It is time for men and women to act: constructing a female-friendly space in a male-dominated scene

References

• Apriantikasari, Puji. 2020. Personal communication. (H. A. Daryana, Ed.). May 9th.
   Google Scholar
• Arien, Ayungtityas K.L. (2019). Personal communication.
   Google Scholar
• Barendregt, B., & Zanten, W. V. (2002). Popular music in Indonesia since 1998, in particular fusion, indie and islamic music on video compact discs and the internet. In Araujo, S. (Ed.), Yearbook for traditional music (Vol. 34, pp. 67–113). International Council for Traditional Music.
   Google Scholar
• Baulch, E. (2003). Gesturing elsewhere: the identity politics of the Balinese Death/Thrash metal scene. Popular Music, 22(2), 195–215. https://doi.org/10.1017/S026114300300312X
   Google Scholar
• Bennett, A. (2004). Consolidating the music scenes perspective. Poetics, 32(3–4), 223–234. https://doi.org/10.1016/j.poetic.2004.05.004
   Web of Science ®Google Scholar
• Björck, C. (2011). Claiming space: Discourses on gender, popular music, and social change. University of Gothenburg.
   Google Scholar
• Butler, J. (1990). Gender trouble. Routledge.
   Google Scholar
• Butler, J. (1993). Bodies that matter: On the discursive limits of “sex”. Routledge.
   Google Scholar
• Connell, R. (2005). Masculinities. University of California Press.
   Google Scholar
• Cope, A. L., Hawkins, P. S., & Burns, P. L. (2013). Black sabbath and the rise of heavy metal music. Ashgate Publishing Limited.
   Google Scholar
• Creswell, J. W., & David Creswell, J. (1994). Research design: Qualitative, quantitative & mixed methods approaches. SAGE Publications, Inc.
   Google Scholar
• Danaher, W. (2010). Music and social movements. Sociology Compass, 4(9), 811–823. https://doi.org/10.1111/j.1751-9020.2010.00310.x
   Google Scholar
• Daniels, E. A., & Leaper, C. (2011). Gender Issues. In B. B. Brown & M. J. Prinstein (Eds.), Encyclopedia of adolescence (pp. 151–159). Academic Press.
   Google Scholar
• Daryana, H., Priyatna, A., & Muhammad, M. (2020). The new metal men: Exploring model of flexible masculinity in the bandung metal scene. Masculinities & Social Change, 9(2), 148. https://doi.org/10.17583/mcs.2020.5020
   Google Scholar
• Dini, I. M., Fajriyah, M. Y., Fahmadia, E., & Lukitasari, I. (2020). Pembangunan Manusia Berbasis Gender. Kementerian Pemberdayaan Perempuan dan Perlindungan Anak (Kemen PPPA).
   Google Scholar
• Eyerman, R., & Jamison, A. (1998). Music and social movements: Mobilizing traditions in the twentieth century. Cambridge University Press.
   Google Scholar
• Fitriyana, F. (2012). Peran Komunitas dalam Pengembangan Kota Kreatif, Studi Kasus :Identifikasi Kekuatan Kolaboratif. Institut Teknologi Bandung. Bandung.
   Google Scholar
• Ginanjar, G. (2019). Personal communication. (H. A. Daryana, Ed.). May 14th.
   Google Scholar
• Hendriani, R. (2020). Personal communication.
   Google Scholar
• Hill, R. L. (2011). Is emo metal? Gendered boundaries and new horizons in the metal community. Journal for Cultural Research, 15(3), 297–313. https://doi.org/10.1080/14797585.2011.594586
   Google Scholar
• Jabir, Y. (2020). Personal communication. (H. A. Daryana, Ed.). Februari 1st.
   Google Scholar
• James, K., & Walsh, R. (2015). Bandung rocks, cibinong shakes: economics and applied ethics within the Indonesian death-metal community. Musicology Australia, 37(1), 28–46. https://doi.org/10.1080/08145857.2015.1021438
   Web of Science ®Google Scholar
• James, K., & Walsh, R. (2019). Religion and heavy metal music in Indonesia. Popular Music, 38(2), 276–297. https://doi.org/10.1017/S0261143019000102
   Web of Science ®Google Scholar
• Jocson-Singh, J. M. (2016). Individual thought patterns: Women in New York’s extreme metal music scene. Electronic, CUNY Academic Works.
   Google Scholar
• Kahn-Harris, K. (2007). Extreme metal music and culture on the edge. Berg.
   Google Scholar
• Kaufman, M. K. M. (2011). The guy’s guide to feminism. Seal Press: Distributed by Publishers Group West.
   Google Scholar
• Kimmel, M. (2011). The gendered society (4th ed). Oxford University Press.
   Google Scholar
• Kimmel, M. (2015). Why gender equality is good for everyone. TED. Retrieved July 7 from https://www.ted.com/talks/michael_kimmel_why_gender_equality_is_good_for_everyone_men_included
   Google Scholar
• Koskoff, E. (1989). Introduction. In E. Koskoff (Ed.), Women and Music in Cross-cultural perspective. University of Illinois press.
   Google Scholar
• Koskoff, E. C. S. (2014). Feminist ethnomusicology. Writings on Music and Gender.
   Google Scholar
• LeVine, M. (2009). Headbanging against repressive regimes: censorship of heavy METAL in the middle East, North Africa, Southeast Asia and China. Freemuse.
   Google Scholar
• Lowes, K. (2021). Both sides now: A practice-based enquiry into gender equality in the music industry.
   Google Scholar
• Machin, D. (2010). Analysing popular music: Image, sound, text. SAGE Publications Ltd. https://doi.org/10.4135/9781446280027
   Google Scholar
• McClary, S. (2002). Feminine endings: Music, gender, and sexuality . University of Minnesota Press.
   Google Scholar
• McSorley, K. (2020). Sexism and cisgenderism in music therapy spaces: An exploration of gender microaggressions experienced by music therapists. The Arts in Psychotherapy, 71, 101707. https://doi.org/10.1016/j.aip.2020.101707
   Web of Science ®Google Scholar
• Miles, M. B., Huberman, A. M., & Saldaña, J. (2014). Qualitative data analysis: A methods sourcebook (3rd ed.). SAGE Publications.
   Google Scholar
• Noorbani, M. A., & Nur, M. (2023). Tuhan, izinkan aku bernyanyi: rocker muslimah sunda dan resistensi terhadap stereotype. Setara: Jurnal Studi Gender dan Anak, 4(2), 161. https://doi.org/10.32332/jsga.v4i02.5730
   Google Scholar
• Nugraha, I. P. (2022). Personal communication. (Daryana, H. A., Ed.). July 17 th.
   Google Scholar
• Overell, R. (2021). Voicing the real in extreme metal. Continental Thought & Theory: A Journal of Intellectual Freedom Thinking Music: Praxis and Aesthetics, 3(3), 136–163. https://doi.org/10.26021/12231
   Google Scholar
• Parnohadiningrat, S. (2002). Further comments on the economy, with a gender perspective. In K. Robinson & S. Bessell (Eds.), Women in Indonesia: Gender, equity and development (pp. xxiii–xxv). Institute of Southeast Asian Studies.
   Google Scholar
• Pratiwi, A. M. (2015). Julia Suryakusuma: Ibuisme Negara adalah Perkawinan antara Feodalisme dan Kapitalisme. Jurnal Perempuan https://www.jurnalperempuan.org/warta-feminis/julia-suryakusuma-ibuisme-negara-adalah-perkawinan-antara-feodalisme-dan-kapitalisme
   Google Scholar
• Priyatna, A. (2018). Kajian Budaya Feminis: Tubuh, Sastra, dan Budaya Pop. Arti Bumi Intaran.
   Google Scholar
• Reitsma, K. (2014). A new approach: The feminist musicology studies of Susan McClary and Marcia J. Citron. Musical Offerings, 5(1), 37–63. https://doi.org/10.15385/jmo.2014.5.1.3
   Google Scholar
• Riches, G. (2014). Brothers of metal! Heavy metal masculinities, moshpit practices and homosociality. In S. Roberts (Ed.), Debating modern masculinities: Change, continuity, crisis? (pp. 88–105). Palgrave Macmillan UK.
   Google Scholar
• Riches, G. (2015). Re-conceptualizing women’s marginalization in heavy metal: A feminist post-structuralist perspective. Metal Music Studies, 1(2), 263–270. https://doi.org/10.1386/mms.1.2.263_1
   Google Scholar
• Ridho Widhiatmoko, A. (2019). Personal communication.
   Google Scholar
• Robinson, K., & Bessell, S. (2002). Further comments on the economy, with a gender perspective. Institute of Southeast Asian Studies.
   Google Scholar
• Rumadi, F., & Rizka, W. (2010). Perempuan Dalam Relasi Agama dan Negara Komnas Perempuan.Komnas Perempuan
   Google Scholar
• Savigny, H., & Sleight, S. (2015). Postfeminism and heavy metal in the United Kingdom: Sexy or sexist? Metal Music Studies, 1(3), 341–357. https://doi.org/10.1386/mms.1.3.341_1
   Google Scholar
• Sen, K., & Hill, D. T. (2000). Media, culture and politics in Indonesia. Oxford University Press.
   Google Scholar
• Straw, W. (1991). Systems of articulation, logics of change: Communities and scenes in popular music. Cultural Studies, 5(3), 368–388. https://doi.org/10.1080/09502389100490311
   Google Scholar
• Supriaman, K. (2020). Personal communication. (H. A. Daryana, Ed.). May 10th.
   Google Scholar
• Sutopo, O., Wibawanto, G., & Aryo Lukisworo, A. (2020). Melampaui Subkultur/Post-Subkultur: Musisi sebagai Jalan Hidup Kaum Mu. Jurnal Studi Pemuda, 9(1), 1–12. https://doi.org/10.22146/studipemudaugm.55325
   Google Scholar
• Sutopo, O. R. (2011). Masih Ada Alternatif Lain: Musisi Jazz sebagai Jalan Hidup Pemuda. In Azca, M. N., S. A. Margono & L. Wildan (Eds.), Pemuda Pasca Orba: Potret Kontemporer Pemuda Indonesia (pp. 217–232). YouSure UGM.
   Google Scholar
• Vasan, S. (2010). Women’s participation in the death metal subculture. University of Houston.
   Google Scholar
• Vasan, S. (2011). The price of rebellion: Gender boundaries in the death metal scene. Journal for Cultural Research, 15(3), 333–349. https://doi.org/10.1080/14797585.2011.594587
   Google Scholar
• Wallach, J. (2008). Modern noise, fluid genres: Popular music in Indonesia, 1997-2001. University of Wisconsin Press.
   Google Scholar
• Walser, R. (1993). Running with the devil: Power, gender, and madness in heavy metal music. Wesleyan University Press.
   Google Scholar
• Weinstein, D. (1991). Heavy metal: A cultural sociology. Lexington Books.
   Google Scholar
• Weinstein, D. (2000). Heavy metal: The music and its culture. Da Capo Press.
   Google Scholar
• Weinstein, D. (2016). Playing with Gender in the Key of Metal. In F. Heesch & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches. Routledge. 11-25. 9781315586458.
   Google Scholar
• Whiteley, S. (2000). Women and popular music sexuality, identity and subjectivity. Routledge.
   Google Scholar