References
- Aitken, R. (2007). Performing capital: Toward a cultural economy popular and global finance. New York, NY: Palgrave.
- Aitken, R. (2011). Financializing security: Political prediction markets and the commodification of uncertainty. Security Dialogue, 42, 123–141.
- Aitken, R..(2012). Staging the subjugated knowledges of finance (Unpublished Manuscript).
- Anonymous. (1884). Business gambling. The Century, 28, 629.
- Autogena, L., & Portway, J. (2001). Black shoals stock market planetarium. Copenhagen: Black Shoals Stock Market Planetarium. Retrieved from http://www.blackshoals.net/Thoughts.html
- Carrier, J. (1998). Introduction. In J. G. Carrier & D. Miller (Eds.), Virtualism: A new political economy (pp. 1–24). Oxford: Berg.
- Castells, M. (1996). The rise of the network society: He information age: Economy, society and culture, Vol. I. Oxford: Blackwell.
- Chu, T. (2009, October 29). Review: The Leona drive project. Mondomagazine.
- Clews, H. (1900). The wall street point of view. New York, NY: Silver, Burdett and Company.
- Conway, R. (2010). Liffeytown. Archiseek. September 2010. Retrieved from http://archiseek.com/
- Corte, F. (2010). Fred forest and the Traders’ Ball. New York, NY: Coverage 3d. Retrieved from http://coverage3d.com/the-lab-gallery-new-york-fred-forest
- Crawley, P. (2010). A river runs through it. Irish Times. Retrieved from http://fergalmccarthy.blogspot.com/
- Darley, A. (2000). Visual digital culture: Surface play and spectacle in new media genres. London: Routledge.
- de Goede, M. (2004). Repoliticizing financial risk. Economy and Society, 33, 200–202.
- de Goede, M. (2005a). Virtue, fortune and faith: A genealogy of finance. Minneapolis, MN: University of Minnesota Press.
- de Goede, M. (2005b). Carnival of money: Politics of dissent in an era of globalizing finance. In L. Amoore (Ed.), Global resistance reader (pp. 379–391). London: Routledge.
- Forest, F. (1984). For an aesthetics of communication. Paris: Web Net Musuem.
- Forest, F. (2010). Environment art on second life and in situ. The Traders’ Ball. New York, NY: Labgallery.
- Forest, F., Sugarman, D., & Weston, J. (1988). Communication esthetics, interactive participation and artistic systems of communication and expression. Design Issues, 4, 97–115.
- Foucault, M. (1980). Questions on geography. In C. Gordon (Ed.), Power/knowledge: Selected interviews and other writings 1972–1977 (pp. 63–77). New York, NY: Pantheon.
- Foucault, M. (2003). Society must be defended. New York, NY: Picador.
- Gibbs, M. (2001). Art and money. Art Monthly 246, p. 51.
- Glasner, D. (1997). Business cycles and depressions: An encyclopedia. New York, NY: Garland.
- Goggin, J. (2012). Regulating (virtual) subjects: Finance, entertainment and games. Journal of Cultural Economy, 5, 441–456.
- Grau, O. (2002). Immersion and interaction: From circular frescoes to interactive image spaces. Media Art Net. Retrieved from http://www.medienkunstnetz.de/themes/overview_of_media_art/immersion/.
- Grau, O. (2003). Virtual art: From illusion to immersion. Cambridge: MIT Press.
- Hochfelder, D. (2006). ‘Where the Common People Could Speculate’: The ticker, bucket shops, and the origins of popular participation in financial markets, 1880–1920. The Journal of American History, 93, 336–358.
- Hoyle. (1898). The game in wall street: And how to play it successfully. New York, NY: J. S. Olgivie.
- Huhatamo, E. (1996). Encapsulated bodies in motion: Simulators and the quest for total immersion. In S. Penny (Ed.), Critical issues in electronic media. New York, NY: State University of New York.
- Langley, P. (2008). The everyday life of global finance. Oxford: Oxford University Press.
- Leruth, M. (2004). From aesthetics to liminality: The web art of fred forest. Mosaic: A Journal for the Interdisciplinary Study of Literature, 37, 79–107.
- Leruth, M. (2005). Utopian art in reverse. Paris: Web Net Museum.
- Leyshon, A., & Thrift, N. (2007). The capitalization of almost everything: The future of finance and capitalism. Theory, Culture and Society, 24, 97–115.
- Liu, A. (2009a). Board games. Canadian Art.
- Liu, A. (2009b). Title deed. Toronto, ON: Public Access Collective and L.O.T.: Experiments in Urban Research.
- Mackenzie, D. (2006). An engine not a camera: How financial models shape markets. Cambridge: MIT Press.
- Mackenzie, D. (2008). The material production of virtuality: Innovation, cultural geography and facticity in derivatives markets. Economy and Society, 36, 355–376.
- Mackenzie, D. (2012). Knowledge production and financial markets: Credit default swaps, the ABX and the subprime crisis. Economy and Society, 41, 335–359.
- Marchessault, J., & Propokow, M. (2009). Leona drive project: Curator statement. Toronto, ON: Public Access Collective and L.O.T.: Experiments in Urban Research.
- Martin, R. (2002). Financialization of daily life. Philadelphia, PA: Temple University Press.
- Maurer, B. (2005). Does money matter? Abstraction and substitution in alternative financial forms. In D. Miller (Ed.), Materiality (pp. 140–164). Durham, NC: Duke University Press.
- Maurer, B. (2008). Resocializing finance? Or dressing it in Mufti? Journal of Cultural Economy, 1, 65–78.
- McCarthy, F. (2010, September 12–26). Liffeytown. Dublin: Installation.
- McLuhan, M. (1964). Understanding media: The extensions of man. New York, NY: McGraw-Hill.
- Mitchell, T. (2002). Rule of experts: Egypt, techno-politics, modernity. Berkeley, CA: University of California Press.
- Panitch, L., & Gindin, S. (2009). The current crisis: A socialist perspective. Studies in Political Economy, 83, 7–31.
- Panich, L., Gindon, S., & Albo, G. (2010). In and out of crisis: The global financial meltdown and left alternatives. Oakland, CA: PM Press.
- Parker Brothers. (1919). Pit: Exciting fun for everyone. New York, NY: Author. New York Historical Society, Linman Collection, Object 2000.401.
- Patterson, M., & Descheneau, P. (2011). Between desire and routine: Assembling environment and finance in carbon markets. Antipode, 43, 662–681.
- Paul, C. (2010). Fred forest and the Traders’ Ball. New York, NY, Coverage 3d. Retrieved from http://coverage3d.com/the-lab-gallery-new-york-fred-forest
- Power, M. (2004). The risk management of everything: Rethinking the politics of uncertainty. London: Demos.
- Preda, A. (2009). Framing finance: The boundaries of markets and modern capitalism. Chicago, IL: University of Chicago Press.
- Raley, R. (2009). Tactical media. Minneapolis, MN: University of Minnesota Press.
- Sacks, A. (2010). Interview with Adam Sacks. New York, NY: Coverage 3D. Retrieved from http://coverage3d.com/the-lab-gallery-new-york-fred-forest
- Seabrooke, L. (2006). The social sources of financial power: Domestic legitimacy and international financial orders. Ithaca, NY: Cornell University Press.
- Stallabrarss, J. (2001). A view from the fish tank. Copenhagen: Black Shoals Stock Market Planetarium. Retrieved from http://www.blackshoals.net/Writing.html
- Stanford, J. (1999). Paper boom: Why real prosperity requires a new approach to Canada’s economy. Toronto, ON: James Lorimer.
- Tomkins, C. (2010, March 29). Big art, big money: Juie Mehretu’s Mural. The New Yorker. 88.6, 62.
- Turner, A. (2009). The Turner review: A regulatory response to the global banking crisis. London: Financial Services Authority.
- Valenze, D. (2006). The social life of money in the english past. Cambridge: Cambridge University Press.
- Wagner, T. (2010). Financial speculation in victorian fiction: Plotting money and the novel genre, 1815–1901. Columbus, OH: The Ohio State University Press.
- Warwick Commission. (2009). The Warwick Commission on international financial reform: In praise of unlevel playing fields. Coventry: University of Warwick.