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International Journal of Performance Arts and Digital Media Volume 15, 2019 - Issue 3: Reterritorializing Digital Performance from South to North. Guest Editors: William W. Lewis & Sonali Pahwa
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Regular Research Articles

Author as performer: performing autobiographies

David SheinbergPhilosopher of the Arts, Scholar and Practitioner of Theatre, Drama, and Performance, Aficionado and Connoisseur of Audiobooks and Aural PerformancesCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0002-7729-8138
ORCID Icon
Pages 326-339 | Published online: 25 Apr 2019

References

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  • Dench, Judi. 2010b. And Furthermore. Unabridged. Orion.
  • Dylan, Bob. 2004. Chronicles: Volume 1. Abridged. Read by Sean Penn. Simon & Schuster.
  • Dylan, Bob. 2005. Chronicles: Volume 1. Unabridged. Narrated by Nick Landrum. Clipper Audio.
  • Everage, Dame Edna. 1989. My Gorgeous Life: An Adventure. London: Macmillan.
  • Everage, Dame Edna. 1993. My Gorgeous Life. Written and performed by Dame Edna Everage. Dove Audio [Digitally Remastered by Phoenix Books, 2014].
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  • Rubery, Matthew. 2011. Audiobooks, Literature, and Sound Studies. New York: Routledge.
  • Springsteen, Bruce. 2016. Born to Run. Unabridged. Read by the Author. Simon & Schuster.
  • St Pierre, Paul Matthew. 2004. A Portrait of the Artist as Australian: L’Oeuvre bizarre de Barry Humphries. Montreal, Quebec: McGill-Queen’s University Press.
  • Voigts-Virchow, Eckart. 2007. “Paratracks in the Digital Age : Bonus Material as Bogus Material in Blood Simple (Joel and Ethan Coen, 1984/2001).” In Intermedialities, edited by Evelyne Keitel, Gunter Süss, and Werner Huber, 129–139. Trier: WVT.
  • Wallace, Richard. 2018. Mockumentary Comedy: Performing Authenticity. London: Palgrave/Macmillan.

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