103
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

From Decadence in Huysmans and Barbey to Regeneration in Gide and Proust

Bibliography

  • Angelo, Anne-Sophie. 2013. Ménalque aux multiples visages: Intertextualité virgilienne, poétique gidienne et pratique de la lecture. In: Clara Debard, Pierre Masson, and Jean-Michel Wittmann, eds. André Gide et la réécriture. Lyon: Presses Universitaires de Lyon, pp. 237–51.
  • Baju, Anatole. 1888. Caractéristique des décadents. Le Décadent, 3(20): 1–3.
  • Barbey d’Aurevilly, Jules-Amédée. 1966. Œuvres romanesques complètes. 2 vols. Paris: Gallimard—Pléiade.
  • Bélanger, Danielle-Claude. 2005. À rebours, un intertexte de l’épisode de la ‘petite madeleine’. In: Bernard Brun and Juliette Hassine, eds. Proust au tournant des siècles II. Paris: Minard, pp. 67–83.
  • Bendz, Ernst. 1939. André Gide et l’art d’écrire. Paris: Messageries du Livre.
  • Bernheimer, Charles. 1989. Figures of Ill Repute: Representing Prostitution in Nineteenth-Century France. Cambridge: Harvard University Press.
  • Bertrand, Jean-Pierre, Michel Biron, Jacques Dubois, and Jeannine Paque. 1996. Le Roman célibataire d’À rebours à Paludes. Paris: Corti.
  • Bourget, Paul. 1893. Essais de psychologie contemporaine. Paris: Plon.
  • Calinescu, Matei. 1993. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham: Duke University Press.
  • Camus, Albert. [1957] 1962. L’Exil et le royaume. Théâtre, récits, nouvelles. Paris: Gallimard—Pléiade.
  • Cazentre, Thomas. 2003. La Légende cachée: Lecture et intertextualité virgilienne dans L’Immoraliste. Bulletin des Amis d’André Gide, 31(139): 311–32.
  • Clogenson, Yves. 1970. Proust et Huysmans. Revue de Paris, 70 (September): 50–62.
  • Cornell, Kenneth. 1951. The Symbolist Movement. New Haven: Yale University Press.
  • Davies, J. C. 1968. Gide: L’Immoraliste and La Porte étroite. London: Edward Arnold—Studies in French Literature.
  • Dyckman, Ivy. 2003. La lettre ‘M’ dans L’Immoraliste d’André Gide. Romance Notes, 44(2): 204–06.
  • Furst, Lilian. 1979. The Contours of European Romanticism. London: Macmillan.
  • Gide, André. 1932–39. Lettre à Scheffer (vol. 4, p. 616). In: L. Martin-Chauffier, ed. Œuvres complètes. 15 vols. Paris: N.R.F.
  • Gide, André. 1958. L’Immoraliste. Romans, récits et soties, Œuvres lyriques. Eds. Yvonne Davet and Jean-Jacques Thierry. Paris: Gallimard—Pléiade.
  • Goulet, Andrea. 2017. Tooth Decay: Edgar Allan Poe and the Neuro-décadentisme of Villiers and Huysmans. Nineteenth-Century French Studies, 45(3–4): 298–18. doi: 10.1353/ncf.2017.0005
  • Halévy, Norma. 1984. Du châle et des ciseaux à la découverte du ‘moi’ dans L’Immoraliste. Revue des Lettres Modernes, 688–92: 69–85.
  • Huysmans, J.-K. 1930. Œuvres complètes. 23 vols. Paris: Crès.
  • Huysmans, J.-K. 1981. À rebours. Ed. Rose Fortassier. Paris: Imprimerie Nationale – Lettres françaises.
  • Kadish, Doris Y. 1985. Meaning in L’Immoraliste and La Symphonie pastorale. Kentucky Romance Quarterly, 32(4): 383–91. doi: 10.1080/03648664.1985.9928323
  • Kusch, Manfred. 1979. The Gardens of L’Immoraliste. French Forum, 4(3): 206–18.
  • Lambert, Pierre, ed. 1953. Lettres inédites à Emile Zola. Geneva: Droz.
  • Moss, Howard. 1962. The Magic Lantern of Marcel Proust. New York: Macmillan.
  • Oliver, Andrew. 1979. Michel et Job: La Dialectique biblique dans L’Immoraliste. Revue des Lettres Modernes, 447–553: 91–106.
  • Pasco, Allan H. 1994. Novel Configurations: A Study of French Fiction. Birmingham: Summa.
  • Pasco, Allan H. 2002. Allusion: A Literary Graft. Charlottesville, VA: Rookwood Press.
  • Pasco, Allan H. 2009. À rebours à rebours. Revue d'histoire littéraire de la France, 109(3): 621–44. doi: 10.3917/rhlf.093.0621
  • Pasco, Allan H. 2010. Inner Workings of the Novel: Studying a Genre. New York: Palgrave Macmillan.
  • Picon, Gaëtan. 1963. Lecture de Proust. Paris: Mercure de France.
  • Proust, Marcel. [1913–27] 1987–89. À la recherché du temps perdu. 4 vols. Paris: Gallimard—Pléiade.
  • Przyboś, Julia. 2002. Zoom sur les décadents. Paris: José Corti.
  • Reed, John R. 1985. Decadent Style. Athens: Ohio University Press.
  • Riesen, Thomas. 2003. Citations, allusions et références dans L’Immoraliste. Bulletin des Amis d’André Gide, 36(140): 467–84.
  • Rousseau, Jean-Jacques. [1782, 1789] 1959. Les Confessions. Œuvres complètes. 5 vols. Paris: Gallimard—Pléiade.
  • Tomashevsky, Boris. 1965. Thematics. In: Lee T. Lemon and Marion J. Reis. Russian Formalist Criticism: Four Essays, trans. by Lee T. Lemon and Marion J. Reis. Lincoln: University of Nebraska Press, pp. 61–95.
  • Turnell, Martin. 1959. The Art of French Fiction: Prevost, Stendhal, Zola, Maupassant, Gide, Mauriac, Proust. New York: New Directions.
  • Ullmann, Stephen. 1960. The Development of Gide’s Imagery. The Image in the Modern French Novel: Gide, Alain-Fournier, Proust, Camus. Cambridge: Cambridge University Press.
  • Weir, David. 1995. Decadence and the Making of Modernism. Amherst: University of Massachusetts Press.
  • Ziegler, Robert. 2004. The Mirror of Divinity: The World and Creation in J.-K. Huysmans. Newark, NJ: University of Delaware Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.