References
- Birnbaum, Paula. 2011. Women Artists in Interwar France: Framing Femininities. Burlington, VT: Ashgate.
- Elliott, Bridget, and Jo-Ann Wallace. 1994. ‘Fleurs du Mal or Second-Hand Roses?: Natalie Barney, Romaine Brooks, and the “Originality of the Avant-Garde,”’ In Women Artists and Writers: Modernist (Im)positionings, edited by Bridget Elliott and Jo-Ann Wallace, 31–55. New York and London: Routledge.
- Rault, Jasmine. 2011. Eileen Gray and the Design of Sapphic Modernity: Staying In. Burlington, VT: Ashgate.
- Sedgwick, Eve Kosofsky. 1990. Epistemologies of the Closet. Berkeley: University of California Press.