947
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Baudelaire, Manet and the Visual Object

References

  • Alsdorf, Bridget. 2019. “Manet’s Fleurs du Mal.” In Manet and Modern Beauty: The Artist’s Last Years, edited by Alan Scott, Emily A. Beenie, and Gloria Groom, 129–146. Los Angeles: Getty Publications.
  • Asselineau, Charles. 1869. Charles Baudelaire, sa vie et son œuvre, avec portraits. Paris: Lemerre.
  • Bandy, W. T. 1938. “Baudelaire and Liszt.” Modern Language Notes 53 (8): 584–585. doi:10.2307/2912962.
  • Banville, Théodore de. 1842. Les Cariatides. Paris: Pilout.
  • Bareau, Juliet Wilson. 2003. “Manet and Spain.” In Manet/ Velasquez. The French Taste for Spanish Painting, edited by Gary Tinterow, and Geneviève Lacambre, 203–257. New Haven: Yale University Press.
  • Baudelaire, Charles. 1866. Les Épaves. Amsterdam [Brussels]: A l’Enseigne du coq [Poulet-Malassis].
  • Baudelaire, Charles. 1928. Les Paradis artificiels. La Fanfarlo. Edited by Jacques Crépet. Paris: Conard.
  • Baudelaire, Charles. 1973a. Correspondance. Edited by Claude Pichois. Paris: Gallimard. Pléiade.
  • Baudelaire, Charles. 1973b. Lettres à Baudelaire. Edited by Claude Pichois. Neuchâtel: A La Baconnière.
  • Baudelaire, Charles. 1975–76. Œuvres complètes. Edited by Claude Pichois. 2 vols. Paris: Gallimard, Pléiade.
  • Baudelaire, Charles. 1992. Critique d’art, suivi de critique musicale. Edited by Claude Pichois and Claire Brunet. Paris: Gallimard.
  • Bénézit, E[mmanuel]. 1911–23, 1960. Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs de tous les temps et de tous les pays. Paris: Gründ.
  • Bernstein, Suzanne. 1998. Virtuosity of the Nineteenth Century. Performing Music and Language in Heine, Liszt and Baudelaire. Stanford, CA: Stanford University Press.
  • Boggs, Jean Sutherland. 1962. Portraits by Degas. Berkeley, CA: University of California Press.
  • Bohac, Barbara. 2011. “Baudelaire et Liszt. Le génie de la rhapsodie.” Romantisme 151: 87–99. doi:10.3917/rom.151.0087.
  • Bourdieu, Pierre. 2017. Manet. A Symbolic Revolution. Translated by Peter Collier and Margaret Rigaud-Drayton. Cambridge: Polity Press.
  • Brown, Marilyn R. 1978. “Manet’s Old Musicians: Portrait of a Gypsy and Naturalist Allegory.” Studies in the History of Art 8: 77–87.
  • Burgh, A. M. 1814. Anecdotes of Music, Historical and Biographical. London: Longman.
  • Busch, Werner. 2017. Adolph Menzel. The Quest for Reality. Translated by Carola Kleinstück-Shulman. Los Angeles: The Getty Research Institute.
  • Cabanès, Jean-Louis, and Jean-Pierre Saïdah, eds. 2003. La Fantaisie Post-Romantique. Toulouse: Presses universitaires du Mirail.
  • Cachin, Françoise, Charles S. Moffett, and Juliet Wilson Bareau. 1983. Manet 1832–1883. Paris: Réunion des musées nationaux.
  • Carrier, David. 1995. “Baudelaire’s Philosophical Theory of Beauty.” Nineteenth-Century French Studies 27 (3–4): 382–402.
  • Castex, Pierre-Georges. 1969. Baudelaire, Critique d’art. Paris: SEDES.
  • Chagniot, Claire. 2011. “La Dédicace à Baudelaire des Esquisses à l’eau-forte ou le ‘moment Baudelaire’ d’Alphonse Legros, 1859–1862.” L’Année Baudelaire 15: 43–59.
  • Clark, T. J. 1984. The Painting of Modern Life. Paris in the Art of Manet and his Followers. Princeton, NJ: Princeton University Press.
  • Crépet, Eugène. 1887. “Étude biographique.” In Charles Baudelaire, Œuvres posthumes et correspondances inédites, ix–civ. Paris: Quantin.
  • De Quincey, Thomas. 1845. “Suspiria de Profundis: Being a Sequel to the Confessions of an English Opium-Eater.” Blackwood’s Edinburgh Magazine 353 (57): 269–285.
  • Dolan, Therese. 1997. “Skirting the Issue: Manet’s Portrait of Baudelaire’s Mistress Reclining.” The Art Bulletin 79 (4): 611–629. doi:10.2307/3046278.
  • Dolan, Therese. 2000. “Manet, Baudelaire and Hugo in 1862.” Word and Image 16 (2): 145–162. doi:10.1080/02666286.2000.10435679.
  • Dolan, Therese. 2013. Manet, Wagner, and the Musical Culture of Their Time. London: Routledge.
  • Duran, Sylvie. 2004. “Étude et projet d’édition du “Carnet vert” de Joris-Karl Huysmans (PhD diss., Université de Grenoble III). Lille: Lille-Thèses. Université de Lille III.
  • Eigeldinger, Marc. 1975. “À propos de l’image du thyrse.” Revue d’histoire littéraire de la France 75 (1): 110–112.
  • Eigeldinger, Marc. 1976. “‘Le Thyrse’, lecture thématique.” Études baudelairiennes 8: 172–183.
  • Fairlie, Alison. (1972) 1981. “Some Aspects of Expression in Baudelaire’s Art Criticism.” In Imagination and Language. Collected Essays on Constant, Baudelaire, Nerval and Flaubert, edited by Malcolm Bowie, 176–215. Cambridge: Cambridge University Press.
  • Farwell, Beatrice. 1986. “Review of T. J. Clark, The Painting of Modern Life.” The Art Bulletin 68 (4): 684–687. doi:10.1080/0004/00043079.1986.10788393.
  • Fried, Michael. 1984. “Painting Memories: On the Containment of the Past in Baudelaire and Manet.” Critical Inquiry 10 (3): 510–542. doi:10.1086/448260.
  • Gamble, Donald M. 2017. “Serious Mistranslation. The Significance of Alfred de Musset’s Version of Thomas de Quincey’s Confessions of an English Opium Eater.” In Le Comparatisme comme approche critique, edited by Anne Tomiche, Vol. 4, 257–270. Paris: Classiques Garnier.
  • Gautier, Théophile. 1845. Voyage en Espagne. Paris: Charpentier.
  • Green, Anna. 2007. French Paintings of Childhood and Adolescence 1848–1886. London: Routledge.
  • Guégan, Stéphane. 2016. “Edouard Manet.” In L’Œil de Baudelaire, 146–151. Paris: Musée de la Vie romantique.
  • Guinard, Paul. 1967. “Baudelaire, le Musée espagnol et Goya.” Revue d’histoire littéraire de la France 67 (2): 310–328.
  • Hamilton, George Heard. (1954) 1986. Manet and his Critics. New Haven: Yale University Press.
  • Harskamp, Jaap. 2001. “The Artist and the Swallow-Tail Coat: Heine, Baudelaire, Manet and Modernism.” Arcadia 36 (1): 89–99. doi:10.1515/arca.2001.36.1.89.
  • Hiddleston, J. A. 1984. “Baudelaire, Manet et ‘La Corde’.” Bulletin Baudelairien 19 (1): 7–11.
  • Hiddleston, J. A. 1992. “Baudelaire, Manet, and Modernity.” Modern Language Review 87 (3): 567–575. doi:10.2307/3732920.
  • Hooker, Lynn M. 2013. Redefining Hungarian Music from Liszt to Bartók. Oxford: Oxford University Press.
  • Hughes, Randolph. 1939. “Vers la contrée du rêve. Balzac, Gautier et Baudelaire disciples de Quincey.” Mercure de France 293: 545–593.
  • Hyslop, Lois Boe. 1980. Baudelaire, Man of his Time. New Haven and London: Yale University Press.
  • James, Tony. 1995. Dream, Creativity and Madness in Nineteenth-Century France. Oxford: Clarendon Press.
  • Klein, Richard. 1970. “Straight Lines and Arabesques: Metaphors of Metaphor.” Yale French Studies 45: 64–86. doi:10.2307/2929554.
  • Labarthe, Patrick. 1999. Baudelaire et la tradition de l’allégorie. Geneva: Droz.
  • Lambert, Pierre. 1964. “Le Carnet secret de Huysmans.” Le Figaro littéraire 950 (July 2–7): 1, 8, 19.
  • Leroy, Louis. 1864a. “Salon de Paris III.” Le Charivari, May 11.
  • Leroy, Louis. 1864b. “Salon de Paris VIII.” Le Charivari, May 25.
  • Leroy, Louis. 1864c. “Salon de Paris XIII.” Le Charivari, June 10.
  • Leroy, Louis. 1864d. “Salon de Paris XV.” Le Charivari, June 15.
  • Leroy, Louis. 1868. “La Grande Trahison des maréchaux de Courbet.” Le Journal amusant 3-4, May 23.
  • Levin, Susan M. 1998. The Romantic Art of Confession: De Quincey, Musset, Sand, Lamb, Hogg, Frémy, Soulié, Janin. Columbia, SC: Random House.
  • Liszt, Franz. 1859. Des Bohémiens et de leur musique en Hongrie. Paris: La Librairie nouvelle.
  • Mack, Gerstle. 1951. Gustave Courbet. New York: Knopf.
  • Metzidakis, Stamos, and Marie-Christine Clemente. 2010. “Au cœur de l’esthétique baudelairienne. Thyrse et caducée.” Romanic Review 101 (4): 741–759. doi:10.1215/26885220-101.4.741.
  • Murphy, Steve. 1995. “Haunting Memories: Inquest and Exorcism in Baudelaire’s ‘La Corde’.” Dalhousie French Studies 30: 65–91.
  • Musset, Alfred de. 1828. L’Anglais mangeur d’opium. Paris: Mame and Delaunay-Vallée.
  • O’Quinn, Daniel. 2004. “Ravishment Twice Weekly: De Quincey’s Opera Pleasures.” Romanticism on the Net 34–35. doi:10.7202/009436ar.
  • Pichois, Claude. 1967. “Autour des ‘Paradis artificiels': Baudelaire, Musset et de Quincey.” In Baudelaire. Études et témoignages, 141–144. Neuchâtel: La Baconnière.
  • Pichois, Claude, and Jean Ziegler. 1987. Baudelaire. Paris: Julliard.
  • Proust, Antonin. 1897. “Edouard Manet (Souvenirs).” La Revue blanche 12: 125–135.
  • Rebeyrol, Philippe. 1949. “Baudelaire et Manet.” Les Temps Modernes 48: 707–725.
  • Sandblad, Nils Gosta. 1954. Manet. Three Studies in Artistic Conception. Lund: Gleerup.
  • Scott, David. 2009. “Generical Intersections in Nineteenth-Century French Painting and Literature: Manet’s La Musique aux Tuileries and Baudelaire’s Petits Poèmes en prose.” In Textual Intersections. Literature, History and the Arts in Nineteenth-Century Europe, edited by Rachel Langford, 107–117. Amsterdam: Rodopi.
  • Singletary, Suzanne. 2012. “Manet and Whistler: Baudelairean Voyage.” In Perspectives on Manet, edited by Therese Dolan, 49–70. Farnham: Ashgate.
  • Sollers, Philippe. [2011] 2013. L’Eclaircie. Paris: Gallimard.
  • Stanyon, Miranda. 2020. “Counterfeits, Contraltos and Harmony in De Quincey’s Sublime.” In Music and the Sonorous Sublime in European Culture, 1680–1880, edited by Sarah Hibberd, and Miranda Stanyon, 177–199. Cambridge: Cambridge University Press.
  • Starkie, Enid. 1957. Baudelaire. London: Faber.
  • Wright, Barbara. 1998. “A Turning Point in Nineteenth-Century France.” In The Process of Art. Studies in Nineteenth-Century Literature and Art Offered to Alan Raitt, edited by Michael Freeman, Elizabeth Fallaize, Jill Forbes, Toby Garfitt, and Roger Pearson, 204–214. Oxford: Clarendon Press.
  • Zola, Emile. 1991. Écrits sur l’art. edited by Jean-Pierre Leduc-Adine. Paris: Gallimard.
  • Zola, Emile. 2021. Critique littéraire et artistique, I: Ecrits sur l’art. edited by Robert Lethbridge. Paris: Classiques Garnier.