https://orcid.org/0000-0002-6514-8810
References
- Cotton, Giselle Eberhard, and Junet Magali, eds. 2017. From Tapestry to Fiber Art: The Lausanne Biennials 1962–1995. Milano: Skira editore S.p.A.
- Gao, Lian. 2012. Li Jiayan Reviewed. Yan Xian Qing Shang Jian. Part B. Hangzhou: Zhejiang People’s Fine Arts Publishing House.
- Hong, Xixu, and Hong Su. 2016. Record of Crafts: Suzhou Embroidery Art. Nanjing: Phoenix Fine Arts Publishing Ltd.
- Hornby, A. S., Jin Shenghua, and Shi Xiaoshu eds. 2009. Oxford Advanced Learner’s English-Chinese Dictionary. 7th ed. Translated and edited by Wang Yuzhang, Zhao Cuilian and Zou Xiaoling. Beijing: Commercial Press.
- Jiang, Shaoshu 2009. Silent Poetry History Yun Shi Zhai Writing Talk. edited by Yin Xiaofeng. Shanghai: East China Normal University Press.
- Kunstmuseum, Wolfsburg, ed. 2013. Art & Textiles: Fabric as Material and Concept in Modetn Art from Klimt to the Present. Ostfildern: Hatje Cantz Verlag.
- Wu, Shusheng, and Zibing Tian. 1986. History of Dyeing and Weaving in China. Shanghai: Shanghai People’s Publishing House.
- Xu, Jia. 2014. “Exhibition Review: Kaunas Biennial Textile 2011.” Textile: The Journal of Cloth & Culture. 12. Biggleswade: Bloomsbury Publishing Plc.
- Xu, Jia. 2017. Embroidered Painting: Research into China’s Traditional Jiangnan Embroidery. Hangzhou: China Academy of Art Press.
- Xu, Shen. 1981. Duan Yucai Explained. Shuowen Jiezi Zhu (Notes on an Explication of Written Characters). Shanghai: Shanghai Ancient Books Publishing House.
- Xue, Yafeng, Xilin Tang, and Yang Xinji, eds. 2011. Gu’s Embroidery. Shanghai: Shanghai Culture Publishing House.