Kizomba beyond Angolan-ness and Lusofonia: The transnational dance floor

References

• Almeida, Miguel Vale De. “Portugal’s Colonial Complex: From Colonial Lusotropicalism to Postcolonial Lusophony.” 2008. Accessed 2 November 2019. http://miguelvaledealmeida.net/wp-content/uploads/2008/05/portugals-colonial-complex.pdf.
   Google Scholar
• Banks, Marcus. Ethnicity: Anthropological Constructions. London: Routledge, 1996.
   Google Scholar
• Brubaker, Roger. “Ethnicity without Groups.” European Journal of Sociology 43, no. 2 (August 2002): 163–189. doi: 10.1017/S0003975602001066
   Web of Science ®Google Scholar
• Buckland, Theresa. “Dance, Authenticity and Cultural Memory: The Politics of Embodiment.” Yearbook for Traditional Music 33 (2001): 1–16. doi: 10.2307/1519626
   Web of Science ®Google Scholar
• Castells, Manuel. End of Millenium, vol. 3 of The Information Age: Economy, Society and Culture. 2nd ed. Oxford: Blackwell, 2000.
   Google Scholar
• Cidra, Rui. “Zouk.” In Enciclopédia da Música em Portugal no Século XX A-C, edited by Salwa Castelo-Branco, 1357–1359. Lisbon: Temas e Debates/Círculo de Leitores, 2010.
   Google Scholar
• Cidra, Rui. “Kizomba.” In Enciclopédia da Música em Portugal no Século XX A-C, edited by Salwa Castelo-Branco, 674. Lisbon: Temas e Debates/Círculo de Leitores, 2010.
   Google Scholar
• Cidra, Rui. “Música, poder e diaspora. Uma etnografia e história entre Santiago, Cabo Verde, e Portugal.” PhD Diss., New University of Lisbon, 2011.
   Google Scholar
• De La Barre, Jorge, and Bart Vanspauwen. “A Musical Lusofonia? Music Scenes and the Imagination of Lisbon.” The World of Music (New Series) 2, no. 2 (2013): 119–146.
   Web of Science ®Google Scholar
• Díaz de Rada, Ángel. “En el nombre del pueblo: una reflexión para la crítica de los etnónimos en la escritura antropológica.” In Saberes culturales, edited by María Cátedra, and Marie José de Villard, 181–199. Barcelona: Bellaterra, 2014.
   Google Scholar
• Djebbari, Elina. “Guerre froid, jeux politiques et circulations musicales entre Cuba et ĺAfrique de ĺOuest: las Maravillas de Mali à Cuba et La Orquesta Aragón en Afrique.” Afrique Contemporaine 254, no. 2 (2015): 21–36. doi: 10.3917/afco.254.0021
   Google Scholar
• Giurchescu, Anca. “The Power of Dance and its Social and Political Uses.” Yearbook for Traditional Music 33 (2001): 109–122. doi: 10.2307/1519635
   Web of Science ®Google Scholar
• Glick Schiller, Nina, and Ulrike Hanna Meinhof. “Singing a New Song? Transnational Migration, Methodological Nationalism and Cosmopolitan Perspectives.” Music and Arts in Action 3, no. 3 (2011): 21–39.
   Google Scholar
• Goertzen, Chris, and Maria Susana Azzi. “Globalization and the Tango.” Yearbook for Traditional Music 31 (1999): 67–76. doi: 10.2307/767974
   Web of Science ®Google Scholar
• Guilbault, Jocelyn. Zouk: World Music in the West Indies. Chicago: University of Chicago Press, 1993.
   Google Scholar
• Grau, Andrée. “Dance, Identity and Identification Processes in the Postcolonial World.” In Dance Discourses: Keywords in Dance Research, edited by Suzanne Franco, and Marina Nordera, 189–207. Abingdon: Routledge, 2007.
   Google Scholar
• Hanna, Judith Lynn. “African Dance: the Continuity of Change.” Yearbook of the International Folk Music Council 5 (1973): 165–174. doi: 10.2307/767501
   Google Scholar
• Hoffman, JoAnne. “Diasporic Networks, Political Change, and the Growth of Cabo-Zouk Music.” In Transnational Archipelago. Perspectives on Cape Verdean Migration and Diaspora, edited by Luís Batalha, and Jorgen Carling, 205–220. Amsterdam: Amsterdam University Press, 2008.
   Google Scholar
• Hutchinson, Sidney. Salsa World. A Global Dance in Local Context. Philadelphia, PA: Temple University Press, 2014.
   Google Scholar
• Itzigsohn, Jose, Carlos Dore Cabral, Esther Hernandez Medina, and Obed Vazquez. “Mapping Dominican Transnationalism: Narrow and Broad Transnational Perspectives.” Ethnic and Racial Studies 22, no. 2 (1999): 316–339. doi: 10.1080/014198799329503
   Web of Science ®Google Scholar
• Jiménez, Livia. “Ritual Roles of “African Nights” DJs in Lisbon.” Cadernos de Arte e Antropologia 7, no. 1 (2018): 15–26.
   Google Scholar
• Jiménez, Livia. “‘From Angola to the World’, from the World to Lisbon: on the Globalization of Kizomba Dance and its Paradoxes.” Poetics 75 (2019): 1–11.
   Web of Science ®Google Scholar
• Jiménez, Livia. Etnicidad: un juego de niños. Barcelona: Bellaterra, 2019.
   Google Scholar
• Jiménez, Livia. “Kizomba Dance: From Market Success to Controversial National Brand.” Revue européene des migrations internationales. Forthcoming.
   Google Scholar
• Kabir, Ananya Jahanara. “The Dancing Couple in Black Atlantic Space.” In Diasporic Women Writing of the Black Atlantic, edited by Emilia María Durán Almarza, and Esther Álvarez López, 133–150. New York: Routledge, 2013, 133–155.
   Google Scholar
• Kabir, Ananya Jahanara. “Oceans, Cities, Islands: Sites and Routes of Afro-Diasporic Rhythm Cultures.” Atlantic Studies: Global Currents 11, no. 1 (2014): 106–124. doi: 10.1080/14788810.2014.869010
   Google Scholar
• Kabir, Ananya Jahanara. “Plantation, Archive, Stage: Trans(post)colonial Intimations in Katherine Dunham’s L’Ag’ya and Little Black Sambo.” Cambridge Journal of Postcolonial Literary Inquiry 2, no. 2 (2015): 213–231. doi: 10.1017/pli.2015.10
   Web of Science ®Google Scholar
• Kabir, Ananya Jahanara. “Afro-Latin-Africa. Movement and Memory in Benin.” In The Routledge Companion to World Literature and World History, edited by May Hawas, 234–245. London: Routledge, 2018.
   Google Scholar
• Kabir, Ananya Jahanara. “Decolonizing Time through Dance with Kwenda Lima: Cabo Verde, Creolization, and Affiliative Afromodernity.” Journal of African Cultural Studies 31, no. 3 (2019): 318–333. doi: 10.1080/13696815.2018.1512849
   Web of Science ®Google Scholar
• Kiwan, Nadia, and Ulrike Meinhof. “Music and Migration: A Transnational Approach.” Music and Arts in Action 3, no. 3 (2011): 3–20.
   Google Scholar
• Levitt, Peggy. The Transnational Villagers. Berkeley: University of California Press, 2001.
   Google Scholar
• Madrid, Alejandro, and Robin D. Moore. Danzón. Circum-Caribbean Dialogues in Music and Dance. New York: Oxford University Press, 2013.
   Google Scholar
• Manuel, Peter. “Introduction: Contradance and Quadrille Culture in the Caribbean.” In Creolizing Contradance in the Caribbean, edited by Peter Manuel, 1–50. Philadelphia, PA: Temple University Press, 2009.
   Google Scholar
• Marcon, Frank, Livia Jiménez, and Otávio Raposo. “Introdução ao Dossiê ‘Juventudes e Músicas Digitais Periféricas’.” Cadernos de Arte e Antropologia 7, no. 1 (2018): 5–14.
   Google Scholar
• Mignolo, Walter D. “Introduction. Coloniality of Power and De-colonial Thinking.” Cultural Studies 21, no. 2–3 (2007): 151–177.
   Web of Science ®Google Scholar
• Mitchell, J. Clyde. The Kalela Dance. Aspects of Social Relationships among Urban Africans. Manchester: Manchester University Press, 1956.
   Google Scholar
• Moorman, Marissa. Intonations. A Social History of Music and Nation in Luanda, Angola, from 1945 to Recent Times. Athens: Ohio University Press, 2008.
   Google Scholar
• Moorman, Marissa. “Luanda Hums and Buzzes: Urban Soundscapes, Club Music, and Dance, 1960–Present.” In Ten Cities: Berlin, Bristol, Cairo, Johannesburg, Kiev, Lagos, Lisbon, Luanda, Nairobi, Naples, edited by Johannes Hossfeld, Joyce Nyairo, and Florian Sievers, 337–357. Leipzig: Spector, 2019.
   Google Scholar
• Nunes, Pedro. “Diversity and Synergy in the Recording Industry in Portugal, 1988–2008.” Journal of World Popular Music 1, no. 1 (2014): 73–95. doi: 10.1558/jwpm.v1i1.73
   Google Scholar
• Pardue, Derek. Cape Verde, Let’s Go: Creole Rappers and Citizenship in Portugal. Urbana-Champaign: University of Illinois Press, 2015.
   Google Scholar
• Quijano, Anibal. “Coloniality of Power, Eurocentrism and Latin America.” Nepantla: Views from the South 1, no. 3 (2000): 533–580.
   Google Scholar
• Quintero, Angel. Cuerpo y cultura. Las músicas “mulatas” y la subversión del baile. Madrid: Iberoamericana, 2009.
   Google Scholar
• Rivera, Raquel Z., Wayne Marshall, and Deborah Pacini Hernández. “Introduction: Reggaeton’s Socio-Sonic Circuitry.” In Reggaeton, edited by Raquel Z. Rivera, Wayne Marshall, and Deborah Pacini Hernández, 1–18. Durham, NC: Duke University Press, 2009.
   Google Scholar
• Royce, Anya Peterson. The Anthropology of the Dance. Bloomington: Indiana University Press, 1977.
   Google Scholar
• Rumford, Chris. “Introduction. Theorizing Borders.” European Journal of Social Theory 9, no. 2 (2006): 155–169. doi: 10.1177/1368431006063330
   Google Scholar
• Silva, Sónia. “Vidisco.” In Enciclopédia da Música em Portugal no Século XX A-C, edited by Salwa Castelo-Branco, 915. Lisbon: Temas e Debates/Círculo de Leitores, 2010.
   Google Scholar
• Soares, André Castro. “Entre Luanda, Lisboa, Milão, Miami e Cairo. Difusão e Prática da Kizomba.” MA thesis, University Institute of Lisbon, 2015.
   Google Scholar
• Steil, Laura. “Socialités, prestige et jeux de soi chez des jeunes danseurs urbains.” PhD Diss., École Pratique des Hautes Études, Paris, 2015.
   Google Scholar
• Velasco, Honorio. Cuerpo y espacio. Símbolos y metáforas, representación y expresividad de las culturas. Madrid: Ramón Areces, 2007.
   Google Scholar
• Washburne, Christopher. Sounding Salsa. Performing Latin Music in New York City. Philadelphia, PA: Temple University Press, 2008.
   Google Scholar
• White, B. W. “Congolese Rumba and Other Cosmopolitanisms.” Cahiers d´Études Africaines 42, no. 168 (2002): 663–686. doi: 10.4000/etudesafricaines.161
   Google Scholar
• Wimmer, Andreas, and Nina Glick Schiller. “Methodological Nationalism, the Social Sciences and the Study of Migration: An Essay in Historical Epistemology.” International Migration Review 37, no. 3 (2003): 576–610. doi: 10.1111/j.1747-7379.2003.tb00151.x
   Web of Science ®Google Scholar
• Wimmer, Andreas. Ethnic Boundary Making. Oxford: Oxford University Press, 2013.
   Google Scholar