254
Views
0
CrossRef citations to date
0
Altmetric
Articles

Dancing salsa in Benin: Connecting the Creole Atlantic

ORCID Icon

References

  • Agudelo, Carlos, Capucine Boidin, and Livio Sansone, eds. Autour de “l’Atlantique noir”: une polyphonie de perspectives. Paris: IHEAL, 2009.
  • Amselle, Jean-Loup. Branchements. Anthropologie de l’universalité des cultures. Paris: Flammarion, 2001.
  • Amselle, Jean-Loup. Logiques métisses: anthropologie de l’identité en Afrique et ailleurs. Paris: Payot, 1999.
  • Amselle, Jean-Loup, and Elikia M’Bokolo. Au cœur de l’ethnie, Ethnies, tribalisme et État en Afrique. Paris: Éditions La Découverte, 1999 [1985].
  • Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996.
  • Apter, Andrew, and Lauren Derby. Activating the Past: History and Memory in the Black Atlantic World. Newcastle upon Tyne: Cambridge Scholars Publishing, 2010.
  • Armitage, David. “The Red Atlantic.” Review of The Many-Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revolutionary Atlantic, by Peter Linebaugh and Marcus Rediker. Reviews in American History 29, no. 4 (December 2001): 479–486.
  • Berlin, Ira. “From Creole to African: Atlantic Creoles and the Origins of African-American Society in Mainland North America.” The William and Mary Quarterly 53, no. 2 (1996): 251–288.
  • Bilby, Kenneth. “Africa’s Creole Drum: The Gumbe as Vector and Signifier of Trans-Atlantic Creolization.” In Creolization as Cultural Creativity, edited by Robert Baron and Ana C. Cara, 137–177. Oxford: University of Mississippi Press, 2011.
  • Bosse, Joanne. “Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-Cultural Context.” Dance Research Journal 40, no. 1 (2008): 45–64.
  • Cañizares-Esguerra, Jorge, and Benjamin Breen. “Hybrid Atlantics: Future Directions for the History of the Atlantic World.” History Compass 11, no. 8 (2013): 597–609.
  • Carwile, Christey. “From Salsa to Salzonto: Rhythmic Identities and Inventive Dance Tradition in Ghana.” In The Oxford Handbook of Dance and Ethnicity, edited by Anthony Shay and Barbara Sellers-Young, 501–527. Oxford: Oxford University Press, 2016.
  • Carwile, Christey. “The Clave Comes Home: Salsa Dance and Pan-African Identity in Ghana.” African Studies Review 60, no. 2 (2017): 183–207.
  • Chasteen, Charles John. National Rhythms, African Roots: The Deep History of Latin American Popular Music. Albuquerque: University of New Mexico Press, 2004.
  • Chivallon, Christine. “Black Atlantic revisited. Une relecture de Paul Gilroy pour quelques prolongements vers le jazz.” L’Homme 187–188 (2008): 343–374.
  • Ciarcia, Gaetano. Le revers de l’oubli. Mémoires et commémorations de l’esclavage au Bénin. Paris: Karthala, 2016.
  • Clifford, James. Routes: Travel and Translation in the Late Twentieth Century. Cambridge, MA: Harvard University Press, 1997.
  • Cohen, Robin. “Creolization and Cultural Globalization: The Soft Sounds of Fugitive Power.” Globalizations 4, no. 3 (2007): 369–384.
  • Collins, Edmund John. “Jazz Feedback to Africa.” American Music 5, no. 2 (1987): 176–193.
  • Collins, John. “The Decolonisation of Ghanaian Popular Entertainment.” In Urbanization and African Cultures, edited by Toyin Falola and Steven Salm, 119–137. Durham, NC: Carolina Academic Press, 2005.
  • de Alencastro, Luiz Felipe. The South Atlantic, Past and Present. Tagus Press: Dartmouth, 2015.
  • Denning, Michael. Noise Uprising: The Audiopolitics of a World Musical Revolution. London: Verso, 2015.
  • Djebbari, Elina. “Dance, Music Videos and Screens: Intermediality and Videochoreomorphosis in Mali and Benin.” Critical African Studies 11, no. 1 (2019): 87–102.
  • Djebbari, Elina. “Guerre froide, jeux politiques et circulations musicales entre Cuba et l’Afrique de l’Ouest. Las Maravillas de Mali à Cuba et la Orquesta Aragón en Afrique.” Afrique contemporaine 254, no. 2 (2015): 21–36.
  • Djebbari, Elina. “Temporalities of Appropriation: Salsa Music and Dance in Benin.” The World of Music (New Series), forthcoming.
  • Dorsch, Hauke. “Black or Red Atlantic? – Mozambican Students in Cuba and their Reintegration at Home.” Zeitschrift für Ethnologie 136, no. 2 (2011): 289–309.
  • Dorsch, Hauke. “‘Indépendance Cha Cha’: African Pop Music Since the Independence Era.” Africa Spectrum 45, no. 3 (2010): 131–146.
  • Ferreira, Roquinaldo. Cross-Cultural Exchange in the Atlantic World: Angola and Brazil during the Era of the Slave Trade. Cambridge: Cambridge University Press, 2012.
  • Forte, Jung Ran. “‘Ways of Remembering’: Transatlantic Connections and African Diaspora’s Homecoming in the Republic of Benin.” Social Dynamics 33, no. 2 (2007): 123–143.
  • Gaulier, Armelle. “Musique et processus de créolisation.” Volume ! La revue des musiques populaires 7, no. 1 (2010): 75–104.
  • Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. London: Verso, 1993.
  • Goyal, Yogita. “Africa and the Black Atlantic.” Research in African Literatures 45, no. 3 (2014): v–xxv.
  • Hall, Stuart. “Créolité and the Process of Creolization.” In The Creolization Reader, edited by Robin Cohen and Paola Toninato, 26–82. Oxfordshire: Routledge, 2010.
  • Hannerz, Ulf. “The World in Creolization.” Africa: Journal of the International African Institute 57, no. 4 (1987): 546–559.
  • Hannerz, Ulf. Transnational Connections: Culture, People, Places. London: Routledge, 1996.
  • Hofmeyr, Isabel. “The Black Atlantic Meets the Indian Ocean: Forging New Paradigms of Transnationalism for the Global South – Literary and Cultural Perspectives.” Social Dynamics 33, no. 2 (2007): 3–32.
  • Hosokawa, Shuhei. “‘Salsa no tiene frontera’: Orquesta de la Luz and the Globalization of Popular Music.” Cultural Studies 13, no. 3 (1999): 509–534.
  • Hutchinson, Sydney. “Mambo on 2: The Birth of a New Form of Dance in New York City.” Centro Journal 16, no. 2 (2004): 109–137.
  • Hutchinson, Sidney, ed. Salsa World: A Global Dance in Local Contexts. Philadelphia, PA: Temple University Press, 2014.
  • Jackson, Rachel. “The Trans-Atlantic Journey of Gumbé: Where and Why Has It Survived?” African Music: Journal of International Library of African Music 9, no. 2 (2012): 128–153.
  • Kabir, Ananya Jahanara. “Afro-Latin-Africa: Movement and Memory in Benin.” In The Routledge Companion to World Literature and World History: Circulation, Movement, Encounters, edited by May Hawas, 234–245. New York: Routledge, 2018.
  • Kabir, Ananya Jahanara. “Decolonizing time through dance with Kwenda Lima: Cabo Verde, creolization, and affiliative afromodernity.” Journal of African Cultural Studies 31, no. 3 (2019): 318–333.
  • Kabir, Ananya Jahanara. “Hips Don’t Lie: Salsa and New Cosmopolitanisms in the Indian City.” Moving Worlds. A Journal of Transcultural Writings 13, no. 2 (2013): 161–174.
  • Kabir, Ananya Jahanara. “The European Salsa Congress: Music and Dance in Transnational Circuits.” In The Blackwell Companion to Diaspora and Transnational Studies, edited by Ato Quayson and Girish Daswani, 263–275. Oxford: Wiley Blackwell, 2013.
  • Kowalski Oshineye, Brigitte. “Migrations, Identities, and Transculturation in the Coastal Cities of Yorubaland in the Second Half of the Second Millennium: An Approach to African History through Architecture.” In Movements, Borders, and Identities in Africa, edited by Toyin Falola and Aribidesi Usman, 126–150. Rochester, NY: University of Rochester Press, 2009.
  • Lassibille, Mahalia. “‘La danse africaine’, une catégorie à déconstruire. Une étude des danses des wodaabe du Niger.” Cahiers d’études africaines 44, no. 175 (2004): 681–690.
  • Law, Robin, and Kristin Mann. “West Africa in the Atlantic Community: The Case of the Slave Coast.” The William and Mary Quarterly 56, no. 2 (1999): 307–334.
  • Little, Kenneth L. “The Significance of the West African Creole for Africanist and Afro-American Studies.” African Affairs 49, no. 197 (1950): 309–319.
  • Mann, Kristin. “Shifting Paradigms in the Study of the African Diaspora and of Atlantic History and Culture.” Slavery & Abolition 22, no. 1 (2001): 3–21.
  • Manuel, Peter. “Puerto Rican Music and Cultural Identity: Creative Appropriation of Cuban Sources from Danza to Salsa.” Ethnomusicology 38, no. 2 (1994): 249–280.
  • Martin, Denis-Constant. “An Imaginary Ocean: Carnival in Cape Town and the Black Atlantic.” In Africa, Brazil and the Construction of Transatlantic Black Identities, edited by Livio Sansone, Élisée Soumonni, and Boubacar Barry, 63–79. Trenton, NJ: Africa World Press, 2008.
  • Martin, Denis-Constant. “Peut-on parler de créolisation à propos de l’Afrique du Sud ? Métissage, hybridité ou créolisation: comment (re)penser l’expérience sud- africaine.” Revue internationale des sciences sociales 187, no. 1 (2006): 173–184.
  • Martin, Denis-Constant. “The Musical Heritage of Slavery: From Creolization to ‘World Music’.” In Music and Globalization. Critical Encounters, edited by Bob White, 17–39. Bloomington: Indiana University Press, 2012.
  • Matory, J. Lorand. “Afro-Atlantic Culture: On the Live Dialogue between Africa and the Americas.” In Africana: The Encyclopedia of the African and African American Experience, edited by Kwame A. Appiah and Henri L. Gates Jr., 93–103. New York: Basic Civitas Books, 1999.
  • Matory, J. Lorand. “The English Professors of Brazil.” Comparative Studies in Society and History 41 (1999): 72–103.
  • Mazzoleni, Florent. De l’afro-cubain au vaudou-funk. 50 ans de musique au Bénin. Cotonou: Les Cahiers de la Fondation Zinsou, 2015.
  • Mbembé, Achille. “African Modes of Self-Writing.” Translated by Steven Rendall. Public Culture 14, no. 1 (2002): 239–273.
  • McMains, Juliet. Spinning Mambo into Salsa: Caribbean Dance in Global Commerce. New York: Oxford University Press, 2015.
  • Mintz, Sidney Wilfred, and Richard Price. An Anthropological Approach to the Afro- American Past: A Caribbean Perspective. Philadelphia, PA: Institute for Humane Studies, 1976.
  • Moehn, Frederick. “New Dialogues, Old Routes: Emergent Collaborations between Brazilian and Angolan Music Makers.” Popular Music 30, no. 2 (2011): 175–190.
  • Mudimbe, Valentin Y. The Invention of Africa: Gnosis, Philosophy and the Order of Knowledge. Bloomington: Indiana University Press, 1988.
  • Naro, Nancy Priscilla, Roger Sansi-Roca, and David H. Treece, eds. Cultures of the Lusophone Black Atlantic. New York: Palgrave MacMillan, 2007.
  • Noel, James A. Black Religion and the Imagination of Matter in the Atlantic World. New York: Palgrave Macmillan, 2009.
  • O’Brien, Juliette. “Negotiating Salsa through Global Matrices.” Journal of Emerging Dance Scholarship 4 (September 2016). Accessed November 15, 2019. https://www.jedsonline.net/wp-content/uploads/2016/07/5-Negotiation-Salsa-Word.pdf.
  • Otero, Solimar. Afro-Cuban Diasporas in the Atlantic World. Rochester, NY: University of Rochester Press, 2010.
  • Palmié, Stephan. “Afterword: Descent and Alliance in Afro-Atlantic Anthropology.” Zeitschrift für Ethnologie 136, no. 2 (2011): 401–415.
  • Patel, Alpesh Kantilal. “Re-imagining Manchester as a Queer and Haptic Brown Atlantic Space.” In Creolizing Europe: Legacies and Transformations, edited by Encarnación Gutiérrez Rodríguez, and Shirley Anne Tate, 118–132. Liverpool: Liverpool University Press, 2015.
  • Pietrobruno, Sheenagh. Salsa and Its Transnational Moves. New York: Lexington Books, 2006.
  • Piot, Charles. “Atlantic Aporias: Africa and Gilroy’s Black Atlantic.” The South Atlantic Quarterly 100, no. 1 (2001): 155–170.
  • Poda, Mélaine Bertrand. “Musiques actuelles et religion Vodoun au Bénin.” Géographie et cultures 76 (Winter 2010): 13–30.
  • Popescu, Monica. “On the Margins of the Black Atlantic: Angola, the Eastern Bloc, and the Cold War.” Research in African Literatures 45, no. 3 (2014): 91–109.
  • Quayson, Ato. Oxford Street, Accra: City Life and the Itineraries of Transnationalism. Durham, NC: Duke University Press, 2014.
  • Shain, Richard M. “Roots in Reverse: Cubanismo in Twentieth Century Senegalese Music.” The International Journal of African Historical Studies 35, no. 1 (2002): 83–101.
  • Simpson-Litke, Rebecca, and Chris Stover. “Theorizing Fundamental Music/Dance Interactions in Salsa.” Music Theory Spectrum 41, no. 1 (2019): 74–103.
  • Skinner, Jonathan. “The Salsa Class: A Complexity of Globalization, Cosmopolitans and Emotions.” Identities 14, no. 4 (2007): 485–506.
  • Tagg, Philip. “Open Letter: ‘Black Music,’ ‘Afro-American Music’ and ‘European Music’.” Popular Music 8, no. 3 (1989): 285–298.
  • Thornton, John. Africa and Africans in the Making of the Atlantic World, 1400–1800. Cambridge: Cambridge University Press, 1998.
  • Trouillot, Michel-Rolph. “Culture on the Edges: Creolization in the Plantation Context.” Plantation Society in the Americas 5, no. 1 (1998): 8–28.
  • Washburne, Christopher. “Clave: The African Roots of Salsa.” Kalinda!: Newsletter for the Center for Black Music Research Spring (1996): 7–11.
  • Waxer, Lise, ed. Situating Salsa: Global Markets and Local Meaning in Latin American Popular Music. New York: Routledge, 2002.
  • Wheat, David. Atlantic Africa and the Spanish Caribbean, 1570–1640. Chapel Hill: University of North Carolina Press, 2016.
  • White, Bob W. “Congolese Rumba and Other Cosmopolitanisms.” Cahiers d’études africaines 42, no. 168 (2002): 663–686.
  • White, Bob W. Rumba Rules: The Politics of Dance Music in Mobutu’s Zaïre. Durham, NC: Duke University Press, 2008.
  • Zeleza, Paul Tiyambe. “Rewriting the African Diaspora: Beyond the Black Atlantic.” African Affairs 104, no. 414 (2005): 35–68.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.