Differentiating (an)notation practices: an artist-scholar’s observation

References

• Bardiot, C. 2015. “Rekall: An Environment for Notation/Annotation/Denotation.” Performance Research 20 (6): 82–86.
   Web of Science ®Google Scholar
• Bay-Cheng, S. 2007. “Theatre Squared: Theatre History in the Age of Media.” Theatre Topics 17 (1): 37–50.
   Google Scholar
• Bleeker, M. 2010. “What if This Were an Archive?” RTRSRCH 2 (2): 3–5.
   Google Scholar
• Challet-Haas, J., R. Cottin, and N. Simonet. 2016. “Diversity of Use and Accessibility of Kinetography Laban in France.” In Proceedings of the Twenty-Ninth Biennial Conference of the International Council of Kinetography Laban. Centre choréographique nationale de tour, July 24–30.
   Google Scholar
• Curtis-Jones, A. 2017. “Transmission: From Archive to Production Re-Imagining Laban Contemporizing the Past, Envisioning the Future.” In Transmissions in Dance: Contemporary Staging Practices, edited by L. Main, 11–36. Cham: Palgrave MacMillan.
   Google Scholar
• Geertz, C. 1973. The Interpretation of Cultures: Selected Essays. London: Fontana Press.
   Google Scholar
• Husserl, E. 1964. The Phenomenology of Internal Time-Consciousness. Edited by M. Heidegger. Translated by J. S. Churchill. Bloomington: Indiana University Press.
   Google Scholar
• Hutchinson Guest, A. 1984. Dance Notation: The Process of Recording Movement on Paper. London: Dance Books.
   Google Scholar
• Hutchinson Guest, A. 2000. “Is Authenticity to Be Had?” In Preservation Politics: Dance Revived, Reconstructed, Remade, edited by S. Jordan, 65–71. London: Dance Books.
   Google Scholar
• Hutchinson Guest, A. 2005. Labanotation: The System of Analyzing and Recording Movement. 4th ed. London: Routledge.
   Google Scholar
• Lösel, G. 2021. “Tracks and Tracks and Annotations: Research Video as a New Form of Publication of Embodied Knowledge.” International Journal of Performance Arts and Digital Media.
   Google Scholar
• Mirzabekiantz, E. 2007. “Notation in Movement.” In Capturing Intention: Documentation, Analysis and Notation Research Based on the Work of Emio Greco PC, edited by S. de Lahunta, 42–47. Amsterdam: Amsterdamse Hogeschool voor de Kunsten and EGPC.
   Google Scholar
• Pink, S. 2013. Doing Visual Ethnography. London: Sage Publications.
   Google Scholar
• Reason, M. 2006. Documentation, Disappearance and the Representation of Live Performance. Basingstoke: Palgrave MacMillan.
   Google Scholar
• Ryle, G. 1949. The Concept of Mind. London: Penguin Books.
   Google Scholar
• Salazar Sutil, N. 2015. Motion and Representation: The Language of Human Movement. Cambridge, MA: The MIT Press.
   Google Scholar
• Stancliffe, R. 2018. “Video Annotation for the Articulation and Transmission of Movement Knowledge.” Unpublished doctoral thesis. Coventry University.
   Google Scholar
• Stiegler, B. 1995. “The Discrete Image.” In Ethnographies of Television, edited by J. Derrida and B. Stiegler, 145–163. Cambridge: Polity.
   Google Scholar
• Stiegler, B. 2006. Nanomutations, Hypomnemata and Grammatisation. Translated by G. Collins [online]. 9 June 2016. http://www.arsindustrialis.org/node/2937.
   Google Scholar
• Stiegler, B. 2011. Technics and Time, 3: Cinematic Time and the Question of Malaise. Translated by S. Barker. Stanford, CA: Stanford University Press.
   Google Scholar
• Stiegler, B. 2014a. Symbolic Misery. Volume 1: The Hyperindustrial Epoch. Translated by B. Norman. Cambridge: Polity.
   Google Scholar
• Stiegler, B. 2014b. “Digital Studies as an Organology of the Mind.” YouTube. https://www.youtube.com/watch?v=UNK9PAOis9E&feature=emb_logo.
   Google Scholar
• The Ohio State University. 2020. Labanwriter. https://dance.osu.edu/research/dnb/laban-writer.
   Google Scholar
• Watts, V. 2013. “Archives of Embodiment: Visual Culture and the Practice of Score Reading.” In Dance on its Own Terms: Histories and Methodologies, edited by M. Bales and K. Eliot, 363–388. Oxford: Oxford University Press.
   Google Scholar
• Youngerman, S. 1984. “Movement Notation Systems as Conceptual Frameworks: The Laban System.” In Illuminating Dance: Philosophical Explorations, edited by M. Sheets-Johnstone, 103–123. London: Associated University Press.
   Google Scholar
• Ziegler, C. 2007. “Electronic Memory Design: From Archiving to Rehearsal Software.” In Capturing Intention: Documentation, Analysis and Notation Based on the Work of Emio Greco PC, edited by S. deLahunta, 34–41. Amsterdam: Amsterdam School of Arts.
   Google Scholar