Publication Cover
TEXTILE
Cloth and Culture
Volume 18, 2020 - Issue 3
428
Views
0
CrossRef citations to date
0
Altmetric
Article

Seams and Edges in a Garment: A Practice-Led Research

References

  • Bayly, C. 1986. “The Origins of Swadeshi: Cloth and Indian Society, 1700–1930.” In The Social Life of Things, edited by Arjun Appadurai, 285–322. Cambridge: Cambridge University Press.
  • Clair, R. P. 2012. “Engaged Ethnography and the Story(Ies) of the Anti-sweatshop Movement.” Cultural Studies ↔ Critical Methodologies 12 (2): 132–145. doi:10.1177/1532708611435212.
  • Cole, J., and S. Czachor. 2009. Professional Sewing Techniques for Designers. New York, NY: Fairchild Books, Inc.
  • Eco, U. 1986. Travels in Hyper Reality. San Diego, CA: Harcourt Brace Jovanovich.
  • Entwistle, J. 2000. “Fashion and the Fleshy Body: Dress and Embodied Practice.” Fashion Theory 4 (3): 323–348. doi:10.2752/136270400778995471.
  • Frayling, C. 1993. “Research in Art and Design. Royal College of Art.” Royal College of Art Research Papers 1 (1): 1–5.
  • Gill, A. 1998. “Deconstruction Fashion: The Making of Unfinished, Decomposing and Reassembled Clothes.” Fashion Theory 2 (1): 25–49. doi:10.2752/136270498779754489.
  • Greenberg, J., and G. Knight. 2004. “Framing Sweatshops: Nike, Global Production, and the American News Media.” Communication and Critical/Cultural Studies 1 (2): 151–175. doi:10.1080/14791420410001685368.
  • Hansen, K. T. 2004. “Dressing Dangerously: Mini-Skirts, Gender Relations and Sexuality in Zambia.” In Fashioning Power: Clothing, Politics and African Identities, edited by Jean Allman, 166–185. Bloomington: Indiana University Press.
  • Hollander, A. 1993. Seeing Through Clothes. London: University of California Press, Ltd.
  • Hopkins, J. 2012. Fashion Design: The Complete Guide. Lausanne, Switzerland: Ava Publishing SA.
  • Hoskins, J. 1989. “Why Do Ladies Sing the Blues? Indigo Dyeing, Cloth Production and Gender Symbolism.” In Cloth and the Human Experience, edited by Annette Weiner and Jane Schneider, 141–173. London: Smithsonian Institution Press.
  • Ingold, T. 2007. Lines: A Brief History. Oxford: Routledge.
  • Kim, H. E. 2019a. “The Wearing Process as a Rite of Passage.” Textile 17 (1): 100–109. doi:10.1080/14759756.2018.1545347.
  • Kim, H. E. 2019b. “Calligraphic Process by Tacit Knowledge Between Imagination and Realization in Garment-Making.” Textile 17 (4): 442–453. doi:10.1080/14759756.2019.1616459.
  • Miller, D. 2012. “The Limits of Jeans in Kannur, Kerala.” In Global Denim, edited by Daniel Miller and Sophie Woodward, 87–102. Oxford: Berg Publishers.
  • Rust, C., J. Mottram, and J. Till. 2007. AHRC Research Review: Practice-Led Research in Art, Design and Architecture. London: Arts & Humanities Research Council.
  • Steele, V. 1998. “A Museum of Fashion is More than a Clothes-Bag.” Fashion Theory: The Journal of Dress Body & Culture 2 (4): 327–336. doi:10.2752/136270498779476109.
  • Tilley, C., W. Keane, S. Küchler, M. Rowlands, and P. Spyer. 2006. “Introduction.” In Handbook of Material Culture, edited by Chris Tilley, Webb Keane and Susan Küechler, 1–6. London: SAGE Publications.
  • Warnier, J. P. 2013. “Inside and Outside: Surfaces and Containers.” In Handbook of Material Culture, edited by Chris Tilley, Webb Keane and Susan Küechler, 186–195. London: SAGE Publications.
  • Warwick, A., and D. Cavallaro. 2001. Fashioning the Frame: Boundaries, Dress and the Body. Oxford: Berg Publishers.
  • Woodward, S. 2007. Why Women Wear What They Wear. Oxford: Berg Publishers.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.