Embroidery as Activist Translation in Latin America

References

• Adams, Jacqueline. 2013. Art against Dictatorship. Austin: University of Texas Press.
   Google Scholar
• Agosín, Marjorie, and Isabel Allende. 2008. Tapestries of Hope, Threads of Love: The Arpillera Movement in Chile. New York: Rowman and Littlefield.
   Google Scholar
• Amos, Johanna, and Lisa Binkley. 2020. “Introduction: Stitching the Self.” In Stitching the Self: Identity and the Needle Arts, edited by Johanna Amos and Lisa Binkley, 1–20. London: Bloomsbury.
   Google Scholar
• Andrew, Sonja. 2008. “Textile Semantics: Considering a Communication-Based Reading of Textiles.” Textile 6 (1): 32–65. doi:https://doi.org/10.2752/175183508X288680.
   Web of Science ®Google Scholar
• Bacic, Roberta. 2014. “The Art of Resistance, Memory and Testimony in Political Arpilleras.” In Stitching Resistance: Women, Creativity and Fibre Arts, edited by Marjorie Agosín, 65–72. Tunbridge Wells: Solis Press.
   Google Scholar
• Baker, Mona. 2006. Translation and Conflict: A Narrative Account. Oxon: Routledge.
   Google Scholar
• Berlo, Janet Catherine. 1992. “Beyond Bricolage: Women and Aesthetic Strategies in Latin American Textiles.” Anthropology and Aesthetics 22: 115–134. doi:https://doi.org/10.1086/RESv22n1ms20166857.
   Google Scholar
• Betancour, Felipe. 2018. ¿Qué significa el logo del pañuelo verde por el aborto libre en Chile? Accessed 22 January 2021. https://www.publimetro.cl/cl/noticias/2018/07/25/aborto-libre-chile-panuelo-verde.html
   Google Scholar
• Chalmers, Jamie. 2014. “Don’t Get Angry: Get Cross Stitch!.” In Cratfivism: The Art of Craft and Activism, edited by Betsy Greer, 37–45. Vancouver: Arsenal Pulp Press.
   Google Scholar
• Córdova, Paulina Martínez. 2019. Felina Bordados. Accessed 23 January 2021. https://www.instagram.com/p/BrTCOl2gzsz/
   Google Scholar
• ESCR. 2015. Arpilleras: Embroidering the Resistance in Brazil. Accessed 18 January 2021. https://www.escr-net.org/news/2015/arpilleras-embroidering-resistance-brazil
   Google Scholar
• Felitti, Karina, and Rosario Morales. 2020. “Pañuelos Verdes Por el Aborto Legal: Historia, Significados y Circulaciones en Argentina y México.” Encartes 3 (5): 111–145.
   Google Scholar
• Ganderton, Lucina. 2015. Embroidery Stitches Step by Step. London: Penguin.
   Google Scholar
• Gentzler, Edwin. 2008. Translation and Identity in the Americas: New Directions in Translation Theory. London: Routledge.
   Google Scholar
• Greer, Betsy. 2008. Knitting for Good! a Guide to Creating Personal, Social and Political Change Stitch by Stitch. Boston: Roost Books.
   Google Scholar
• Igarzábal, Lucía de, and Francisco Troilo. 2019. “América Latina va a Ser Toda Feminista: de Consigna a Realidad.” In El debate por la interrupción voluntaria del embarazo en Argentina desde una perspectiva internacional, edited by Dulce Daniela Chaves, 31–33. Buenos Aires: Universidad Nacional de La Plata.
   Google Scholar
• King, Kathryn R. 1995. “Of Needles and Pens and Women's Work.” Tulsa Studies in Women’s Literature 14 (1): 77–93. doi:https://doi.org/10.2307/464249.
   Web of Science ®Google Scholar
• Ko, Dorothy. 2001. Every Step a Lotus: Shoes for Bound Feet. Berkeley: University of California Press.
   Google Scholar
• Koepsel, Rachel. 2011. Mothers of the Plaza de Mayo: First Responders for Human Rights. University of Denver. 1–13.
   Google Scholar
• Kourdís, Evangelous. 2014. “Colour as Intersemiotic Translation in Everyday Communication: A Sociosemiotic Approach.” In New Semiotics: Between Tradition and Innovation, edited by Kristian Bankov, 736–746. Sofía: New Bulgarian University.
   Google Scholar
• Macleod, Morna, and Natalia De Marinis. 2018. “Resisting Violence: Emotional Communities in Latin America.” In Resisting Violence: Emotional Communities in Latin America, edited by Morna Macleod and Natalia De Marinis, 1–22. London: Palgrave.
   Google Scholar
• Muzi, Carolina. 2018. Infobae. Accessed 23 January 2021. https://www.infobae.com/cultura/2018/08/05/la-historia-del-panuelo-verde-como-surgio-el-emblema-del-nuevo-feminismo-en-argentina/
   Google Scholar
• O Cuilleanain, Cormac. 2011. “Channelling Emotions: Eliciting Responses: Translation as Performance.” In Translating Emotion: Studies in Transformation and Renewal between Languages, edited by Kathleen Shields and Michael Clarke, 67–86. Berlin: Peter Lang.
   Google Scholar
• Olalde Rico, Katia. 2020. “Stitching the Social Fabric against Violence and Oblivion. The Embroidering for Peace and Memory Initiative Revisited through the Lens of Caring Democracy”, Artelogie Online since 17 April 2020. Accessed 5 August 2020. https:// www.journals.openedition.org/artelogie/4526
   Google Scholar
• Ornetti, Rocío. 2020. Roch Bordados. Accessed 23 January 2021. https://www.instagram.com/p/B-XHOgPANyU/
   Google Scholar
• Prain, Leanne. 2014a. Strange Material: Storytelling through Textiles. Vancouver: Arsenal Pulp Press.
   Google Scholar
• Prain, Leanne. 2014b. “Stitching it Together.” In Craftivism: The Art of Craft and Activism, edited by Betsy Greer, 157–164. Vancouver: Arsenal Pulp Press.
   Google Scholar
• Romero, Gimena. 2017. Mexico Bordado: de la Tradición al Punto Contemporáneo. Barcelona: Gustavo Gili.
   Google Scholar
• Santibáñez, Belén. 2020. Bluemiau Bordados. Accessed 23 January 2021. https://www.instagram.com/p/CFnbsYsH9G2/
   Google Scholar
• Shields, Kathleen, and Michael Clarke. 2011. “Introduction.” In Translating Emotion: Studies in Transformation and Renewal between Languages, edited by Kathleen Shields and Michael Clarke, 1–8. Berlin: Peter Lang.
   Google Scholar
• Simon, Sherry. 2019. Translation Sites: A Field Guide. Abingdon: Routledge.
   Google Scholar
• Stanfield-Mazzi, Maya. 2021. Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820. Notre Dame: University of Notre Dame Press.
   Google Scholar
• Strycharz, Heather. 2014. “Sewing Voices: The Arpilleristas and the Women of the Adithi Collective.” In Craftivism: The Art of Craft and Activism, edited by Betsy Greer, 132–140. Vancouver: Arsenal Pulp Press.
   Google Scholar
• Titto, Julia de. 2018. “Crear un nuevo mundo también es narrarlo.” In La Cuarta Ola Feminista, edited by Ayelén Altamiro, Estefanía Cioffi, Julia de Titto, Luciano Fabbri, Noelia Figueroa, Victoria Freire, María P. García, Majo Gerez and Gisela Stablun, 55–64. Buenos Aires: Oleada Revista Digital y Mala Junta.
   Google Scholar
• Wright, Arthur C. 2019. Decoding the Bayeux Tapestry: The Secrets of History's Most Famous Embroidery Hidden in Plain Sight. Barnsley: Pen and Sword Books Ltd.
   Google Scholar