. “Heidi Bucher Review: Memories Are Made of This.” The Guardian, September 23. https://www.theguardian.com/artanddesign/2018/sep/23/heidi-bucher-parasol-unit-london-review.
  • Dean, John, and Nick Hill. 2014. “Burn Marks on Buildings: Accidental or Deliberate?” Vernacular Architecture 45 (1): 1–15.
  • Dépelteau, François. 2015. “Relational Sociology, Pragmatism, Transactions and Social Fields.” International Review of Sociology 25 (1): 45–64.
  • Dépelteau, François 2018. “Relational Thinking in Sociology: Relevance, Concurrence and Dissonance.” In The Palgrave Handbook of Relational Sociology, edited by François Dépelteau, 3–34. London: Palgrave Macmillan.
  • Didi-Huberman, Georges. 2003. “The Imaginary Breeze: Remarks on the Air of the Quattrocento.” Journal of Visua1 Culture 2 (3): 275–289.
  • DeLanda, Manuel. 2006. A New Philosophy of Society: Assemblage Theory and Social Complexity. London: Continuum.
  • Deleuze, Gilles, and Felix Guattari. 1987. A Thousand Plateaus. Minneapolis, MN: University of Minnesota Press.
  • Doane, Mary Ann. 2007. “The Indexical and the Concept of Medium Specificity.” Differences: A Journal of Feminist Cultural Studies 18 (1): 128–152.
  • Easton, Timothy. 1999. “Ritual Marks on Historic Timber.” Weald & Downland Open Air Museum Newsletter Spring: 22–28.
  • Eastop, Dinah. 2006. “Outside in: Making Sense of the Deliberate Concealment of Garments within Buildings.” Textile: The Journal of Cloth and Culture 4 (3): 238–255.
  • Gell, Alfred. 1993. Wrapping in Images: Tattooing in Polynesia. Oxford: Clarendon Press.
  • Grusin, Richard. 2015. “Introduction.” In The Nonhuman Turn, edited by Richard Grusin, vii–xxix. Minneapolis, MN: University of Minnesota Press.
  • Guy, Simon. 2007. “Discipline and Disruption: Making Senses of the City.” Senses & Society 2 (2): 247–252.
  • Haraway, Donna. 1991. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” In Simians, Cyborgs and Women: The Reinvention of Nature, 149–181. New York, NY: Routledge.
  • Haraway, Donna. 2003. Companion Species Manifesto: Dogs, People, and Significant Otherness. Chicago, IL: Prickly Paradigm Press.
  • Hartoonian, Gevork. 2006. “The Fabric of Fabrication.” Textile: The Journal of Cloth and Culture 4 (3): 270–291.
  • Harris, Jane. 2013. “Digital Skin.” Textile: Cloth and Culture 11 (3): 242–261.
  • Human Flow. 2017. [film] Directed by Ai Weiwei Germany: Participant Media.
  • Huyssen, Andreas. 2000. "Unland: The Orphan"s Tunic." In Doris Salcedo, 90–102. London: Phaidon.
  • Igoe, Elaine. forthcoming in 2020. "Where Surface Meets Depth." In Surface Apparition: Material Medium Affect, edited by Yeseung Lee. London: Bloomsbury.
  • Ingold, Tim. 2008. “When Ant Meets Spider: Social Theory for Arthropods.” In Material Agency: Towards a Non-anthropocentric Approach, edited by Carl Knappett and Lambros Malafouris, 209–215. New York, NY: Springer.
  • Ingold, Tim. 2017. “Surface Visions.” Theory, Culture & Society 34 (7–8): 99–108.
  • Joy, Eileen A., and Craig Dionne. 2010. “Before the Trains of Thought Have Been Laid Down so Firmly: The Premodern Post/Human.” Postmedieval: A Journal of Medieval Cultural Studies 1 (1–2): 1–9.
  • Kim, Clara. 2014. “Rubbing Is Loving: Do Ho Suh"s Archeology of Memory.” In Do Ho Suh Drawings, edited by Rochelle Steiner, 27–32. Munich: Delmonico Books; Prestel.
  • Krauss, Rosalind. 1977. "Notes on the Index: Seventies Art in America." October 3: 68–81.
  • Küchler, Susanne. 2008. “Technological Materiality: Beyond the Dualist Paradigm.” Theory, Culture & Society 25 (1): 101–120.
  • Küchler, Susanne. 2014. “Additive Technology and Material Cognition: A View from Anthropology.” Journal of Cognition and Culture 14 (5): 385–399.
  • Latour, Bruno. 2005. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press.
  • Latour, Bruno. 2006. “Air.” In Sensorium: Embodied Experience, Technology and Contemporary Art, edited by Caroline A. Jones, 104–107. Cambridge, MA: MIT Press.
  • Lee, Yeseung. 2016. Seamlessness: Making and (Un)knowing in Fashion Practice. Bristol: Intellect.
  • Lefebvre, Henri. [1974] 1991. The Production of Space. Translated by Donald Nicholson-Smith. Oxford: Blackwell.
  • Lieber, Chavie. 2019. “Would You Buy a Virtual Pair of Nikes?” The Business of Fashion, July 8. https://www.businessoffashion.com/articles/fashion-tech/virtual-fashion-digital-products.
  • Lupton, Ellen. 2002. Skin: Surface, Substance, and Design. New York, NY: Princeton Architectural Press.
  • Massumi, Brian. 1995. “The Autonomy of Affect.” Cultural Critique 31: 83–109.
  • McEwen, Indra Kagis. 1993. Socrates' Ancestor: An Essay on Architectural Beginnings. Cambridge, MA: MIT Press.
  • Meeson, Bob. 2005. “Ritual Marks and Graffiti: Curiosities or Meaningful Symbols?” Vernacular Architecture 36 (1): 41–48.
  • Munder, Heike. 2015. “The Act of Shedding the Skin.” In Heidi Bucher, edited by Karen Marta and Simon Castets, 55–60. New York, NY: Swiss Institute.
  • Pajaczkowska, Claire. 2010. “Tension, Time and Tenderness: Indexical Traces of Touch in Textiles.” In Digital and Other Virtualities. New Encounters: Arts, Cultures, Concepts, edited by Antony Bryant and Griselda Pollock, 134–148. London: I.B.Tauris.
  • Pérez-Gómez, Alberto. 1985. “The Myth of Daedalus.” AA Files 10: 49–52.
  • Princenthal, Nancy. 2000. "Silence Seen." In Doris Salcedo, 38–88. London: Phaidon.
  • Ratcliffe, Matthew. 2018. “Perception, Exploration, and the Primacy of Touch.” In The Oxford Handbook of 4E Cognition, edited by Albert Newen, Leon DE Bruin, and Shaun Gallagher [ebook]. Oxford: Oxford University Press.
  • Rose, Julian. 2017. “Do Ho Suh.” Artforum International, January 19, https://www.artforum.com/interviews/-66014.
  • Semper, Gottfried. [1860] 2004. Style in the Technical and Tectonic Arts, or, Practical Aesthetics. Santa Monica, CA: The Getty Centre.
  • Shelley, Mary. [1824] 2000. “On Ghosts.” In Gothic Documents:  A Sourcebook 1700–1820, edited by Emma J. Clery and Robert Miles, 280–285. Manchester: Manchester University Press.
  • Sherlock, Amy. 2014. “Heidi Bucher.” Frieze. Accessed 21 December 2018. https://frieze.com/article/heidi-bucher.
  • Silverman, Kaja. 2013. The Threshold of the Visible World. London: Routledge.
  • Sloterdijk, Peter. 2005. “Foreword to the Theory of Spheres.” In Cosmograms, edited by Melik Obanian and Jean-Christophe Royaux, 223–240. New York, NY: Lukas and Sternberg.
  • Sloterdijk, Peter. 2009. “Spheres Theory: Talking to Myself about the Poetics of Space. A Lecture Given at Harvard University Graduate School of Design. 17 February.” Harvard Design Magazine 30: 1–8.
  • Sloterdijk, Peter. 2011. Bubbles: Spheres I (Microspherology). Translated by Wieland Hoban. Los Angeles, CA: Semiotext.
  • Sloterdijk, Peter. 2012. "Nearness and Da-sein: The Spatiality of Being and Time." translated by Peer Illner, Theory, Culture & Society 29 (4–5): 36–42.
  • Sloterdijk, Peter. 2016. Foams: Spheres iii (Plural Spherology). Translated by Wieland Hoban. Los Angeles, CA: Semiotext.
  • Spence, Rachel. 2018. "Do Ho Suh in Venice: The Lives of Others." Financial Times, 11 May. https://www.ft.com/content/e7cc1056-51e5-11e8-84f4-43d65af59d43.
  • Taussig, Michael. 1991. “Tactility and Distraction.” Cultural Anthropology 6 (2): 147–153.
  • Thrift, Nigel. 2005. “Beyond Mediation: Three New Material Registers and Their Consequences.” In Materiality, edited by Daniel Miller, 231–256. Durham, NC: Duke University Press.
  • Thrift, Nigel. 2010. “Understanding the Material Practices of Glamour.” In The Affect Theory Reader, edited by Melissa Gregg and Gregory Seigworth, 289–308. Durham, NC: Duke University Press.
  • Tisseron, Serge. 1994. “All Writing Is Drawing: The Spatial Development of the Manuscript.” Yale French Studies 84: 29–42.
  • Vannini, Phillip. 2015. “Non-Representational Research Methodologies: An Introduction.” In Non-Representational Methodologies: Re-envisioning Research, edited by Phillip Vannini, 1–18. London: Routledge.
  • Virilio, Paul. 1998. “Architecture in the Age of Its Virtual Disappearance: An Interview with Paul Virilio.” In The Virtual Dimension, edited by John Beckman, 178–187. New York, NY: Princeton Architectural Press.
  • Yau, John. 2018. “If These Walls Could Talk.” In Heidi Bucher, edited by Ziba Ardalan, 37–41. London: Parasol Unit.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.