Publication Cover
Dix-Neuf
Journal of the Society of Dix-Neuviémistes
Volume 24, 2020 - Issue 2-3: Paris Universal Expositions, 1855-1900
270
Views
0
CrossRef citations to date
0
Altmetric
Articles

Fragments of the Past: The Petit Palais, the Exposition Universelle, and the Ghosts of French Imperialism

Works Cited

  • Ageorges, Sylvain. 2006. Sur les traces des expositions universelles, Paris 1855–1937, à la recherche des pavillons et des monuments oubliés. Paris: Parigramme.
  • Aldrich, Robert. 2005. Vestiges of Colonial Empire in France: Monuments, Museums and Colonial Memories. Houndmills: Palgrave Macmillan.
  • Baudelaire, Charles. 1968. Oeuvres complètes. Paris: Éditions du Seuil.
  • Bennett, Tony. 1995. The Birth of the Museum: History, Theory, Politics. London: Routledge.
  • Çelik, Zeynep, and Leila Kinney. 1990. “Ethnography and Exhibitionism at the Exposition universelle.” Assemblage 13: 34–59. doi: 10.2307/3171106
  • Gallery Information Cards, Paris 1900: Les expositions universelles, Petit Palais: Musée des Beaux- Arts de la Ville de Paris, Paris, France.
  • Goncourt, Edmond and Jules de. 1997. Arts et artistes. Paris: Hermann.
  • Greenhalgh, Paul. 1988. Ephemeral Vistas: the Expositions universelles, Great Exhibitions, and World’s Fairs. Manchester: Manchester University Press.
  • Hanson, Debra. 2018. “East Meets West: Re-presenting the Arab-Islamic world at the nineteenth- century world’s fairs.” In Expanding Nationalisms at World’s Fairs, edited by David Raizman and Ethan Robey, 15–32. London: Routledge.
  • Hedrick, Christian A. 2018. “From London to Paris (via Cairo): the world expositions and the making of a modern architect, 1862–1867.” Expanding Nationalisms at World’s Fairs, edited by David Raizman and Ethan Robey, 33–49. London: Routledge.
  • Herbert, James D. 1995. “The View of the Trocadéro: The Real Subject of the Exposition internationale, Paris 1937.” Assemblage 26: 94–112. doi: 10.2307/3171420
  • Huysmans, Joris-Karl. 2006. Écrits sur l’art 1867–1905. Paris: Bartillat.
  • Lozère, Christelle. 2017. “Vendre du rêve: Le Dispositif spectaculaire des expositions universelles et coloniales du XIXe siècle.” Revue d’histoire du théâtre 4: 119–128.
  • Mitchell, Timothy. 1989. “The World as Exhibition.” Comparative Studies in Society and History 31 (2): 217–236. doi: 10.1017/S0010417500015802
  • Object labels (information plaques), Paris 1900. Les expositions universelles, Petit Palais: Musée des Beaux- Arts de la Ville de Paris, Paris, France.
  • Paccoud, Stéphane. 2015. “<<Le luxe frivole des accessoires>>. Considérations sur la peinture d’histoire européenne aux expositions universelles de 1855 et 1867.” Romantisme 169: 69–82. doi: 10.3917/rom.169.0069
  • Raizman, David, and Ethan Robey, eds. 2018. Expanding Nationalisms at World’s Fairs: Identity, Diversity and Exchange, 1851–1915. London: Routledge.
  • Sabry, Randa. 2018. “Le témoignage d’Amin Fikri sur l’Exposition universelle de 1889 et la rue du Caire: petite polémique avec Timothy Mitchell.” Arabica 65: 368–391. doi: 10.1163/15700585-12341493
  • Tran, Van Troi. 2004. “Vitrines coloniales: ethnologie plastique de l’Algérie à l’Exposition universelle de 1889 à Paris.” Material History Review 59: 20–34.
  • Wall Poster Text, Paris 1900: Les Champs-Élysées des origines à 1900, Petit Palais: Musée des Beaux-Arts de la Ville de Paris, Paris, France.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.